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Talking of time and tide (2022)
Presentation / Conference
Ho, W. (2022, October). Talking of time and tide

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Talking of time and tide.

The DFC: Developing nonfiction policy frameworks after COVID (2022)
Book Chapter
Presence, S. (in press). The DFC: Developing nonfiction policy frameworks after COVID. In D. Sills-Jones, & P. Kaapa (Eds.), Documentary film cultures in the age of COVID-19 (177-199). (1). Oxford: Peter Lang International Academic Publishers

This chapter is based on research conducted under the aegis of the UK Feature Docs research project (2018-20, https://ukfd.org.uk/), a three-year study of the UK’s feature-length documentary film industry funded by the Arts and Humanities Research Co... Read More about The DFC: Developing nonfiction policy frameworks after COVID.

The view from the funders: An interview with Doc Society’s Sandra Whipham and Lisa Marie Russo (2022)
Book Chapter
Presence, S., & Quigley, A. (in press). The view from the funders: An interview with Doc Society’s Sandra Whipham and Lisa Marie Russo. In D. Sills-Jones, & P. Kaapa (Eds.), Documentary film cultures in the age of COVID-19 (48-61). (1). Oxford: Peter Lang International Academic Publishers

This interview explores the pandemic from the perspective of Doc Society, the lead body for UK documentary film funding. From the outset of the crisis to the formation of the Screen Sector Taskforce and the launch of the BFI Doc Society SOS Fund, the... Read More about The view from the funders: An interview with Doc Society’s Sandra Whipham and Lisa Marie Russo.

Intro to finding coherence across journals: Guidelines and criteria for making, curating, and publishing video essays (2021)
Digital Artefact
Crofts, C. (2021). Intro to finding coherence across journals: Guidelines and criteria for making, curating, and publishing video essays. [Video Presentation]

An increasing number of journals and conferences are opening up to non-conventional academic formats, with consideration of creative methods and productions, such as video essays. For instance, the free open community-led digital archive for media,... Read More about Intro to finding coherence across journals: Guidelines and criteria for making, curating, and publishing video essays.

Writing film industry history (2021)
Book Chapter
Spicer, A. (2021). Writing film industry history. In P. McDonald (Ed.), Collection: The routledge companion to media industries (429-438). London and New York: Routledge

This chapter provides a critical overview of the main ways in which film industry history has been formulated and described. It argues that any account must address three basic questions: (i) how film industry history has been defined and delimited (... Read More about Writing film industry history.

Divided by Law (2021)
Digital Artefact
(2021). Divided by Law. [Film and website content]

Captured just before and during the Coronavirus outbreak and in the lead up to Brexit, 'Divided by Law' bears witness to binational families and couples trying to cope with the UK's hostile immigration environment.

Mark Glancy, ‘Cary Grant, The Making of a Hollywood Legend,' UK book launch (2021)
Digital Artefact
Crofts, C. (2021). Mark Glancy, ‘Cary Grant, The Making of a Hollywood Legend,' UK book launch. [Live-streamed video presentation]

On what would have been Cary Grant’s 117th birthday, Mark Glancy – whose new book launches in the UK this week – talks about Cary Grant’s experiences growing up in Bristol, England, including startling new revelations about his family history, follow... Read More about Mark Glancy, ‘Cary Grant, The Making of a Hollywood Legend,' UK book launch.

An evening without Cary Grant (2020)
Digital Artefact
Crofts, C. (2020). An evening without Cary Grant. [Live-streamed Video Presentation]

‘An Evening Without Cary Grant’, commemorating the anniversary of Cary Grant’s death with Douglas J Miller who was there when he died, 29 Nov. On 29 November 1986, Cary Grant died in Davenport Iowa on tour with his A Conversation With Cary Grant... Read More about An evening without Cary Grant.

Sneak peek at Mark Glancy's 'Cary Grant, The Making of a Hollywood Legend’end’ (2020)
Digital Artefact
Crofts, C. (2020). Sneak peek at Mark Glancy's 'Cary Grant, The Making of a Hollywood Legend’end’. [Live-streamed Video Presentation]

Academic and author Mark Glancy joins Charlotte Crofts, director of the Cary Comes Home Festival, for a sneak peek of his new book, Cary Grant, The Making of a Hollywood Legend (OUP, 2020) which is published in the USA on 15 October and will be out i... Read More about Sneak peek at Mark Glancy's 'Cary Grant, The Making of a Hollywood Legend’end’.

‘An object of indecipherable bastardy – a real monster: Homosociality, homoeroticism and generic hybridity in dead man’s shoes’ (2013)
Book Chapter
Schwarz, C. (2013). ‘An object of indecipherable bastardy – a real monster: Homosociality, homoeroticism and generic hybridity in dead man’s shoes’. In Shane Meadows: Critical Essays (95-110). Edinburgh: Edinburgh University Press. https://doi.org/10.3366/edinburgh/9780748676392.003.0007

This chapter explores Shane Meadows's approaches to genre, arguing that hybrid forms of film type are employed in order to underscore the elements of myth which are evident in his work. In particular, it looks at how evocations of the monster weave t... Read More about ‘An object of indecipherable bastardy – a real monster: Homosociality, homoeroticism and generic hybridity in dead man’s shoes’.

‘Craicing the safe: The gangster figure in Dublin cinema’ (2011)
Book Chapter
Schwarz, C. (2011). ‘Craicing the safe: The gangster figure in Dublin cinema’. In J. Conolly, & C. Conolly (Eds.), World Film Locations Dublin (104-105). Bristol and Chicago: Intellect

World Film Locations: Dublin offers an engaging look at the many incarnations of the city onscreen through 50 synopses of the key scenes – either shot or set in Dublin – accompanied by a generous selection of full-colour film stills. Sophisticated ye... Read More about ‘Craicing the safe: The gangster figure in Dublin cinema’.