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Two sides to every story - letterpress printed bookworks by Andrew Morrison (2022)
Journal Article
Bodman, S. (2022). Two sides to every story - letterpress printed bookworks by Andrew Morrison. Printmaking Today, 31(122), 22-23

An interview with the book and letterpress artist Andrew Morrison whose studio is based in the South West of England, about his artists' books in progress that explore physical structures, phonetics and visual language.

Write Here - for Field Report (2022)
Physical Artefact
Bodman, S. Write Here - for Field Report. [Artist's Book]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2021 published the following year, June 2022. Artists contribute 100 pages of their 'report' which is a documentat... Read More about Write Here - for Field Report.

Maxwell's disappointment and Sutton's accident (2022)
Presentation / Conference
Klein, S. (2022, May). Maxwell's disappointment and Sutton's accident. Paper presented at Print in Art, Industry and Science, Online

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell's disappointment and Sutton's accident.

Artful Craft (2022)
Exhibition / Performance
Jorgensen, T. Artful Craft. [Glass, Ceramics]. Exhibited at Bovey Tracey, UK. 1 April 2022 - 2 July 2022. (Unpublished)

Celebrating our re-launch in 2022 with an exhibition focusing on the nature of craft, art and design in the 21st century. We are delighted that our president Peter Randall-Page RA, whose own work effortlessly straddles concepts in art with tradit... Read More about Artful Craft.

Read With Me (2022)
Physical Artefact
Bodman, S. Read With Me. [Risograph and relief print]. London/Bristol, UK

Read With Me. Extending from the experimental book project ‘Read to Me’, this book is the result of: a performative drawing event, readings by a psychometric reader, collages made during lockdown and words assembled from the dissected readings. It wa... Read More about Read With Me.

Global crafts: Woodblock prints with Wuon-Gean Ho (2022)
Digital Artefact
Ho, W. (2022). Global crafts: Woodblock prints with Wuon-Gean Ho. [https://japaninnorwich.org/2022/03/31/s2e23-global-crafts-woodblock-prints/]

This week Oliver is joined by Wuon-Gean Ho, printmaker and research associate at the University of West England’s Centre for Print Research, to discuss the place of mokuhanga, or woodblock printmaking, in the global spread of traditional crafts. Wuon... Read More about Global crafts: Woodblock prints with Wuon-Gean Ho.

New approaches with ceramic profile extrusion (2022)
Presentation / Conference
Jorgensen, T., Fraser, S., & Lightfoot, S. (2022, March). New approaches with ceramic profile extrusion

This paper and presentation concern the development of new methods with ceramic profile extrusion with the aim of expanding the creative exploration of architectural ceramic components. The project has established fast tooling workflows for the creat... Read More about New approaches with ceramic profile extrusion.

Ripley's Buttons (2022)
Physical Artefact
Bodman, S., & Dixon, J. Ripley's Buttons. [Badges]. Bristol

A collaboration with poet Jeremy Dixon of Hazard Press. A limited edition of 50 sets of 6 text and image badges in tribute to 'The Talented Mr Ripley' by Patricia Highsmith.

Maxwell’s Disappointment / Sutton’s Accident (2022)
Presentation / Conference
Klein, S. (2022, March). Maxwell’s Disappointment / Sutton’s Accident. Presented at IfM Buns Talk, Institute for Manufacturing, Department of Engineering , University of Cambridge

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell’s Disappointment / Sutton’s Accident.

Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design (2022)
Presentation / Conference
Fahy, N. (2022, March). Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design. Presented at Limerick School of Art & Design, Ireland, Limerick School of Art & Design, Ireland

Print Contemporary Practice (PCP) programme is delighted to invite all students to an online talk to be delivered by the PCP Alumni and Ph.D. student Niamh Fahy on Friday, March 11th, at 10:00 am to talk about her artistic and academic journey since... Read More about Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design.

How was it made? Linocut | Print techniques | Wuon-Gean Ho | V&A (2022)
Digital Artefact
Ho, W. (2022). How was it made? Linocut | Print techniques | Wuon-Gean Ho | V&A. [https://www.youtube.com/watch?v=ltiskoXIK2I&t=2s]

Follow printmaker Wuon-Gean Ho as she creates a linocut print using traditional Japanese woodblock gouges, discusses her process and the fellow printmakers that have inspired her. Discover how she imbues emotion and weaves narratives through her imag... Read More about How was it made? Linocut | Print techniques | Wuon-Gean Ho | V&A.

Looking into the Light - artists' books by Randi Annie Strand (2022)
Journal Article
Bodman, S. (2022). Looking into the Light - artists' books by Randi Annie Strand. Printmaking Today, 31(121), 22-23

Norwegian artist Randi Annie Strand’s current printmaking project takes inspiration from light refraction. The artists’ books and films created for her Prism series are separate yet intertwined, and each is unique. As she explains: a book is three-di... Read More about Looking into the Light - artists' books by Randi Annie Strand.

Artist’s Book Yearbook 2022-2023 (2022)
Book
Bodman, S., & Sowden, T. (2022). Artist’s Book Yearbook 2022-2023. Bristol: Impact Press

Articles and essays: BOOKS BOXED – Imi Maufe asks – What happens when a book is boxed? and discusses the use and potential of box structures in artist’s book design; In the first of two pieces, David Solo reports on the – Book Art Review (BAR) Conve... Read More about Artist’s Book Yearbook 2022-2023.

Man-made crystals: A review of their historic and contemporary context and use (2022)
Presentation / Conference
Boons, S. (2022, January). Man-made crystals: A review of their historic and contemporary context and use. Paper presented at 16th International Conference on Design Principles and Practices, University of Newcastle, Australia

This paper reports on the history and use of man-made crystals for jewellery in a contemporary context. The cross-disciplinary contextual review traces human fascination with gemstones back centuries, and covers key developments in their ‘imitation’.... Read More about Man-made crystals: A review of their historic and contemporary context and use.

Now you see it, now you don’t: Illusive color (2021)
Journal Article
Klein, S. (2021). Now you see it, now you don’t: Illusive color. The Californian Printmaker: The Journal Of The Californian Society Of Printmakers, 2021,

My practise is centered around color. As a scientist I can only emphasize that color is a miracle of the mind. Without the human soul, it does not exist. I am choosing the word soul and not brain, because colour is not only generated by the interacti... Read More about Now you see it, now you don’t: Illusive color.

Slow violence and the Slieve Aughty Mountains (2021)
Presentation / Conference
Fahy, N. (2021, December). Slow violence and the Slieve Aughty Mountains. Presented at Visual Culture Research Group, (Online) Visual Culture Research Group, University of the West of England, UK

The purpose of this presentation is to examine the cyclical methodologies of field work, deep mapping and printmaking employed to investigate the changing land use of the Slieve Aughty Mountains located in the West of Ireland. Landscapes subjected to... Read More about Slow violence and the Slieve Aughty Mountains.

Creative exploitation of laser processing: A new toolbox for textile design (2021)
Presentation / Conference
Morgan, L. (2021, December). Creative exploitation of laser processing: A new toolbox for textile design. Paper presented at Print in Art, Industry and Science, Institute of Physics

In this talk, Laura will discuss her design-led research on innovative digitally-driven surface treatments for colouration, 3D finishing and surface design of materials. She has developed multiple new opportunities to harness infrared laser irradiati... Read More about Creative exploitation of laser processing: A new toolbox for textile design.

Touch: Reflections on handling but not touching during the making process (2021)
Presentation / Conference
Jorgensen, T. (2021, December). Touch: Reflections on handling but not touching during the making process. Paper presented at Touch, virtual

The presentation provides reflections on an ongoing research enquiry which explores the clay extrusion process. A particular challenge in the project is the handling of the soft extruded shapes. The presentation outlines the challenges of minimising... Read More about Touch: Reflections on handling but not touching during the making process.