Skip to main content

Research Repository

See what's under the surface


Printing the Muses: Reimaging digital musical instruments through 2.5D printing (2019)
Conference Proceeding
Parraman, C., & Gaster, B. (2019). Printing the Muses: Reimaging digital musical instruments through 2.5D printing

The objective is to explore cross-disciplinary methods of converting musical terms for tactile interfaces, thus enabling people unfamiliar in creating music to be explorative through the development of novel musical interfaces. The project involves w... Read More about Printing the Muses: Reimaging digital musical instruments through 2.5D printing.

Intersections Exhibition 2019: Collaborations in Textile Design Research (2019)
Exhibition / Performance
Morgan, L., Winters, A., O'Nascimento, R., & Woods, E. Intersections Exhibition 2019: Collaborations in Textile Design Research. 12 September 2019 - 14 September 2019. (Unpublished)

Intersections celebrates the breadth of creative collaborations in textile design research. Centred around the four themes of textiles and architecture, textiles and interactions, textile materialities and processes, as well as critical textiles, th... Read More about Intersections Exhibition 2019: Collaborations in Textile Design Research.

Robotic etching: The creation of digital etching using robotics (2019)
Presentation / Conference
Lewis, V., Parraman, C., O'Dowd, P., & Chamberlain, I. (2019, July). Robotic etching: The creation of digital etching using robotics. Paper presented at EVA London 2019

1. Introduction This paper describes an investigation of a robot used within the traditional etching printmaking process. The use of a robot has been studied in two ways. First, for the novel affordances an autonomous robot provides within printmak... Read More about Robotic etching: The creation of digital etching using robotics.

2.5D Printing: Bridging the gap between 2D and 3D applications (2019)
Presentation / Conference
Parraman, C., & Ortiz Segovia, M. V. (2019, July). 2.5D Printing: Bridging the gap between 2D and 3D applications. Presented at Imaging Conference JAPAN 2019

In our fast evolving manufacturing world, as more things are designed and created digitally, how do we bridge the gap between images we see on screen and how these are physically reproduced? How convincing are these? As more images are digitally repr... Read More about 2.5D Printing: Bridging the gap between 2D and 3D applications.

Books of the future (2019)
Journal Article
Bodman, S. (in press). Books of the future. z.B. [zum Beispiel] [zum Buch] / [for example] [about books], autumn 2019,

Artists’ books have built and aligned their status according to the value of the printed book, so will arrive at their fate in parallel. If digital reading is going to be the majority method of the future, then how will physical books survive? And w... Read More about Books of the future.

Of ligament and ligature: A practice-led investigation of letterpress printed artists’ books in the UK (2019)
Thesis
Butler, A. C. Of ligament and ligature: A practice-led investigation of letterpress printed artists’ books in the UK. (Thesis). University of the West of England. Retrieved from https://uwe-repository....ribe.com/output/1492509

This thesis examines the practice of the contemporary maker of letterpress printed artists’ books in the UK. It focuses on individual and collaborative production of artists’ books with specific reference to utilisation of the letterpress process.... Read More about Of ligament and ligature: A practice-led investigation of letterpress printed artists’ books in the UK.

Digging up the past (2019)
Journal Article
Bodman, S. (in press). Digging up the past. Printmaking Today,

A new series of collaborative artists' books by Tamar MacLellan & Philippa Wood explores the contents of our gardens

What’s In The Box? Volume I (2019)
Exhibition / Performance
Sowden, T. (2000). What’s In The Box? Volume I. [artists' books]. 9 June 2019 - 9 June 2019. (Unpublished)

Published as a collection of artists’ books curated and edited by Tom Sowden. Each project involves MA Printmaking students, UWE staff and invited artists who are asked to contribute 16 pages for an artist’s book. Each book is digitally printed f... Read More about What’s In The Box? Volume I.

What’s In The Box? Volume II (2019)
Exhibition / Performance
Sowden, T. (2002). What’s In The Box? Volume II. [Artists's books]. 9 June 2019 - 9 June 2019. (Unpublished)

Published as a collection of artists’ books curated and edited by Tom Sowden. Each project involves MA Printmaking students, UWE staff and invited artists who are asked to contribute 16 pages for an artist’s book. Each book is digitally printed f... Read More about What’s In The Box? Volume II.

What’s In The Box? Volume IV (2019)
Exhibition / Performance
Sowden, T. (2006). What’s In The Box? Volume IV. [artists' books]. 9 June 2019 - 9 June 2019. (Unpublished)

Published as a collection of artists’ books curated and edited by Tom Sowden. Each project involves MA Printmaking students, UWE staff and invited artists who are asked to contribute 16 pages for an artist’s book. Each book is digitally printed from... Read More about What’s In The Box? Volume IV.

What’s In The Box? Volume III (2019)
Exhibition / Performance
Sowden, T. (2004). What’s In The Box? Volume III. [artists' books]. 9 June 2019 - 9 June 2019. (Unpublished)

Published as a collection of artists’ books curated and edited by Tom Sowden. Each project involves MA Printmaking students, UWE staff and invited artists who are asked to contribute 16 pages for an artist’s book. Each book is digitally printed f... Read More about What’s In The Box? Volume III.

9th International Book Art Festival: Correspondence (2019)
Exhibition / Performance
Bodman, S. L., Słowikowska, A., Tryzno, J., & Gilmore, A. (2012). 9th International Book Art Festival: Correspondence. [Artists' books]. 8 June 2019 - 8 June 2019. (Unpublished)

Sarah Bodman was the invited curator of British artists. The exhibition toured 2012-2014: Plocka Galeria, Plock, Galeria Miejska, Tarnow, Ksiaznica Pomorska, Szczecin, Biblioteka Miejska, Lublin, Galeria Dwor Karwacjanow, Gorlice, Szklany Dom, Cen... Read More about 9th International Book Art Festival: Correspondence.

What’s In The Box? Volume V (2019)
Exhibition / Performance
Sowden, T. (2008). What’s In The Box? Volume V. [artists' books]. 8 June 2019 - 8 June 2019. (Unpublished)

Published as a collection of artists’ books curated and edited by Tom Sowden. Each project involves MA Printmaking students, UWE staff and invited artists who are asked to contribute 16 pages for an artist’s book. Each book is digitally printed from... Read More about What’s In The Box? Volume V.

Sons of the Sea Russia (2019)
Exhibition / Performance
Bodman, S. L., & Pogarsky, M. (2011). Sons of the Sea Russia. [Artists' books]. 8 June 2019 - 8 June 2019. (Unpublished)

Curated by Mikhail Pogarsky and Sarah Bodman. We depend upon time, we depend upon the seasons, we depend on the sea. Seasons change our mood, influence our art, that is why art also depends upon the sea. This project was an art-investigation of seas... Read More about Sons of the Sea Russia.

Codex Event 8 (2019)
Exhibition / Performance
Laidler, P., Bodman, S. L., Sowden, T., & Mosely, T. Codex Event 8. [Exhibition]. 8 June 2019 - 8 June 2019. (Unpublished)

An Australian and British collaborative research project into pulp-printing, installation and artists’ books between Sarah Bodman, Paul Laidler, Tim Mosely, Monica Oppen and Tom Sowden. Codex Event 8 tackled the ‘urban jungle’, its physical mass... Read More about Codex Event 8.

RTI for RGB: Photographing mica based inks on black paper using reflectance transform imaging (2019)
Presentation / Conference
Parraman, C., & Klein, S. (2019, April). RTI for RGB: Photographing mica based inks on black paper using reflectance transform imaging. Paper presented at Transactions: Imaging/Art/Science: Image Quality, Content & Aesthetics

Over the last century printers rely on the combination of halftones and subtractive CMYK ink primaries to translate an image on screen into a colour print on paper. This is certainly commercially expedient for many industrial applications. However, t... Read More about RTI for RGB: Photographing mica based inks on black paper using reflectance transform imaging.

And now for something completely different: Woodburytype (2019)
Presentation / Conference
Klein, S., & Leech, D. (2019, April). And now for something completely different: Woodburytype. Presented at British Liquid Crystal Society 2019 Annual Conference

Woodburytype, invented by Walter B. Woodbury and patented in 1863, was the first commercially successful mechanical printing process for the permanent reproduction of photographic quality pictures and today is still unsurpassed in producing continuou... Read More about And now for something completely different: Woodburytype.

Beaconsfield residency (2019)
Exhibition / Performance
Dean, J. Beaconsfield residency. 7 March 2019 - 1 November 2013. (Unpublished)

This output consists of thirty works produced by Dean during her as artist-in-residency (March-November 2013) at the invitation of Beaconsfield directors David Crawforth and Naomi Siderfin (http://beaconsfield.ltd.uk/projects/judith-dean-residency/).... Read More about Beaconsfield residency.

Ed Ruscha Books & Co (2019)
Exhibition / Performance
Sowden, T. (2015). Ed Ruscha Books & Co. [artists' books]. 6 March 2019 - 1 May 2015. (Unpublished)

“Books & Co.” presents Ruscha’s legendary artist books together with those of more than 70 contemporary artists from all over the world—from Russia to Japan to the Netherlands, including artists' book by Tom Sowden, who have responded directly and di... Read More about Ed Ruscha Books & Co.