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All Outputs (72)

Woodblock printing as a means for 2.5D and 3D surface evaluation (2015)
Presentation / Conference
Baar, T., Olen, M., Parraman, C., & Ortiz Segovia, M. (2015, May). Woodblock printing as a means for 2.5D and 3D surface evaluation. Paper presented at AIC2015 Tokyo, Ochanomizu Solar City Conference Centre, Tokyo, Japan

Inspired by traditional Chiaroscuro woodblock printing techniques of the 16th century, we explore the use of multicolour impressions produced by relief prints as a means to evaluate the surface rendered with 2.5D and 3D printing technologies. Even t... Read More about Woodblock printing as a means for 2.5D and 3D surface evaluation.

Painting by numbers: Transforming fields and edges vectors (2015)
Presentation / Conference
Parraman, C., O'Dowd, P., & Harding, M. (2015, May). Painting by numbers: Transforming fields and edges vectors. Paper presented at AIC2015 Tokyo, Ochanomizu Solar City Conference Centre, Tokyo, Japan

This paper considers alternative approaches to image making and printing that moves from the on-screen representation of images and painting applications, to the physical generation and methods for surface deposition or 2.5D printing. The research in... Read More about Painting by numbers: Transforming fields and edges vectors.

Reproducing the old masters: A study in replicating dark colours with inkjet printing (2015)
Presentation / Conference
Olen, M., & Padfield, J. (2015, May). Reproducing the old masters: A study in replicating dark colours with inkjet printing. Paper presented at AIC2015 Tokyo, Ochanomizu Solar City Conference Centre, Tokyo, Japan

This paper presents work carried out to extend the available range of printable dark colours by incorporating the use of alternative direct channel and multiple pass printing techniques not usually employed within current inkjet printing workflows. T... Read More about Reproducing the old masters: A study in replicating dark colours with inkjet printing.

Cast and 3D printed ion exchange membranes for monolithic microbial fuel cell fabrication (2015)
Journal Article
Philamore, H., Philamorea, H., Rossiter, J., Walters, P., Winfield, J., & Ieropoulos, I. (2015). Cast and 3D printed ion exchange membranes for monolithic microbial fuel cell fabrication. Journal of Power Sources, 289, 91-99. https://doi.org/10.1016/j.jpowsour.2015.04.113

© 2015 Elsevier B.V. All rights reserved. We present novel solutions to a key challenge in microbial fuel cell (MFC) technology; greater power density through increased relative surface area of the ion exchange membrane that separates the anode and c... Read More about Cast and 3D printed ion exchange membranes for monolithic microbial fuel cell fabrication.

As seen: Modern British painting and visual experience (2015)
Journal Article
Pepperell, R., & Hughes, L. (2015). As seen: Modern British painting and visual experience. Tate Papers, Spring(23),

During the twentieth century several important British artists began to paint features of visual experience rarely ever painted before, including subjective curvature, double vision and the body seen from the first person viewpoint. In doing so they... Read More about As seen: Modern British painting and visual experience.

Towards UV-curable inkjet printing of biodegradable poly (lactic acid) fabrics (2015)
Journal Article
Karim, M. N., Afroj, S., Rigout, M., Yeates, S. G., & Carr, C. (2015). Towards UV-curable inkjet printing of biodegradable poly (lactic acid) fabrics. Journal of Materials Science, 50(13), 4576-4585. https://doi.org/10.1007/s10853-015-9006-0

There has been growing interest in using poly (lactic acid) (PLA) fibres because of its natural-based origin and good biodegradability; however, its adoption within the textile industry has been limited to lower temperature wet and dry processing, be... Read More about Towards UV-curable inkjet printing of biodegradable poly (lactic acid) fabrics.

BABE – The Fifth Bristol Artists Book Event (2015)
Exhibition / Performance
Bodman, S. L., & Sowden, T. (2015). BABE – The Fifth Bristol Artists Book Event. Exhibited at Bristol. 11 April 2015 - 12 April 2015. (Unpublished)

Curated event including 113 artists, publishers, dealers and presses from the Australia, Belgium, Denmark, Ireland, Norway, Sicily, Spain, South Korea and the UK, attracted 7150 visitors and held at the Arnolfini, Bristol, 11-12 April 2015.

3D printed glass investment casting moulds (2015)
Presentation / Conference
Jorgensen, T., & Matthias, G. (2015, March). 3D printed glass investment casting moulds. Presented at Material Matters 3D Printing Forum, Vancouver, Canada

Keynote at Material Matters 3D Printing Forum Conference, Emily Carr University of Art and Design, Vancouver, Canada.

'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries (2015)
Presentation / Conference
Presence, S., & Spicer, A. H. (2015, March). 'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries. Paper presented at Media Engagement International Conference, Lund University, Sweden

The paper stems from research undertaken as part of SiFTI (Success in the Film and Television Industries), a research project analysing the production cultures of several small-to-medium sized critically and commercially successful film and televisio... Read More about 'The general public don’t need to know who we are. We’re building a profile for the industry as a whole’: Inward engagement in the UK film and television industries.

Back from The Front (2015)
Digital Artefact
Chamberlain, I. (2015). Back from The Front

3 etchings selected for Exhibition and Catalogue, Pages 68-71 Exhibition at the Royal West of England Academy, Bristol July 2014 Editor Paul Gough, Back From The Front, Bristol RWA Published on Mar 18, 2015

Yellow - The LARQ Residency (2015)
Physical Artefact
Webb, R. Yellow - The LARQ Residency. [Oil]. LARQ, Queenstown, Tasmania

Richard Webb was the ninth invited Artist in Residence at LARQ, Queenstown, Tasmania for two months between March and May 2014. Whilst in Tasmania, he responded to the colour yellow which is mined in the local Queenstown mine.