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Outputs (128)

Unique reproduction: definitions of original printmaking in a digital age (2010)
Presentation / Conference
Hoskins, S. (2010, June). Unique reproduction: definitions of original printmaking in a digital age. Presented at Seacourt Print Workshop 2010 Symposium, The University of Ulster, Belfast Campus

The development of inkjet printers with light fast inks has made reproducing artists' images more ‘democratic’ – no advanced technical skill is required to transfer ink onto paper. These reproductions can be marketed as limited edition prints and in... Read More about Unique reproduction: definitions of original printmaking in a digital age.

Sympathetic transcriptions (2010)
Presentation / Conference
Laidler, P. (2010, June). Sympathetic transcriptions. Paper presented at CREATE conference, Gjovik University College, Gjovik, Norway

The technical prowess of the traditional master printer within collaborative printmaking has enabled the artist to produce technically proficient artwork without having to spend years acquiring the necessary skills to realise their ideas in print. Th... Read More about Sympathetic transcriptions.

Arnolfini bookshop showcase exhibition (2010)
Exhibition / Performance
Sowden, T. Arnolfini bookshop showcase exhibition. 1 June 2010 - 1 August 2010. (Unpublished)

Tom Sowden curated exhibitions of work at the Arnolfini created by SME's and sole traders who have worked with the CFPR through the bureau service and residencies on prototypes, bespoke designs and artefacts. The work on show was just a small selec... Read More about Arnolfini bookshop showcase exhibition.

New findings to colour changes in prints during long-term dark storage of prints (2010)
Presentation / Conference
Parraman, C. (2010, May). New findings to colour changes in prints during long-term dark storage of prints. Paper presented at 4th International Conference on: Preservation and Conservation Issues in Digital Printing and Digital Photography, Institute of Physics, London

The most important impact on colour fading in prints is exposure to light and air. However what happens to coloured prints during long-term storage in boxes, drawers and on shelves? In short very little, but changes do occur. Measurements to samples,... Read More about New findings to colour changes in prints during long-term dark storage of prints.