Skip to main content

Research Repository

Advanced Search

All Outputs (62)

From bitter ground (2023)
Digital Artefact
Abba, T. (2023). From bitter ground. [Book, website]

From Bitter Ground is an experience that weaves between the printed page, a building that cannot possibly exist, and your presence within the whole work. Taking the form of a set of books delivered to each of 2 readers, the work subsequently cons... Read More about From bitter ground.

Art engagement (2022)
Digital Artefact
Lloyd, L. (2022). Art engagement. [Feature article online and physical copy]

Lizzie Lloyd asks whether an artist needs to describe themselves as socially engaged in order to engage socially The assumption remains that work made with people is, almost by definition, an act of social goodness, moral altruism and political up... Read More about Art engagement.

Awarded the Intaglio Printmaking award at the NEO:printprize2016 - (2016)
Digital Artefact
Chamberlain, I. C. (2016). Awarded the Intaglio Printmaking award at the NEO:printprize2016 -

Two etchings, Dome I and Transmission IV were selected for the neo:printprize2016. I was also awarded the Intaglio Printmaking award. http://www.neoartists.co.uk/competition_awards.asp?compImageType=printprize2016 Preview Saturday 27th 2-4pm... Read More about Awarded the Intaglio Printmaking award at the NEO:printprize2016 -.

Select All (Placemats 1 and 2) (2016)
Digital Artefact
Dean, J. (2016). Select All (Placemats 1 and 2)

2 A4 laminated drawings, ink on paper, 2016; installation with Little Sod, a bronze sculpture, c. 22 x 14 x 9cm, 2006. Exhibited in Buffet d'Art, Meinblau Projektraum, Berlin, 2016.

Et Cetera (2015)
Digital Artefact
Dean, J. (2015). Et Cetera

ink on glass, max 492 x 234cm, DeptfordX, 2015

Zero sum, Halle 14: Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany 12 September - 8 November 2015 (2015)
Digital Artefact
Dickinson, R. (2015). Zero sum, Halle 14: Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany 12 September - 8 November 2015. [Single Channel Video, 5 Channel Audio]

Zero Sum was created and commissioned for the exhibition Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany (12 September - 8 November 2015). It consisted of an instructional video with an on screen avatar / instructor, whi... Read More about Zero sum, Halle 14: Control Mode Feedback / Kontrollmodus Feedback at Halle 14, Leipzig, Germany 12 September - 8 November 2015.

Prisoners (2015)
Digital Artefact
Flaxton, T. (2015). Prisoners

Research Artefact previously created as a narrative then re-purposed to explore Region Specific hot spots via interactive online latency free moving Images. Artefacts are uploaded online for user experience to investigate non tree-logic functionality... Read More about Prisoners.

Panel presentation at international symposium for electronic art 'Waves of technology' (2015)
Digital Artefact
Flaxton, T. (2015). Panel presentation at international symposium for electronic art 'Waves of technology'

This panel was formed to create a picture of, then interrogate the tsunami-like effect of the expanding capabilities of moving-image capture and display and place this within a reading of history that proposed that technology comes upon us insistentl... Read More about Panel presentation at international symposium for electronic art 'Waves of technology'.

New York winter sketches - Diptych (2014)
Digital Artefact
Flaxton, T. (2014). New York winter sketches - Diptych

Research Artefact created to explore mosaic or multi level imaging on two screens

Presentation on Kings Canyon (2014)
Digital Artefact
Flaxton, T. (2014). Presentation on Kings Canyon

This Presentation describes the inception of the project to explore and investigate Artefacts that are then uploaded online for researchers to investigate non tree-logic functionality. In this instance the beginning propositions concerned 3D perce... Read More about Presentation on Kings Canyon.

CMIR ONE
Digital Artefact
Flaxton, T. (2015). CMIR ONE

This exhibition included a my moving image Diptych of the youth of Bristol. I am engaged on a long term project which examines the effects of entrainment rather than the semantic 'reading of an artwork'by the audience. Each exhibition or artefact bec... Read More about CMIR ONE.

Bristol international festival of cinematography September 2015 (The creation of immersive learning and advanced innovation environments)
Digital Artefact
Flaxton, T., Sparke, S., & Boyle, G. (2015). Bristol international festival of cinematography September 2015 (The creation of immersive learning and advanced innovation environments)

From staging previous events (CML Tests, HDR Innovation Laboratory with UoB Fac of Engineering) CMIR had learned that an important issue within engagement between industry and academic disciplines is the osmotic learning process where both learn from... Read More about Bristol international festival of cinematography September 2015 (The creation of immersive learning and advanced innovation environments).

Higher dynamic range image generation laboratory Sept 2014
Digital Artefact
Flaxton, T., Sparke, S., & Boyle, G. (2014). Higher dynamic range image generation laboratory Sept 2014

Due to previous research undertaken with University of Bristol, Bristol Vision Institute, Professor Flaxton organised a Higher Dynamic Range Laboratory with staff and students from both UoB Faculty of Engineering and UWE's Centre for Moving Image Res... Read More about Higher dynamic range image generation laboratory Sept 2014.

Transmission
Digital Artefact
Chamberlain, I. (2014). Transmission

Transmission etching was selected for the 2014 Royal Academy Summer Show.

CML/CMIR camera tests Feb 2014
Digital Artefact
Flaxton, T., & Sparke, S. CML/CMIR camera tests Feb 2014

Centre for Moving Image Research and Cinematographers Mailing Lists began testing cameras and Camera Prototypes together in February 2014. These involved Professional Cinematographers and various professional crew members (Camera Assistants, Digital... Read More about CML/CMIR camera tests Feb 2014.

Orbit series of glass bowls
Digital Artefact
Jorgensen, T. (2014). Orbit series of glass bowls

This conference contribution is an exhibition of a series of glass bowls. These bowls are part of the output from the author’s investigation into a flexible tooling concepts known as Reconfigurable Pin Tooling (RPT) and the ‘Orbit’ series is the resu... Read More about Orbit series of glass bowls.

Pin bowls at Collect 2014
Digital Artefact
Jorgensen, T. (2014). Pin bowls at Collect 2014

Four glass pieces featured by the Wills Lane Galley in Collect 2014 @ The Saachi Gallery, London http://www.craftscouncil.org.uk/collect-2014-catalogue/files/assets/basic-html/index.html#1