All Outputs (31)

Looking through the eyes of machines as humans (2017)
Presentation / Conference
Laidler, P. (2017, December). Looking through the eyes of machines as humans. Paper presented at Post-digital printmaking. Redefinition of print., Wrocław, Poland

It has been suggested by a range of established commentators that digital technology may have potentially created a ‘mental change’ within the creative process of making graphic images and objects. Although this statement is somewhat broad and our ab... Read More about Looking through the eyes of machines as humans.

Chaim Soutine’s (1893-1943) sources and influence (2017)
Presentation / Conference
Franklin, L. (2017, November). Chaim Soutine’s (1893-1943) sources and influence. Paper presented at "Very strange and crazy, but I like it": the Life and Art of Chaim Soutine (1893-1943), lecture series hosted by the Royal West of England Academy, Bristol, Royal West of England Academy, Bristol

This lecture explores the range and complexity of Chaim Soutine’s (1893-1943) sources: who he was influenced by and what lessons he learned from the art of the past. Rembrandt (1606-1669) and Jean-Baptiste-Siméon Chardin (1699-1779) are two particula... Read More about Chaim Soutine’s (1893-1943) sources and influence.

Chaim Soutine’s (1893-1943) portraits (2017)
Presentation / Conference
Franklin, L. (2017, November). Chaim Soutine’s (1893-1943) portraits. Paper presented at "Very strange and crazy, but I like it": the Life and Art of Chaim Soutine (1893-1943), lecture series hosted by the Royal West of England Academy, Bristol, Royal West of England Academy, Bristol

This lecture considers the nature and importance of Chaim Soutine’s (1893-1943) portraits. Unlike his work in landscape and still life, which was mostly confined to the 1910s and 1920s, Soutine returned to portrait painting throughout his life. His p... Read More about Chaim Soutine’s (1893-1943) portraits.

Printmaking an industrial continuum, technology looking back to go forward (2017)
Presentation / Conference
Hoskins, S. (2017, November). Printmaking an industrial continuum, technology looking back to go forward. Presented at The First International Printmaking Conference: From Tradition to Transition: Aspects and Technologies of printmaking from the past to present day, Nicosia, Greece

This talk was composed of two halves; the first in essence is a history lesson on how printmaking relates to industrial printing. The second half explained the development of the Centre for Fine Print Research including the historic context of print... Read More about Printmaking an industrial continuum, technology looking back to go forward.

The development of methodologies for digital colour printing in textile design (2017)
Presentation / Conference
Gooby, B. (2017, November). The development of methodologies for digital colour printing in textile design. Poster presented at Textiles and Life, Manchester

This research project considers how designers can achieve colour fidelity when digitally printing on a range of fabrics, through exploring, and developing, existing colour tools and methods. Digital screen colour, a mix of red, green and blue light... Read More about The development of methodologies for digital colour printing in textile design.

Intuitive integration: A curricula model for teaching Critical and Contextual Studies (2017)
Presentation / Conference
Rintoul, J. (2017, November). Intuitive integration: A curricula model for teaching Critical and Contextual Studies. Paper presented at International Journal of Art and Design Education (iJADE) annual conference: Art and Design as Agent for Change, National College of Art and Design (NCAD), Dublin, Ireland

This conference paper proposes a curricula model and pedagogical approach that encourages students to work ‘intuitively’ as a means to empower them as learners and artists. This model draws together seemingly disparate knowledges from the studio and... Read More about Intuitive integration: A curricula model for teaching Critical and Contextual Studies.

Chaim Soutine (1893-1943): Life and Work (2017)
Presentation / Conference
Franklin, L. (2017, November). Chaim Soutine (1893-1943): Life and Work. Paper presented at "Very strange and crazy, but I like it": the Life and Art of Chaim Soutine (1893-1943), lecture series hosted by the Royal West of England Academy, Bristol, Royal West of England Academy, Bristol

This lecture provides an introduction to Parisian painter Chaim Soutine (1893-1943): when and where he lived, what he painted and how he sits within the context of interwar French art. Friends with Amedeo Modigliani (1884-1920), respected by Picasso,... Read More about Chaim Soutine (1893-1943): Life and Work.

Intuitive integration: A proposal for course design (2017)
Presentation / Conference
Rintoul, J. (2017, November). Intuitive integration: A proposal for course design. Paper presented at public symposium hosted by UWE Visual Culture Research Group (VCRG): Re-thinking Thinking in art and design education - thoughts on/from/with practice, Arnolfini, Bristol, England

Critical and Contextual Studies, Critical Studies, Contextual Studies, Visual Culture, Theory, Research, Art History and Contextual & Historical Studies are some of the many terms in circulation for forms of ‘theory’ in art and design education. Notw... Read More about Intuitive integration: A proposal for course design.

Othering the elderly: Autoethnography as counteractive methodological strategy (2017)
Presentation / Conference
Franklin, A. (2017, October). Othering the elderly: Autoethnography as counteractive methodological strategy. Paper presented at Aging and Society, International Interdisciplinary Conference, Gdańsk, Poland

This paper will first establish that 'the elderly' are habitually othered in the texts that endeavour to describe 'them' and their 'needs'. It will then argue that an intersectional conceptualising of identity construction aids a researcher who is en... Read More about Othering the elderly: Autoethnography as counteractive methodological strategy.

Age-appropriate dress? (2017)
Presentation / Conference
Franklin, A. (2017, October). Age-appropriate dress?. Paper presented at Aging and Society, International Interdisciplinary Conference, Gdańsk, Poland

This paper aims to contribute to the developing body of literature spanning dress, fashion and sociological theory which is concerned with unpicking the way in which the category of ‘old age’ is enacted within a symbolic economy of difference. More s... Read More about Age-appropriate dress?.

Working the break point: Maintenance, repair and failure in art (2017)
Presentation / Conference
Dillon, T. (2017, October). Working the break point: Maintenance, repair and failure in art. Presented at Screen City Biennial, Stavanger, Norway

Aesthetics of Repair (Migratory Art) Invited Panel at Screen City Bienalle Migrating Stories, Stavanger 12-31 Oct, 2017 Stavanger, Norway From cultures to aesthetics of repair: departing from the notion of cultures of repair (Peter Weibel, Glo... Read More about Working the break point: Maintenance, repair and failure in art.

JUGSTRUSIONS: Technological (in)determinism and the value of material knowledge (2017)
Presentation / Conference
Jorgensen, T. (2017, October). JUGSTRUSIONS: Technological (in)determinism and the value of material knowledge. Paper presented at The Ceramics Biennial, Ceramic Values - Can Ceramics make a difference?, Stoke on Trent, England

This conference contribution is proposed as a lecture and possibly also small exhibition. The contribution concerns a research project that explores new notions of the concept of technological determinism, which at its most extreme interpretation pro... Read More about JUGSTRUSIONS: Technological (in)determinism and the value of material knowledge.

Reproduction of 16th century multi-colour Chiaroscuro Woodblock Prints using digital technologies (2017)
Presentation / Conference
Parraman, C., Olen, M., Ortiz-Segovia, M., Baar, T., & McCallion, P. (2017, September). Reproduction of 16th century multi-colour Chiaroscuro Woodblock Prints using digital technologies. Poster presented at Blocks Plates Stones Conference, Courtauld Institute London

Inspired by 16th century multi colour Chiaroscuro Woodblock Prints, we have sought to develop methods to recreate blocks from existing onscreen images or from printed facsimiles, by measuring colours and colour separation methods to create individual... Read More about Reproduction of 16th century multi-colour Chiaroscuro Woodblock Prints using digital technologies.

Replicating dark colours from an old master painting using alternative methods in inkjet printing (2017)
Presentation / Conference
Olen, M., Padfield, J., & Parraman, C. (2017, September). Replicating dark colours from an old master painting using alternative methods in inkjet printing. Paper presented at Twenty-fifth Color and Imaging Conference Color Science and Engineering Systems, Technologies, and Applications, Lillehammer, Norway

One of the main challenges related to colour reproduction in the darker regions of the print. The limitations to the printer’s colour gamut restrict the ability to replicate a vast number of colours that can be achieved with printmaking and paint col... Read More about Replicating dark colours from an old master painting using alternative methods in inkjet printing.

Sound of the breakdown (2017)
Presentation / Conference
Dillon, T. (2017, September). Sound of the breakdown. Presented at ISSTA International Festival and Conference on Sound in the Arts, Science and Technology (ISSTA 2017), Dundalk Institute of Technology, Ireland

forthcoming

Journeys beyond Fine Art: Professional Practice, UWE Bristol (2017)
Presentation / Conference
Hayes, S. (2017, July). Journeys beyond Fine Art: Professional Practice, UWE Bristol. Paper presented at HEA Annual Conference, Manchester

Senior Lecturer in Fine Art and Module Leader for undergraduate Professional Practice and Work Experience Modules Sophie Hayes discusses UWE Fine Art’s approach and philosophy to Professional Practice

Widening participation: Rethinking the role of the HEI (2017)
Presentation / Conference
Thomson, S., & Franklin, A. (2017, July). Widening participation: Rethinking the role of the HEI. Paper presented at HEA Annual Conference 2017 Generation TEF: Teaching in the spotlight, Manchester, UK

This presentation will outline some of the key findings of the ‘Entry Level Employment in Bristol’s Creative Industries Sectors’ [ELEBCIS] research project; a study commissioned by Bristol City Council’s [BCC] Economy Team and funded by BCC, the Univ... Read More about Widening participation: Rethinking the role of the HEI.

Bristol Parkhive: An interdisciplinary approach to employability for arts, humanities and education students in a supercomplex world (2017)
Presentation / Conference
Franklin, A., & Thomson, S. (2017, July). Bristol Parkhive: An interdisciplinary approach to employability for arts, humanities and education students in a supercomplex world. Paper presented at HEA Annual Conference 2017 Generation TEF: Teaching in the spotlight, Manchester, UK

This paper will present the Bristol Parkhive project as a model for sustainable and mutually beneficial collaboration between universities, local governments and local community organisations. Bristol Parkhive is an innovative collaborative project d... Read More about Bristol Parkhive: An interdisciplinary approach to employability for arts, humanities and education students in a supercomplex world.

Bear Abouts: Sharing stories across the physical and digital (2017)
Presentation / Conference
Glowacki, B. R. (2017, June). Bear Abouts: Sharing stories across the physical and digital. Poster presented at IDC 2017, California, USA

We have developed an interactive storytelling platform for mobile devices that encourages children to engage in story creation across both digital and physical spaces. In our pilot study we have found that when using Bear Abouts, children engage in o... Read More about Bear Abouts: Sharing stories across the physical and digital.

From CMYK to RGB (2017)
Presentation / Conference
Parraman, C. (2017, June). From CMYK to RGB. Presented at First Impressions, Cork

For over a century, commercial printers and artists have sought to colour separate pictures using half toning methods and process colours of cyan magenta yellow and black to reproduce full colour prints. New developments in inks and pigments have tur... Read More about From CMYK to RGB.