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All Outputs (239)

Screen heritage, pervasive media practice and research: or, How does the Curzon Memories App create impact, public engagement and knowledge exchange? (2011)
Presentation / Conference
Crofts, C. (2011, May). Screen heritage, pervasive media practice and research: or, How does the Curzon Memories App create impact, public engagement and knowledge exchange?. Paper presented at Creative Media Research Group Seminar, University of the West of England, Pervasive Media Studio, Bristol, UK

Reflecting on how to make the route map of research for the Curzon Locative Media Project explicit in the lead up to REF 2014 in relation to the current shift towards "Impact", public engagement and KE both within UWE and the Research Council agenda.

The creation of art in a post-digital world (2011)
Presentation / Conference
Flaxton, T. (2011, May). The creation of art in a post-digital world. Paper presented at 8th Annual International Conference on Communication and Mass Media, Athens, Greece

Until now, appreciation of the nature of art has been derived from archaic and classical values. As far back as the introduction of the Greek myths – and specifically that of Echo and Narcissus, where Echo is Sound and Narcissus is image, the idea th... Read More about The creation of art in a post-digital world.

Adding it up and making it count… or how to write a research “route map” for REF 2014 (2011)
Presentation / Conference
Crofts, C. (2011, May). Adding it up and making it count… or how to write a research “route map” for REF 2014. Presented at Conservatoire of Dance and Drama Research and Knowledge Exchange Strategy Seminar, London, UK

This seminar will focus on the documentation and dissemination of creative arts research and knowledge exchange activities. Initial scoping work by CDD Research Associate, Anna Farthing, has revealed that: a) Some of the CDD schools’ existing ac... Read More about Adding it up and making it count… or how to write a research “route map” for REF 2014.

The Curzon Memories App: Designing a screen heritage experience (2011)
Presentation / Conference
Crofts, C. (2011, May). The Curzon Memories App: Designing a screen heritage experience. Presented at Invited Research seminar at Centre for Media and Cultural Research, Birmingham City University, Birmingham, UK

‘The Curzon Memories App: Designing a Screen Heritage Experience’ Dr Charlotte Crofts (University of the West of England) Charlotte.crofts@uwe.ac.uk I will present a practice-based research project based at the Curzon Community Cinema, Clevedon,... Read More about The Curzon Memories App: Designing a screen heritage experience.

The look: Exhibition and display: Digital projections (2011)
Presentation / Conference
Crofts, C. (2011, April). The look: Exhibition and display: Digital projections. Presented at The Look: Digital Cinema Aesthetics and Workflows Knowledge Exchange Symposium, Watershed Media Centre, Bristol / UWE

This session examines the conversion to digital projection and distribution, and charts how many cinemas worldwide are converting to digital. Now that editing is almost entirely accomplished via digital means, it is unusual that digital is taking lo... Read More about The look: Exhibition and display: Digital projections.

The Curzon creative technologies project: Context aware media in a screen heritage context (2011)
Presentation / Conference
Crofts, C. (2011, January). The Curzon creative technologies project: Context aware media in a screen heritage context. Paper presented at MeCCSA Annual Conference 2011, Salford University, Manchester, UK

Abstract for MeCCSA 2011 Conference The Curzon Creative Technologies Project: Context Aware Media in a Screen Heritage Context The practise-based project is based at the Curzon Community Cinema, Clevedon, home of the Curzon Collection, an arch... Read More about The Curzon creative technologies project: Context aware media in a screen heritage context.

The communist international and the challenge to British India, 1919–43 (2011)
Presentation / Conference
Kocho-Williams, A. (2011, January). The communist international and the challenge to British India, 1919–43. Poster presented at American Historical Association Annual Meeting, 2011, Boston, MA, USA

The poster presents, in a visual and graphic format, an overview of the Communist International (Comintern) and the challenge to British India in the years between the First and Second World Wars. The Comintern, composed of world communist parties, b... Read More about The communist international and the challenge to British India, 1919–43.

Behind the scenes of cognitive experimental SLA research (2010)
Presentation / Conference
Warren, P., Elgort, I., Larson, M., & Piasecki, A. E. (2010, December). Behind the scenes of cognitive experimental SLA research. Paper presented at 16th ALANZ Symposium, Victoria University of Wellington, New Zealand

Ceramics as show – site specific ceramics in 1950s London coffee bars (2010)
Presentation / Conference
Partington, M. (2010, September). Ceramics as show – site specific ceramics in 1950s London coffee bars. Paper presented at Ceramics on Show: Public and Private Displays, Victoria and Albert Museum, Lecture Theatre

This paper discusses the phenomenon of the London coffee bars of the 1950s from the point of view of the ceramics which were made for them by a small group of potters – primarily Margret Hine, William Newland and Nicholas Vergette. Whilst little if... Read More about Ceramics as show – site specific ceramics in 1950s London coffee bars.

Socially engaged practice, higher education and research – what’s the future? in demanding conversations: Socially engaged arts practices in a changing political climate - Panel chair (2010)
Presentation / Conference
Thomson, S., Fryer, L., Asante, B., & Boldon, A. (2010, September). Socially engaged practice, higher education and research – what’s the future? in demanding conversations: Socially engaged arts practices in a changing political climate - Panel chair. Presented at Demanding Conversations, Knowle West Media Centre, Bristol

This workshop session in Demanding COnversations focuses on the connections and relationships between Higher Education and community and arts organisations exploring a range of issues identified by key contributors and conference delegates. Demand... Read More about Socially engaged practice, higher education and research – what’s the future? in demanding conversations: Socially engaged arts practices in a changing political climate - Panel chair.

Chairs for Paying attention: digital media cultures and generational responsibility (2010)
Presentation / Conference
Crogan, P., & Dovey, J. (2010, September). Chairs for Paying attention: digital media cultures and generational responsibility

This conference was funded by the European Science Foundation and took place in September 6-9, 2010 in Linkoping, Sweden. It was co-convened by Jonathan Dovey and Patrick Crogan of UWE's Digital Cultures Research Centre. Keynote speakers were Bernard... Read More about Chairs for Paying attention: digital media cultures and generational responsibility.

What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004) (2010)
Presentation / Conference
Johnson, C. (2010, September). What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004). Paper presented at Radical British Screens, University of the West of England, Bristol, UK

British feminist art practice has a rich heritage of radical filmmaking, which has contributed to an understanding of radical feminist practice as subversive and oppositional. Crucial as these strategies are, the grounds upon which they were founded... Read More about What do radical feminist art films look like? Desire and duration in Sam Taylor-Wood’s David (2004).

Digital Projections (2010)
Presentation / Conference
Crofts, C. (2010, July). Digital Projections. Paper presented at From Silent Screen to Digital Screen: A Century of Cinema Exhibition, Phoenix Square, De Montfort University, Leicester

The fate of 35mm as an acquisition and exhibition medium is intimately connected with questions of future-proofing, archiving, preservation, and access, which are currently at the foreground of recent debates around screen heritage in the UK. In this... Read More about Digital Projections.

Oral history and research ethics in the creative arts and higher education (2010)
Presentation / Conference
Partington, M. (2010, July). Oral history and research ethics in the creative arts and higher education. Paper presented at ‘[Record] [Create]: Oral History in Art, Craft, and Design’, Oral History Society Annual Conference, V&A Museum, (Sackler Centre)

My paper looks at the ethical issues which arise out of human participant research in the visual arts, with particular reference to oral history interviewing. All higher education research which deals with human participants now has to undergo varyi... Read More about Oral history and research ethics in the creative arts and higher education.