All Outputs (293)

An investigation of affect in the cinema: Spectacle and the melodramatic rhetoric in Nil by Mouth (2013)
Journal Article
Presence, S. (2013). An investigation of affect in the cinema: Spectacle and the melodramatic rhetoric in Nil by Mouth

This article argues that the affective, visceral dimension of cinema spectatorship is a central component of our engagment with cinema. With reference to Tom Gunning's work on the cinema of attractions, I suggest that cinematic spectacle is affective... Read More about An investigation of affect in the cinema: Spectacle and the melodramatic rhetoric in Nil by Mouth.

A British empire of their own? Jewish entrepreneurs in the British film industry (2012)
Journal Article
Spicer, A. H. (2012). A British empire of their own? Jewish entrepreneurs in the British film industry. Journal of European Popular Culture, 3(2), 117-129. https://doi.org/10.1386/jepc.3.2.117_1

The article provides an overview of the contribution of Jewish entrrpreneurs to the British film industry from the beginnings through to the present. It argues that film was an open and rapidly expanding industry that offered exciting opportunities i... Read More about A British empire of their own? Jewish entrepreneurs in the British film industry.

Gendered violence (2012)
Journal Article
Franklin, A., & Johnson, C. Gendered violence. Manuscript submitted for publication

Publicar e ser danado: Como ser um editor institucional underground (2012)
Journal Article
Bodman, S. L. (2012). Publicar e ser danado: Como ser um editor institucional underground

2011 was a year of celebration for our reference publications at the Centre for Fine Print Research, which was the 10th anniversary of the Artist's Book Yearbook and the 5th anniversary of The Blue Notebook. Paul Silveira invited Sarah Bodman to writ... Read More about Publicar e ser danado: Como ser um editor institucional underground.

Futures in the making: Practices to anticipate 'ubiquitous computing' (2012)
Journal Article
Kinsley, S., & Kinsley, S. (2012). Futures in the making: Practices to anticipate 'ubiquitous computing'. Environment and Planning A, 44(7), 1554-1569. https://doi.org/10.1068/a45168

This paper addresses the discourse for a proactive thinking of futurity, intimately concerned with technology, which comes to an influential fruition in the discussion and representation of 'ubiquitous computing'. The imagination, proposal, or playin... Read More about Futures in the making: Practices to anticipate 'ubiquitous computing'.

Listening to the tube map: Rhythm and the historiography of urban map use (2012)
Journal Article
Hornsey, R. (2012). Listening to the tube map: Rhythm and the historiography of urban map use. Environment and Planning D: Society and Space, 30(4), 675-693. https://doi.org/10.1068/d1410

This paper is in two parts. In the first half I consider the challenge posed by the recent performative turn in critical cartography to the urban historical geographer. If maps come into being only within the diverse moments of their use, then how ca... Read More about Listening to the tube map: Rhythm and the historiography of urban map use.

Paying attention: Toward a critique of the attention economy (2012)
Journal Article
Crogan, P., & Kinsley, S. (2012). Paying attention: Toward a critique of the attention economy

This is the introduction to the special issue of Culture Machine co-edited by the authors and drawn from the 2010 conference of the same name co-convened by the Digital Cultures Research Centre for the European Science Foundaiton (see www.payingatten... Read More about Paying attention: Toward a critique of the attention economy.

Un Manifesto para o Livro (A Manifesto for the Book) (2012)
Journal Article
Bodman, S. L., & Sowden, T. (2012). Un Manifesto para o Livro (A Manifesto for the Book)

A Manifesto for the Book was first published as a free online download as part of the findings from a two-year AHRC funded research project on the future of the artist’s book in the digital age(http://www.bookarts.uwe.ac.uk/canon.htm). The manife... Read More about Un Manifesto para o Livro (A Manifesto for the Book).

Printmaking – new and old technologies – a conversation (2012)
Journal Article
Laidler, P., & Coldwell, P. (2012). Printmaking – new and old technologies – a conversation

This paper, through a conversation between Professor Coldwell and Dr Laidler, considers the ongoing relationship between old and new technologies within fine art printmaking. In particular it explores how ideas move between virtual and real, and the... Read More about Printmaking – new and old technologies – a conversation.

We’re happy and we know it: Documentary, data, montage (2012)
Journal Article
Dovey, J., Dovey, J., & Rose, M. (2012). We’re happy and we know it: Documentary, data, montage. Studies in Documentary Film, 6(2), 159-173. https://doi.org/10.1386/sdf.6.2.159_1

This article is concerned with the social praxis of documentary in the sea of ‘ubiquitous data’ that is both consequence and driver of online social mediation. The topic is given importance by the morphing of the character of video in the context of... Read More about We’re happy and we know it: Documentary, data, montage.

Interactive multimedia ethnography: Archiving workflow, interface aesthetics and metadata (2012)
Journal Article
Matthews, P., & Aston, J. (2012). Interactive multimedia ethnography: Archiving workflow, interface aesthetics and metadata. Journal on Computing and Cultural Heritage, 5(4), Article 14. https://doi.org/10.1145/2399180.2399182

Digital heritage archives often lack engaging user interfaces that strike a balance between providing narrative context and affording user interaction and exploration. It seems nevertheless feasible for metadata tagging and a "joined up" workflow to... Read More about Interactive multimedia ethnography: Archiving workflow, interface aesthetics and metadata.

Against the grain: Knust print collective (2012)
Journal Article
Bodman, S. L. (2012). Against the grain: Knust print collective. Printmaking Today, 21(2), 27

Artists' books in Australia (2012)
Journal Article
Bodman, S. L. (2012). Artists' books in Australia

6,000-word,invited, illustrated article for ‘The Journal of Artists’ Books’ (JAB) published by Columbia College Chicago Center for Book and Paper Arts, Chicago, USA (http://journalofartistsbooks.org), JAB 31, March 23, 2012. The article provides a... Read More about Artists' books in Australia.

No place like home (2012)
Journal Article
Bodman, S. L. (2012). No place like home. Printmaking Today, 21(4), 13

Philippa Wood and Angie Butler, in the USA, produce books that celebrate life's quiet and comforting domestic pleasures, writes Sarah Bodman.

Playing with space (2012)
Journal Article
Bodman, S. L. (2012). Playing with space. Printmaking Today, 21(3), 15

American artist Heidi Neilson's books explore the mysteries of the universe via miniature props and ingenious invention, writes Sarah Bodman.

Publish and be damned: How to be an underground institutional publisher (2012)
Journal Article
Bodman, S. L. (2012). Publish and be damned: How to be an underground institutional publisher

The Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol UK publishes reference materials on contemporary printmaking and related areas for an international audience. Three of its established publications focus on a... Read More about Publish and be damned: How to be an underground institutional publisher.

Sound and vision: Chromatic fields, an artist’s book collaboration by Duncan Bullen and Jamie Croft (2012)
Journal Article
Bodman, S. L. (2012). Sound and vision: Chromatic fields, an artist’s book collaboration by Duncan Bullen and Jamie Croft. Printmaking Today, 21(1), 33

The phoenix of Baghdad: An inventory of Al-Mutanabbi Street (2012)
Journal Article
Bodman, S. L. (2012). The phoenix of Baghdad: An inventory of Al-Mutanabbi Street

Book artists are uniting to draw attention, not to their own skill, but to the loss of the lives of fellow book workers when Al-Mutanabbi Street in Baghdad was bombed in 2007. We should celebrate the fact that images still spark powerful emotions and... Read More about The phoenix of Baghdad: An inventory of Al-Mutanabbi Street.

Codex Event 8: An Australian and British Collaboration of pulp-printing, installation and artists’ books with Sarah Bodman, Paul Laidler, Tim Mosely, Monica Oppen and Tom Sowden 2011-2012 (2012)
Journal Article
Bodman, S. L., Sowden, T., Laidler, P., & Moseley, T. (2012). Codex Event 8: An Australian and British Collaboration of pulp-printing, installation and artists’ books with Sarah Bodman, Paul Laidler, Tim Mosely, Monica Oppen and Tom Sowden 2011-2012

A co-authored article by all the artists for Imprint journal, Australia, September 2012. Sarah Bodman and Paul Laidler from the Centre for Fine Print Research (CFPR) at UWE, Bristol, UK joined Tim Mosely in Brisbane at Queensland College of Art (Q... Read More about Codex Event 8: An Australian and British Collaboration of pulp-printing, installation and artists’ books with Sarah Bodman, Paul Laidler, Tim Mosely, Monica Oppen and Tom Sowden 2011-2012.

Editing (and) individuation (2012)
Journal Article
Crogan, P. (2012). Editing (and) individuation. New Formations: A Journal of Culture, Theory, Politics, 97-110

This essay will explore aspects of Bernard Stiegler's theorisation of film editing as the construction of a flux of perceptual experience at the heart of the industrialisation of attention characteristic of modern and contemporary technocultures. Thi... Read More about Editing (and) individuation.