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All Outputs (21)

Plastic justice (2022)
Presentation / Conference
Vickress, A., & Kyratzis, S. (2022, November). Plastic justice. Paper presented at ELIA Biennial Conference 2022 NO STONE UNTURNED 23 – 26 November, Helsinki, Finland

Plastic Justice presentation given at ELIA Biennial Conference 2022 NO STONE UNTURNED 23 – 26 November. About Plastic Justice: Research and curricula design for Plastic Justice, an educational programme, including a conference, exhibition and webs... Read More about Plastic justice.

Climate classroom (2022)
Presentation / Conference
Vickress, A., & Kyratzis, . S. (2022, November). Climate classroom. Presented at ELIA Biennial Conference 2022 NO STONE UNTURNED, Helsinki, Finland

Climate Classroom presentation given at ELIA Biennial Conference 2022 NO STONE UNTURNED 23 – 26 November. About Plastic Justice: Research and curricula design for Plastic Justice, an educational programme, including a conference, exhibition and we... Read More about Climate classroom.

Acts of transfer: Connecting socially-engaged practice (2022)
Presentation / Conference
Lloyd, L., & Beinart, K. (2022, November). Acts of transfer: Connecting socially-engaged practice. Presented at Connective Symposium, Fontys University of the Arts Tilburg, The Netherlands

This paper will present our recent practice-based artistic research project ‘Acts of Transfer’, which involved revisiting and reactivating artworks from the recent past, all of which were developed or enacted through some form of social engagement or... Read More about Acts of transfer: Connecting socially-engaged practice.

Let’s play together: The role of positive, creative & collective practices towards climate emergency retrofit in a context of technocratic domination (2022)
Presentation / Conference
Lovesmith, G., & Rasbash, Z. (2022, November). Let’s play together: The role of positive, creative & collective practices towards climate emergency retrofit in a context of technocratic domination. Paper presented at Radical Architecture Practices for Sustainability, 2022, TU Eindhoven

Throughout 2022 & 2023 Watershed Bristol (cultural cinema, talent development & creative technology centre) will be working with George Lovesmith, architect & socially-engaged artist on plans to adapt their grade II listed (UK heritage status) buildi... Read More about Let’s play together: The role of positive, creative & collective practices towards climate emergency retrofit in a context of technocratic domination.

2022 PSBN visiting artist lecture by Wuon-Gean Ho (2022)
Presentation / Conference
Ho, W. (2022, November). 2022 PSBN visiting artist lecture by Wuon-Gean Ho

Wuon-Gean Ho gives a talk on how her latest series of narrative prints started six years ago, and traces the development of various themes through her work.

Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23 (2022)
Presentation / Conference
Ho, W. (2022, October). Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23.

Talking of time and tide (2022)
Presentation / Conference
Ho, W. (2022, October). Talking of time and tide

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Talking of time and tide.

Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte (2022)
Presentation / Conference
Ho, W. (2022, October). Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte

Wuon-Gean Ho reflects on how she made the transition from studying as a veterinarian in Cambridge University to a career as an artist researcher working at the Centre for Print Research, UWE Bristol. She touched upon some of the residencies she has e... Read More about Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte.

The synthetic landscape (2022)
Presentation / Conference
Chamberlain, I. (2022, September). The synthetic landscape. Paper presented at IMPACT - International printmaking conference, UWE, Bristol , UK

Under the title of ‘The Synthetic Landscape’ I will be presenting and discussing my ongoing practice and related conceptual themes. My work focuses on the use architectural metaphors to investigate ideas around Isolation and boundaries. I will... Read More about The synthetic landscape.

Meet me at the edge of infinity (2022)
Presentation / Conference
Ho, W. (2022, September). Meet me at the edge of infinity. Paper presented at IMPACT 12 Printmaking Conference, UWE Bristol

Colourful rainbow rolls, subtle blends, smoky à la poupée and shimmering bokashi appear in many types of print. These colour gradients are a continuous and gradual transformation from one colour to another, with no clear boundaries. They are a visual... Read More about Meet me at the edge of infinity.

Re-imagining the university through hope in pedagogy (2022)
Presentation / Conference
Bell, R., & Baeza Ruiz, A. (2022, July). Re-imagining the university through hope in pedagogy. Presented at 22nd Utopian Studies Society Conference 2022, University of Brighton

Co-authored conference paper exploring ideas of care, hope, nourishment and object-based teaching as part of a panel focused on 'Hope and the University'. With Dr Ana Baeza Ruiz (Loughborough University; Prado Madrid).

Thinking images through words: On Melanie Stidolph's A body in parts interjects (2022)
Presentation / Conference
Lloyd, L. (2022, June). Thinking images through words: On Melanie Stidolph's A body in parts interjects. Presented at Parallels/Encounters: Art Words and their Meeting, University of Plymouth /Online

Presentation on the value of in-progress conversations between artists and writers, and why we should all be doing this more often.

‘Familiarity’ breeds content: Wendell Berry, T. J. Clark and arts pedagogy (2022)
Presentation / Conference
Franklin, L. (2022, June). ‘Familiarity’ breeds content: Wendell Berry, T. J. Clark and arts pedagogy. Paper presented at 2020 Convivium Conference: ‘Inhabiting Memories & Landscapes’: A cross-disciplinary engagement with Wendell Berry, Brecon Cathedral, Wales

This paper is about the difference between ‘knowledge’ and ‘familiarity’ and how repetitive exposure changes our relationship with things, people and places. As a conceptual framework, this paper first considers the approach of American poet, far... Read More about ‘Familiarity’ breeds content: Wendell Berry, T. J. Clark and arts pedagogy.

The radical potential in becoming: Disembodied breasts and maternal femininity (2022)
Presentation / Conference
Rintoul, J., & Johnson, C. (2022, May). The radical potential in becoming: Disembodied breasts and maternal femininity. Paper presented at The Virgin’s Milk in Global Perspective: On the Fluidity of Images and the Politics of Divine Presence, Amherst College, Massachusetts, USA

Renaissance depictions of the Nursing Virgin are replete with incongruities and juxtapositions. Her rounded feeding breast is absurdly positioned and shaped in contrast to a flat space where her non-feeding breast should be; She has a dual identity a... Read More about The radical potential in becoming: Disembodied breasts and maternal femininity.

Maxwell's disappointment and Sutton's accident (2022)
Presentation / Conference
Klein, S. (2022, May). Maxwell's disappointment and Sutton's accident. Paper presented at Print in Art, Industry and Science, Online

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell's disappointment and Sutton's accident.

The alchemical dream of man-made crystals (2022)
Presentation / Conference
Boons, S. (2022, April). The alchemical dream of man-made crystals. Presented at LANS Lab Seminar, Birmingham University

Contemporary jewellers are considered artists of the miniature sentiment and crafters of the wearable statement. Outside the realm of status and commodity, jewellery can be used to visualise the intangible and conceptual, creating objects and adornme... Read More about The alchemical dream of man-made crystals.

New approaches with ceramic profile extrusion (2022)
Presentation / Conference
Jorgensen, T., Fraser, S., & Lightfoot, S. (2022, March). New approaches with ceramic profile extrusion

This paper and presentation concern the development of new methods with ceramic profile extrusion with the aim of expanding the creative exploration of architectural ceramic components. The project has established fast tooling workflows for the creat... Read More about New approaches with ceramic profile extrusion.

Maxwell’s Disappointment / Sutton’s Accident (2022)
Presentation / Conference
Klein, S. (2022, March). Maxwell’s Disappointment / Sutton’s Accident. Presented at IfM Buns Talk, Institute for Manufacturing, Department of Engineering , University of Cambridge

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell’s Disappointment / Sutton’s Accident.

Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design (2022)
Presentation / Conference
Fahy, N. (2022, March). Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design. Presented at Limerick School of Art & Design, Ireland, Limerick School of Art & Design, Ireland

Print Contemporary Practice (PCP) programme is delighted to invite all students to an online talk to be delivered by the PCP Alumni and Ph.D. student Niamh Fahy on Friday, March 11th, at 10:00 am to talk about her artistic and academic journey since... Read More about Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design.