Outputs (40)

3D printing the Woodburytype – Plastic printing the plate or gel printing the image? (2020)
Conference Proceeding
Leech, D., Guy, W., & Klein, S. (in press). 3D printing the Woodburytype – Plastic printing the plate or gel printing the image?

The Woodburytype process is one of the only printing processes capable of producing continuous tone. It is a 2.5D process that produces a textured relief print from a gelatin-based ink that contains no photo-active element and therefore does not degr... Read More about 3D printing the Woodburytype – Plastic printing the plate or gel printing the image?.

The reconstruction of the appearance of the Acancéh frieze by 2.5D printing (2020)
Conference Proceeding
Klein, S., Trujillo Vazquez, A., Calvet, X. A., & Parraman, C. (in press). The reconstruction of the appearance of the Acancéh frieze by 2.5D printing

The aim of the project is to reconstruct the appearance of the Maya frieze of the Palace of the Stuccoes in Acancéh Yucatán, dating from c. 350 BC to AD 850. The frieze itself is destroyed by now but was documented by Adela Breton in 1907. Her waterc... Read More about The reconstruction of the appearance of the Acancéh frieze by 2.5D printing.

Lire entre les couvertures: petite exploration des liens qui unissent artistes, livres et bibliothèques (2020)
Conference Proceeding
Bodman, S. (in press). Lire entre les couvertures: petite exploration des liens qui unissent artistes, livres et bibliothèques.

The field of artists' books has grown exponentially over the last 30 years. The range of subject matter and context held within it includes that of many practitioners and curators who use the artist's book as a means of exploring our relationship wit... Read More about Lire entre les couvertures: petite exploration des liens qui unissent artistes, livres et bibliothèques.

Syntax and desire in early landscape photography (2020)
Conference Proceeding
Goldschmidt, L., & Klein, S. (in press). Syntax and desire in early landscape photography

With the invention of photography, landscape photography was born. For the first time, it was possible to depict the 'truth of nature'. Some English photographers chose the syntax of European landscape paintings to capture bucolic scenes, idealizing... Read More about Syntax and desire in early landscape photography.

Historical 2.5D photomechanical printing (2019)
Conference Proceeding
Klein, S., & Parraman, C. (2019). Historical 2.5D photomechanical printing. In Proceedings of the Imaging Conference JAPAN 2019. , (215-217)

One of the technological achievements of the 19th century was the mass reproduction of photographic images. Woodburytype was the first commercially successful photomechanical continuous tone printing method, of unsurpassed quality until today, and, a... Read More about Historical 2.5D photomechanical printing.

Robotic ceramic paste extrusion for industrial prototyping and production (2019)
Conference Proceeding
Huson, D. (2019). Robotic ceramic paste extrusion for industrial prototyping and production. In Printing for Fabrication 2019 (38-41). https://doi.org/10.2352/ISSN.2169-4451.2019.35.38

Ceramic additive layer manufacture employs a range of different technologies including ceramic paste extrusion, powder/ binder jet and UV and daylight cure ceramic loaded resins. Each of these technologies has its own set of advantages and disadvanta... Read More about Robotic ceramic paste extrusion for industrial prototyping and production.

Printing the Muses: Reimaging digital musical instruments through 2.5D printing (2019)
Conference Proceeding
Parraman, C., & Gaster, B. (2019). Printing the Muses: Reimaging digital musical instruments through 2.5D printing

The objective is to explore cross-disciplinary methods of converting musical terms for tactile interfaces, thus enabling people unfamiliar in creating music to be explorative through the development of novel musical interfaces. The project involves w... Read More about Printing the Muses: Reimaging digital musical instruments through 2.5D printing.

The art of sonic deception (2019)
Conference Proceeding
Dillon, T. (2019). The art of sonic deception. In J. L. Marzo (Ed.), After Post-Truth: Interface Politics Conference, 2nd International Conference (319-330)

Sonic deception is the tactical use of sound to confuse, misguide and disrupt. Discourses of deception, trust and the semiotics of suspicion often neglect sound in favour of more linguistic, verbal readings. Drawing on Goodman’s (2009) analysis of th... Read More about The art of sonic deception.

Robotic etching: The creation of digital etching using robotics (2019)
Conference Proceeding
Winslow, V., O’Dowd, P., Chamberlain, I., & Parraman, C. (2021). Robotic etching: The creation of digital etching using robotics. In Proceedings of EVA London 2019 (97-102). https://doi.org/10.14236/ewic/EVA2019.20

This paper looks at the potentials afforded by robots when applied to traditional printing techniques such as etching. Through experiments using an adapted drawing robot, this study explores the possibilities of creating works where a traditional etc... Read More about Robotic etching: The creation of digital etching using robotics.

Integrating electronic components into deformable objects based on user interaction data (2019)
Conference Proceeding
Worgan, P., Reuss, K., & Mueller, S. (2019). Integrating electronic components into deformable objects based on user interaction data. In TEI '19: Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction (345-350). https://doi.org/10.1145/3294109.3295629

With an increased interest in Organic User Interface, it becomes more and more important to help designers create deformable devices. One current challenge is the integration of rigid and soft electronic components with the device. In this paper, we... Read More about Integrating electronic components into deformable objects based on user interaction data.