Skip to main content

Research Repository

Advanced Search

The art of sonic deception

Dillon, Teresa

The art of sonic deception Thumbnail


Authors

Teresa Dillon Teresa.Dillon@uwe.ac.uk
Professor in Design Innovation



Contributors

Jorge L Marzo
Editor

Abstract

Sonic deception is the tactical use of sound to confuse, misguide and disrupt. Discourses of deception, trust and the semiotics of suspicion often neglect sound in favour of more linguistic, verbal readings. Drawing on Goodman’s (2009) analysis of the vibrational force of sound in conflict and its potential as a sensory tactic of fear, the work of sound artists including Joe Banks (aka Disinformation) and the work of Martin Howse, Eric Berger and Mario de Vega in making audible the electromagnetic spectrum, this short paper examines the relationship between sound, deception, obfuscation and trust. Within this links are made to United States military parlance, in particular Information Operations or Influence Operations and full-spectrum dominance, whereby modern warfare is centred on a battle for public opinion, which purposefully manipulates human cognitive and emotional fallibility. It is from this viewpoint that the role of sound within contemporary deception is examined. This paper concludes that sound calls for a closer examination of the multiplicitous ways in which mis- and disinformation occurs, while also challenging us to take a multi-sensorial approach to the politics of frequency.

Citation

Dillon, T. (2019). The art of sonic deception. In J. L. Marzo (Ed.), After Post-Truth: Interface Politics Conference, 2nd International Conference (319-330)

Conference Name 2nd Interface Politics Conference
Conference Location Barcelona
Start Date Nov 28, 2018
End Date Nov 30, 2018
Acceptance Date Nov 1, 2018
Online Publication Date Sep 1, 2019
Publication Date Sep 1, 2019
Deposit Date Jan 29, 2021
Publicly Available Date Jan 29, 2021
Pages 319-330
Book Title After Post-Truth: Interface Politics Conference, 2nd International Conference
ISBN 9788409136674
Keywords deception; sound; art; influence operations; full-spectrum dominance; multi-sensorial politics of frequencies; response-ability
Public URL https://uwe-repository.worktribe.com/output/7043579
Publisher URL http://www.gredits.org/publicaciones-gredits-bau/

Files




You might also like



Downloadable Citations