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Outputs (358)

Always Arriving (2019)
Physical Artefact



This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

Gwalia Gazette (2019)
Physical Artefact

A collaboration with 47 national and international artists for World Book Night 2019. Coordinated by Linda Parr. In collections: Tate Britain, London, UK; UWE Bristol Special Collections, Bower Ashton Library, Bristol, UK; Biblioteca Universitária UF... Read More about Gwalia Gazette.

Doubt (2019)
Physical Artefact

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (2019)
Physical Artefact

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.

Black to Black (2018)
Journal Article

A technical review of specialist black printmaking papers, where to find them and how to use them.

A Fluid Landscape (2018)
Book

In 'A Fluid Landscape' Amanda Harman explores the shifting landscape of the Somerset levels, an area which, once sea, has gradually become land through a succession of salt marsh, freshwater wetland and rich summer pasture. Human intervention has s... Read More about A Fluid Landscape.

Australian artists’ books (2018)
Presentation / Conference Contribution

Australian artists’ books - a conversation with Dr Tim Mosely & Sarah Bodman for Artists’ Books in Australia and Brazil – looking to the past to read into the future.

A day of discussions considering aspects of artists’ books in Australia and Braz... Read More about Australian artists’ books.

The development of methodologies for designers engaging with digital colour inkjet printing in textile design (2018)
Presentation / Conference Contribution

Digital textile printing (DTP) offers exciting, creative potential and entrepreneurial business models in textile design. However, there is a marked difference between screen-colour to print-colour. Colour results are affected by numerous variables w... Read More about The development of methodologies for designers engaging with digital colour inkjet printing in textile design.

In search of the place of being ready-to-hand. Uncovering reciprocity between architectural design research and philosophy (2018)
Presentation / Conference Contribution

Based on Graham Harman’s illuminating interpretation of Heidegger’s concepts of ready-to-hand and present-at-hand, the paper elucidates some of the consequences of such an analysis for an architectural design research existentially revealing. Once th... Read More about In search of the place of being ready-to-hand. Uncovering reciprocity between architectural design research and philosophy.

From Responsive Design to Sustainable Systems: Digital Laser Processing across the Textile Production Cycle (2018)
Presentation / Conference Contribution

Addressing environmental concerns in the textile industry has led to a growing field of research into material and process innovation. Digital technologies can facilitate on-demand manufacture and improve textile processes, resulting in waste reducti... Read More about From Responsive Design to Sustainable Systems: Digital Laser Processing across the Textile Production Cycle.