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All Outputs (128)

Ruscha rip-off, rip-out (2010)
Journal Article
Sowden, T. (2010). Ruscha rip-off, rip-out. Afterimage, 37(6),

A Portfolio by Tom Sowdon as part of the special section on photo-bookworks in Vol. 37, No. 6 of Afterimage, the Journal of Media Arts and Cultural Criticism, published by Visual Studies Workshop, NY. The photo essay details a selection of the bo... Read More about Ruscha rip-off, rip-out.

Untitled (2010)
Physical Artefact
Turrell, E. C. Untitled

6 pieces included in group exhibition: 'Designer Printer Maker'. Contemporary print on glass, ceramics, textiles, furniture & metal from leading UK artists Gallery: Northern Print, Stepney Bank, Newcastle, NE1 2NP Dates: 2 July-4 September 2010

“Vela” pulsar sculpture (2010)
Physical Artefact
Walters, P., & Davies, K. “Vela” pulsar sculpture

This sculpture was created through the transformation of astrophysical data into tangible 3D form. The sculpture was 3D printed from a signal, detected by a radio telescope, which emanates from a distant star – a pulsar – located in the constellatio... Read More about “Vela” pulsar sculpture.

Provincial Fiction and the Decline of 'Puritan England' (2010)
Book Chapter
Greenslade, W. (2010). Provincial Fiction and the Decline of 'Puritan England'. In A. Gasiorek, & P. Parrinder (Eds.), The Oxford History of the Novel in English: The Reinvention of The British and Irish Novel 1880-1940 (118-132). Oxford: Oxford University Press

This chapter situates three major exponents of provincial fiction, Thomas Hardy, ‘Mark Rutherford’ and Arnold Bennett, in relation to ideas about provincialism, and changes in the relationship between the metropolitan centre and provincial and region... Read More about Provincial Fiction and the Decline of 'Puritan England'.

Reading matter and the matter of reading in Gissing’s fiction (2010)
Book Chapter
Greenslade, W. (2010). Reading matter and the matter of reading in Gissing’s fiction. In C. Huguet (Ed.), Writing Otherness: The Pathways of George Gissing’s Imagination (173-188). Equilibris

This chapter revisits George Gissing’s handling of reading practices within the realist frame of his practice as a novelist to show the variety of reality effects linked to reading matter and the reading subject – the choice of books, their location... Read More about Reading matter and the matter of reading in Gissing’s fiction.

A Terrible Beauty: British Artists in the First World War (2010)
Book
Gough, P. (2010). A Terrible Beauty: British Artists in the First World War. Bristol: Sansom and Company

After war broke out across Europe in 1914 the Vorticist painter Wyndham Lewis advised: ‘You must not miss a war, if one is going! You cannot afford to miss that experience’. He may have been playfully ironic, but he recognised that the Great War pr... Read More about A Terrible Beauty: British Artists in the First World War.