Skip to main content

Research Repository

Advanced Search

All Outputs (7)

3D printing in colour: technical evaluation and creative applications (2011)
Book Chapter
Walters, P., Huson, D., Parraman, C., & Stanić, M. (2011). 3D printing in colour: technical evaluation and creative applications. In S. Hoskins (Ed.), Impact 6 Proceedings (31-39). Bristol: Impact Press, University of the West of England

In this paper we report on an ongoing interdisciplinary investigation into the capabilities of colour 3D printing technologies, and present examples of the application of these technologies within art and design practice. The paper demonstrates that... Read More about 3D printing in colour: technical evaluation and creative applications.

3D printing and colour: A multidisciplinary investigation (2011)
Book Chapter
Huson, D., Parraman, C., & Walters, P. (2011). 3D printing and colour: A multidisciplinary investigation. In S. Hoskins (Ed.), IMPACT 6 Multidisciplinary Printmaking Conference Proceedings (31-38). Bristol: Unviersity of the West of England

We present ongoing research undertaken within the Centre for Fine Print Research at the University of the West of England, which aims to investigate and exploit new 3D printing and fabrication technologies within the context of the Fine and Applied A... Read More about 3D printing and colour: A multidisciplinary investigation.

The margins of art practice bordering on industrial development (2010)
Book Chapter
Hoskins, S. (2010). The margins of art practice bordering on industrial development. In R. J. Howlett (Ed.), Innovation through Knowledge Transfer. Springer-Verlag

A conference paper challenging the popular view of artists, spread by the media over many years is of aesthetes with no commercial acumen and a distinct lack of time management. Examples of this go as far back as 1962 with Tony Hancock in the film th... Read More about The margins of art practice bordering on industrial development.

Developments in the digital production of high quality original art: A case study (2007)
Book Chapter
Hoskins, S. (2007). Developments in the digital production of high quality original art: A case study. In NIP23: International Conference on Digital Printing Technologies and Digital Fabrication (351-354). Anchorage, Alaska: Society for Imaging Science and Technology

Presented as a conference paper in NIP23: International Conference on Digital Printing Technologies and Digital Fabrication 2007, September 2007, Anchorage, Alaska. The Centre for Fine Print Research at the University of the West of England Bristol u... Read More about Developments in the digital production of high quality original art: A case study.

Photo ceramic relief imaging (2005)
Book Chapter
Huson, D., Hoskins, S., & Thirkell, P. (2005). Photo ceramic relief imaging. In Digital Fabrication 2005 (39-42). Baltimore, MD, USA: Society for Imaging and Technology

The Photo Relief technique, developed at the turn of the 20th century, is one of the few methods of ceramic decoration able to reproduce a permanent fully continuous tone image on a ceramic surface by combining the use of varying glaze depths with a... Read More about Photo ceramic relief imaging.

Continuous tone digital output using archivally proven printing methods and material (2003)
Book Chapter
Thirkell, P., & Hoskins, S. (2003). Continuous tone digital output using archivally proven printing methods and material. In R. Thompson, & A. Manning (Eds.), Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography (24-29). London: Institute of Physics

Whilst the primary focus for the creation and preservation of digitally based artwork in hardcopy has relied in recent years on the gradual refinement of digital printing devices, reference points for their development often appear to follow a strict... Read More about Continuous tone digital output using archivally proven printing methods and material.

Artists’ books in the digital age
Book Chapter
Sowden, T. Artists’ books in the digital age. In S. Hoskins (Ed.), Impact 6 Proceedings (156-161). Bristol: Impact Press, University of the West of England

Within the last 15 years there has been a rapid growth in artist book production. In part this has been due to increased awareness of the book as an art object which in turn influences teaching practice in art schools, but I believe it is also largel... Read More about Artists’ books in the digital age.