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All Outputs (336)

Introduction to Acts of Transfer: What the words were saying then (2021)
Presentation / Conference
Beinart, K., & Beinart, K. (2021, May). Introduction to Acts of Transfer: What the words were saying then. Presented at Really Sayin' Something: Socially engaged and participatory research in art, architecture, and design, University of Brighton and Brighton CCA

Acts of Transfer is a project about returns, re-enactments, repetitions, and retellings. A collaboration between artist Katy Beinart and writer Lizzie Lloyd, Acts of Transfer documents and reactivates a selection of artworks from the past that contai... Read More about Introduction to Acts of Transfer: What the words were saying then.

Printmaking and time based media (2021)
Presentation / Conference
Ho, W. (2021, March). Printmaking and time based media. Presented at Remote Contact, University of Tennessee, Knoxville, USA

PRINTMAKING HAS INCREASINGLY LENT ITSELF to being represented in time-based media. While there is a rich history of documentary films that show the artist or printer at work, the print as multiple, often variable, and as a process is increasingly bec... Read More about Printmaking and time based media.

Dream lunch (2021)
Presentation / Conference
Ho, W. (2021, March). Dream lunch. Presented at Remote Contact, University of Tennessee, Knoxville

DURING THE FIRST MONTHS of the pandemic the intimate connection of food and our stability was amplified. We stockpiled beans, devoured ice1 cream novelties and became increasingly aware of the instability and inequity of the entire food system. While... Read More about Dream lunch.

Kind materials: Bio-digital textile design (2021)
Presentation / Conference
Morgan, L. (2021, March). Kind materials: Bio-digital textile design. Paper presented at Fifteenth International Conference on Design Principles & Practices, Universidad de Monterrey, Monterrey, Mexico

There are systemic problems with the way we design and use objects that contribute to a linear model of growth in the global economy. Resource use and consequent waste in textile manufacturing, distribution and end-use poses significant socio-environ... Read More about Kind materials: Bio-digital textile design.

The alchemical dream of man-made crystals: A contextual review of the creative use of man-made crystals for the production of jewellery (2021)
Presentation / Conference
Boons, S. (2021, March). The alchemical dream of man-made crystals: A contextual review of the creative use of man-made crystals for the production of jewellery. Paper presented at Fifteenth International Conference on Design Principles & Practices, University of Monterrey, Mexico

This paper reports on the limited creative use of man-made crystals for the production of jewellery designs through a contextual review. Jewellers have used crystals for the creation of jewellery for centuries (Philips, 2012) utilising tools to adjus... Read More about The alchemical dream of man-made crystals: A contextual review of the creative use of man-made crystals for the production of jewellery.

Don’t touch! From hands-on to virtual – 3D access to Bristol Museum’s Japanese Netsuke (2021)
Presentation / Conference
Aure Calvet, X., & Newnham, K. (2021, February). Don’t touch! From hands-on to virtual – 3D access to Bristol Museum’s Japanese Netsuke. Paper presented at Heritage Network Symposium 2021

At Bristol Museum & Art Gallery, an exhibition Netsuke: Miniature masterpieces from Japan was due to open in April 2020. The museum and the Centre for Fine Print Research, UWE were working in partnership to 3D scan some netsuke carvings to 3D print e... Read More about Don’t touch! From hands-on to virtual – 3D access to Bristol Museum’s Japanese Netsuke.

An affordable automated 3D surface scanner: the case of Canaletto’s ‘The Grand Canal, Ascension Day’ (2021)
Presentation / Conference
Aure Calvet, X. (2021, February). An affordable automated 3D surface scanner: the case of Canaletto’s ‘The Grand Canal, Ascension Day’. Paper presented at Digital Past

We present an affordable and automated 3D scanner to record the structure and colour of planar surfaces of artworks. The system is based on the combination of photogrammetric and Reflectance Transformation Imaging (RTI) data and generates high-resolu... Read More about An affordable automated 3D surface scanner: the case of Canaletto’s ‘The Grand Canal, Ascension Day’.

Colour deceives continually (2021)
Presentation / Conference
Parraman, C., & Klein, S. (2021, January). Colour deceives continually. Presented at Electronic Imaging 2021, Color Imaging XXVI: Displaying, Processing, Hardcopy, and Applications, online

This paper explores the relationship between additive and subtractive mixing for printing colour. Using mica pigments that are based on additive colour mixing principles, that when combined, create white. Although currently used for decorative effect... Read More about Colour deceives continually.

Communicating touch: Physical places via digital spaces (2020)
Presentation / Conference
Butler, A. (2020, December). Communicating touch: Physical places via digital spaces. Paper presented at Touch: Reflections on Making, online

To organise and host an online research event for ten creative practitioners that was planned previously as a physical one, required a specific way of thinking about structure and content. The curation (of the event) would be crucial to the participa... Read More about Communicating touch: Physical places via digital spaces.

Touch for luck, a jeweller's perspective on touch (2020)
Presentation / Conference
Boons, S. (2020, December). Touch for luck, a jeweller's perspective on touch. Presented at Touch: Reflections on making, Online

Microscopic interpretations trough touch in the jeweller’s practice. A reflection of touch in our culture today; from ‘touch for luck’ to ‘touch and get Corona’ and how changed perceptions are impacting practice or providing inspiration.

Touching is believing (2020)
Presentation / Conference
Fahy, N. (2020, December). Touching is believing. Paper presented at Touch symposium- Craft Council Reflections on making, Online hosted by Centre for Print Research and Crafts Council UK (Bristol)

Questioning the ‘real’ and ‘natural’: A case study on diamonds (2020)
Presentation / Conference
Boons, S. (2020, December). Questioning the ‘real’ and ‘natural’: A case study on diamonds. Presented at Art of Research 2020, Aalto, Finland

The aim of the presentation is to explore and question the definitions assigned to materials and their promotion as natural’ and ‘real’. When it comes to identifying materials, how many processes applied to the material can be justified for it to be... Read More about Questioning the ‘real’ and ‘natural’: A case study on diamonds.

3d models for the visually impaired: The Unesco for all project making of (2020)
Presentation / Conference
D'Agnano, F. (2020, December). 3d models for the visually impaired: The Unesco for all project making of. Presented at 3DVis: Symposium on 3D Visualization Technologies in Cultural Heritage, On Line - Warwick

Presentation of the production of the replicas for the Unesco 4 All project, made by the CFPR. The EU UNESCO4ALL TOUR project aims to create an innovative, thematic, transnational tourism product based on the UNESCO WH sites and targeted to visually... Read More about 3d models for the visually impaired: The Unesco for all project making of.

Now you see it, and Now you don’t: Illusive colour (2020)
Presentation / Conference
Klein, S. (2020, November). Now you see it, and Now you don’t: Illusive colour. Presented at Twenty-eighth Color and Imaging Conference, Online

Colour, as beauty, lies in the eye of the beholder. In 1861, based on the RGB model of colour perception, James Clerk Maxwell produced the first colour photographs by exposing black and white film through red, green and blue filters, thus recording i... Read More about Now you see it, and Now you don’t: Illusive colour.

The art of the maker – Craft, design and technology in the 21st century (2020)
Presentation / Conference
Parraman, C. (2020, October). The art of the maker – Craft, design and technology in the 21st century. Presented at Printing for Fabrication, Japan (online)

Invention, innovation and insight are keywords for any technologist and designer working in the academic or commercial sector. In the twenty-first century, a wealth of new and emerging materials, alongside digital methods for the manufacture of produ... Read More about The art of the maker – Craft, design and technology in the 21st century.

Teaching Drawing Online (2020)
Presentation / Conference
Ward, L. (2020, October). Teaching Drawing Online. Presented at Thinking Through Drawing, Online

Interpreting interruption (2020)
Presentation / Conference
Fahy, N. (2020, October). Interpreting interruption. Presented at Don't Press Print: De/Rr Constructing the Collodion Process, Bristol (Online)

The planning and precision involved in wet-plate collodion photography necessitates a certain amount of formality, through the methodical workflow followed, a sense of order is imposed (Barger, 2015). However, this order co-exists with the countervai... Read More about Interpreting interruption.

The use of low-cost 3D printing technology to develop fabrication tools for clay profile extrusion (2020)
Presentation / Conference
Jorgensen, T. (2020, August). The use of low-cost 3D printing technology to develop fabrication tools for clay profile extrusion. Poster presented at Print for Fabrication, Japan

This paper reports on interim results from ongoing research which investigate how low-cost 3D printing technologies can assist innovation with the clay extrusion process. The project explores the possibility of using standard plastic filament 3D pr... Read More about The use of low-cost 3D printing technology to develop fabrication tools for clay profile extrusion.

RCA Symposium: Reportage drawing at the end of the world (2020)
Presentation / Conference
Embury, G. (2020, July). RCA Symposium: Reportage drawing at the end of the world. Presented at Royal College of Art Symposium, Online

Symposium RCA 2020: Reportage drawing at the end of the world Reportage drawing has always borne witness to the world’s most consequential events. For most of the 19th century, reportage drawing was the news image and its perception as a piece of o... Read More about RCA Symposium: Reportage drawing at the end of the world.