All Outputs (3)

Rivers and oceans: Navigating pictorial legacies of enslavement in New Orleans and Bristol (2019)
Journal Article
Beauchamp-Byrd, M., & Sobers, S. (2019). Rivers and oceans: Navigating pictorial legacies of enslavement in New Orleans and Bristol. https://doi.org/10.1163/2405836X-00401009

This two-part article is a comparative analysis of two late twentieth-century works of art: John T. Scott’s Ocean Song (1990), an abstract, large-scale public art sculpture in New Orleans, Louisiana in the US, and Sold Down the River (1999), a major,... Read More about Rivers and oceans: Navigating pictorial legacies of enslavement in New Orleans and Bristol.

One bridge, two Williams: Photographic integrity in the age of ubiquity (2015)
Journal Article
Sobers, S. (2015). One bridge, two Williams: Photographic integrity in the age of ubiquity

A brief and personal exploration of integrity in photography in relation to identity. Starting with an analysis of the differing photographic practices of William Klein and William Eggleston, as a means of entering the discourse of what integrity me... Read More about One bridge, two Williams: Photographic integrity in the age of ubiquity.

Consequences and coincidences: A case study of experimental play in media literacy (2008)
Journal Article
Sobers, S. (2008). Consequences and coincidences: A case study of experimental play in media literacy. Journal of Media Practice, 9(1), 53-66. https://doi.org/10.1386/jmpr.9.1.53_1

This article will discuss the way children across three schools in Bristol, United Kingdom have been engaged in a unique short film experiment. The video project they were involved with aimed to inspire the young participants to actively consider not... Read More about Consequences and coincidences: A case study of experimental play in media literacy.