All Outputs (3)

Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing (2014)
Journal Article
Parraman, C., Olen, M., & Padfield, J. (2014). Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing. Proceedings of SPIE, 9015, https://doi.org/10.1117/12.2040647

This research investigates multi-channel inkjet printing methods, which deviate from standard colour management workflows by reflecting on art historical processes, including the construction of colour in old master works, to reproduce specific colou... Read More about Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing.

An investigation into the micro surface of artworks using alternative lighting techniques (2014)
Journal Article
Parraman, C., & Tisato, F. (2014). An investigation into the micro surface of artworks using alternative lighting techniques. Proceedings of SPIE, 9018, https://doi.org/10.1117/12.2041209

The objective is to create a micro-environment-an illuminated dome with a constant geometry of illumination-to undertake non invasive observation of the surface topography of artworks. The dome is attached to a stereo-microscope, which is able to gai... Read More about An investigation into the micro surface of artworks using alternative lighting techniques.

The visual appearance and surface texture of materials according to the old masters (2014)
Journal Article
Parraman, C. (2014). The visual appearance and surface texture of materials according to the old masters. Proceedings of SPIE, 9018, https://doi.org/10.1117/12.2041216

Primary components in the colour reproduction of textured materials are firstly, the accurate rendering of the appearance of texture, and secondly the ability to print a surface topology that moves towards 2.5D printing. However, in order to render s... Read More about The visual appearance and surface texture of materials according to the old masters.