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Outputs (22)

Always in with the in-crowd: Vogue and the cultural politics of gender, place, class and taste (2020)
Book Chapter
Tincknell, E. (2020). Always in with the in-crowd: Vogue and the cultural politics of gender, place, class and taste. In L. Forster, & J. Hollows (Eds.), Women's Periodicals and Print Culture in Britain, 1940s-2000s (200-214). Edinburgh University Press

The venerable fashion magazine Vogue has always associated itself with the interests of the ruling class, through the cultural and symbolic capital exhibited by the diffused aesthetic of its fashion spreads and through its unabashed attachment to the... Read More about Always in with the in-crowd: Vogue and the cultural politics of gender, place, class and taste.

Monstrous Aunties: the Rabelaisian older Asian woman in British cinema and television comedy (2019)
Journal Article
Tincknell, E. (2020). Monstrous Aunties: the Rabelaisian older Asian woman in British cinema and television comedy. Feminist Media Studies, 20(1), 135-150. https://doi.org/10.1080/14680777.2019.1599038

© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. Representations of older women of South Asian heritage in British cinema are often assumed to do little more than reiterate familiar stereotypes. Yet some British comedy films an... Read More about Monstrous Aunties: the Rabelaisian older Asian woman in British cinema and television comedy.

The nation's matron: Hattie Jacques and British postwar popular culture (2015)
Journal Article
Tincknell, E. (2015). The nation's matron: Hattie Jacques and British postwar popular culture. Journal of British Cinema and Television, 12(1), 6-24. https://doi.org/10.3366/jbctv.2015.0240

© Edinburgh University Press. Hattie Jacques was a key figure in British postwar popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Ca... Read More about The nation's matron: Hattie Jacques and British postwar popular culture.

Dowagers, debs, nuns and babies: The politics of Nostalgia and the older woman in the British sunday night television serial (2013)
Journal Article
Tincknell, E. (2013). Dowagers, debs, nuns and babies: The politics of Nostalgia and the older woman in the British sunday night television serial. Journal of British Cinema and Television, 10(4), 769-784. https://doi.org/10.3366/jbctv.2013.0174

The extensive commercial success of two well-made popular television drama serials screened in the UK at prime time on Sunday evenings during the winter of 2011-12, Downton Abbey (ITV, 2010-) and Call the Midwife (BBC, 2012-), has appeared to consoli... Read More about Dowagers, debs, nuns and babies: The politics of Nostalgia and the older woman in the British sunday night television serial.

The time and the place: Music and costume and the "affect" of history in the New Zealand films of Jane Campion (2011)
Book Chapter
Tincknell, E. (2011). The time and the place: Music and costume and the "affect" of history in the New Zealand films of Jane Campion. In A. Fox, H. Radner, & B. K. Grant (Eds.), New Zealand Cinema: Interpreting the Past. Intellect

New Zealand has produced one of the world’s most vibrant film cultures, a reflection of the country’s evolving history and the energy and resourcefulness of its people. From early silent features like The Te Kooti Trail to recent films such as River... Read More about The time and the place: Music and costume and the "affect" of history in the New Zealand films of Jane Campion.

Goldie Hawn: A dumb blonde for the baby boomer generation (2011)
Book Chapter
Tincknell, E. (2011). Goldie Hawn: A dumb blonde for the baby boomer generation. In A. Swinnen, & J. A. Stotesbury (Eds.), Aging, Performance and Stardom: Doing Age on the Stage of Consumerist Culture. Lit Verlag