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Outputs (143)

New pages: Celebrating the book as a democratic multiple in a variety of 21st century forms (2013)
Book Chapter
Bodman, S. L. (2013). New pages: Celebrating the book as a democratic multiple in a variety of 21st century forms. In E. Waeckerle, & R. Sawdon Smith (Eds.), The Book is Alive!. UK: Research Group for Artists Publications (RGAP) / bookRoom

This book is the edited survey of current thinking and innovative practice in contemporary publishing, which was presented at BOOKLIVE! International symposium in London in June 2012. This two day event brought together some of the key theorists,... Read More about New pages: Celebrating the book as a democratic multiple in a variety of 21st century forms.

Follow-ed (after Hokusai) (2013)
Book Chapter
Sowden, T. (2013). Follow-ed (after Hokusai). In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (449-459). Australia: Monash University Publishing

I can't stop making books in the style of Ed Ruscha. It has become an obsession, and my failure in trying to replicate an Ed Ruscha book, while always trying to succeed, is entirely part of the appeal to me. I don't live in 1960s California and my... Read More about Follow-ed (after Hokusai).

Drawing with fire: The art of laser cutting paper (2013)
Book Chapter
Sowden, T. (2013). Drawing with fire: The art of laser cutting paper. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (443-448). Australia: Monash University Publishing

This paper explores some of the laser cutting methods used by artists, in particular from an Arts and Humanities Research Council funded project (Paper Models: investigating laser-cutting technology to develop new artists' books and paper-based creat... Read More about Drawing with fire: The art of laser cutting paper.

The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer (2013)
Book Chapter
Laidler, P. (2013). The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (303-309). Australia: Monash University Publishing

This paper has been developed from a practice-based study for my PhD thesis 2011, entitled: Collaborative digital and wide format printing: methods and considerations for the artist and master printer. The paper discusses the panel's themes of printm... Read More about The human printer featuring the Print is Dead series: A model for the collaborative studio in the twenty-first century and the changing role of the master printer.

A model for the collaborative studio in the 21st Century: What it might be! (2013)
Book Chapter
Hoskins, S. (2013). A model for the collaborative studio in the 21st Century: What it might be!. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (238-242). Australia: Monash University Publishing

Chair of the panel 'A model for the collaborative studio in the 21st Century and the changing role of the Master Printer' Professor Stephen Hoskins will present a paper at IMPACT 7 International Multi-disciplinary Printmaking Conference, Monash Unive... Read More about A model for the collaborative studio in the 21st Century: What it might be!.

A manifesto for the book: Book - artist's book - artist's publication - book art? (2013)
Book Chapter
Bodman, S. L., & Sowden, T. (2013). A manifesto for the book: Book - artist's book - artist's publication - book art?. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (75-80). Australia: Monash University Publishing

This paper was based on the results of a two-year research project led by Sarah Bodman and Tom Sowden, funded by the Arts and Humanities Research Council, March 2008-February 2010. This project investigated the context and future of the artist's book... Read More about A manifesto for the book: Book - artist's book - artist's publication - book art?.

Life, the universe and everything: The artist's book as a means of theoretical, political and social consideration of the natural world (2013)
Book Chapter
Bodman, S. L. (2013). Life, the universe and everything: The artist's book as a means of theoretical, political and social consideration of the natural world. In L. Morgan (Ed.), Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference (70-74). Australia: Monash University Publishing

Peer reviewed conference paper given at the IMPACT 7 Multi-disciplinary Print Conference, Monash University, Australia, September 2011. Nature and the landscape surround us and we depend upon them. Many artists explore our relationship with the na... Read More about Life, the universe and everything: The artist's book as a means of theoretical, political and social consideration of the natural world.

'Chronology', The Cambridge companion to the Pre-Raphaelites (2012)
Book Chapter
Hughes, L. (2012). 'Chronology', The Cambridge companion to the Pre-Raphaelites. In E. Prettejohn (Ed.), The Cambridge Companion to the Pre-­Raphaelites. Cambridge University Press

Chronology of key dates and events for the period covered in 'The Cambridge Companion to the Pre-Raphaelites'.

Play with a big P (2012)
Book Chapter
Sim, N. (2012). Play with a big P. In The Cat Came as a Tomato. London: South London Gallery

Published by the South London Gallery, The Cat Came As A Tomato catalogues the three-year long programme Making Play, 2008-2011. Funded by the Big Lottery’s Playful Ideas fund, Making Play is inspired by the possibilities of bringing together childre... Read More about Play with a big P.