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Outputs (14)

The worlds a stage (2020)
Journal Article
Laidler, P. (2020). The worlds a stage. Beneficial Shock,

The theme of the article comments upon ‘reality' as a fabricated space for deceit and when one’s attention is drawn toward the physical break down of ‘the façade’. This specific attempt at concealment will reference The Truman Show and the Fallen Spo... Read More about The worlds a stage.

Spatial traces and skeletal projections (2020)
Journal Article
Laidler, P. (2020). Spatial traces and skeletal projections. Drawing: Research, Theory, Practice, 5(1), 117-122. https://doi.org/10.1386/drtp_00025_7

The article discusses how sketching is utilised as a durational state within my practice and as a means to cultivate the creative potential that is afforded by the rough draft. The proceeding development of the sketch is also considered in relation t... Read More about Spatial traces and skeletal projections.

Printed conversations and collaborative undertakings (2018)
Journal Article
Laidler, P. (2018). Printed conversations and collaborative undertakings. Grabado Y Edición Print and Art Edition Magazine, 30-43

The article discusses the curatorial premise and collaborative studio practices behind the Just Press Print exhibition curated by Dr Paul Laidler. The Just Press Print exhibition title draws attention to automated associations with digital technolo... Read More about Printed conversations and collaborative undertakings.

Mapping post-digital practice in the graphic arts (2018)
Journal Article
Laidler, P. (2018). Mapping post-digital practice in the graphic arts. Printmaking Today, 27(106), 15-15

It has been suggested by a range of established commentators that digital technology may have potentially created a ‘mental change’ within the creative process of making images and objects. Although this statement is somewhat broad and our ability to... Read More about Mapping post-digital practice in the graphic arts.

Satisfaction Guaranteed™ (2018)
Journal Article
Laidler, P. (2018). Satisfaction Guaranteed™. Beneficial Shock, 3, 78-83

A written and illustrated article. Science fiction films have presented us with numerous visions of machines programmed to satisfy our every need. In some instances these needs have been considered in relation to the intimate and physical relations... Read More about Satisfaction Guaranteed™.

Collaborative print studio (2017)
Journal Article
Laidler, P. (2017). Collaborative print studio. Grabado Y Edición Print and Art Edition Magazine, 25-41

The collaborative print studio has had profound impact upon the production and realisation of some of the most innovative prints within the discipline of fine art printmaking. Historically an artist with little understanding of the print process or a... Read More about Collaborative print studio.

Revisiting Richard Hamilton’s typo-topography of Marcel Duchamp’s Large Glass (2016)
Journal Article
Laidler, P. (2016). Revisiting Richard Hamilton’s typo-topography of Marcel Duchamp’s Large Glass. Print Quarterly, 33(1), 18-26

The production of fine art prints has a longstanding relationship with the collaborative print studio, where artists work together with master printers to realize and produce printed artworks. The collaboration between artist and print studio has pre... Read More about Revisiting Richard Hamilton’s typo-topography of Marcel Duchamp’s Large Glass.

Fairing well: The university publisher and its emerging artists (2014)
Journal Article
Laidler, P., & Super, A. (2014). Fairing well: The university publisher and its emerging artists

The university as a producer and publisher of prints is not a new concept when we consider established US-based institutes such as Graphicstudio in Tampa, Florida, (part of the University of Southern Florida) and the Tamarind Institute, which is part... Read More about Fairing well: The university publisher and its emerging artists.