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Outputs (65)

Drawing Review: Drawing as expanded practice, Document 1, UWE Drawing research (2019)
Physical Artefact
Ward, L., Embury, G., & Mercier, A. (2019). Drawing Review: Drawing as expanded practice, Document 1, UWE Drawing research. [Paper book]

Document 1 is the publication accompanying the exhibition, Drawing Review. Drawing Review was an exhibition that took place is September 2019, exploring and revealing the role of drawing as expanded practice. Curated by members of UWE Drawing Resea... Read More about Drawing Review: Drawing as expanded practice, Document 1, UWE Drawing research.

Desire Lines (2019)
Physical Artefact
Hoskins, S., Hingley, L., & Bual, S. Desire Lines. [paper, digital print]. UWE Bristol

Large scale kites printed on paper commissioned as part of the AHRC funded Design, material culture and popular creativity in suburban faith communities. This project explores the ways in which suburban faith communities create space focusing on arc... Read More about Desire Lines.

Gwalia Gazette (2019)
Physical Artefact
Bodman, S., Parr, L., Butler, A., & Campbell, N. Gwalia Gazette. Bristol, UK

A collaboration with 47 national and international artists for World Book Night 2019. Coordinated by Linda Parr. In collections: Tate Britain, London, UK; UWE Bristol Special Collections, Bower Ashton Library, Bristol, UK; Biblioteca Universitária UF... Read More about Gwalia Gazette.

Doubt (2019)
Physical Artefact
Fahy, N. (2019). Doubt. [Laser Cut Relief Print (Printed on Fabriano Rosapina)]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (Print) (2019)
Physical Artefact
Fahy, N. (2020). Nothing Here But You (Print). [Lithography, Digital embroidery on waxed Japanese paper]. Woolwich Contemporary Print Fair No 1 Street, London, , United Kingdom 6-13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical... Read More about Nothing Here But You (Print).

Nothing Here But You (2019)
Physical Artefact
Fahy, N. Nothing Here But You. [Lithography, Etching, Digital embroidery on hand waxed paper]. Woolwich Contemporary Print Fair, No 1 Street, London, England 6- 13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.

Light-Dark Contrast (2018)
Physical Artefact
Webb, R. Light-Dark Contrast. [Oil]. Anhui, China

In October 2018 Richard Kenton Webb was invited to the Tao Huan Painting Residency in China. On the residency he made eight paintings on a Light Dark Contrast that were exhibited at Hefei Modern Art Gallery, a public gallery in Anhui Province, China.

Read To Me (2018)
Physical Artefact
Bodman, S. (2018). Read To Me. [Artists' book]

‘Read to me’ is an experiment made by the artist in collaboration with a psychometric reader, to transmit the emotional content of selected narratives through a series of physical objects. Ten objects were selected to read chapters of novels, or shor... Read More about Read To Me.

Red Blue Shades II (2018)
Physical Artefact
Bodman, S., & Cherniwchan, C. Red Blue Shades II. [Artist's book]. Bristol, Uk

A collaborative artist's book inspired by the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. A text and image response to the elements of nature, movement, reading, writing, the passing of time and the s... Read More about Red Blue Shades II.