A systematic review of reverberation and accessibility for B/blind users in virtual environments (2023)
Conference Proceeding
Child, L., Mitchell, T., & Ford, N. (2023). A systematic review of reverberation and accessibility for B/blind users in virtual environments.

Reverberation is often used in linear and non-linear media to convey the acoustic characteristics of a space. This information is presented alongside visual stimuli to create a multi-modal experience, assisting participants in developing visual and a... Read More about A systematic review of reverberation and accessibility for B/blind users in virtual environments.

Hear here: Sonification as a design strategy for robot teleoperation using virtual reality (2023)
Conference Proceeding
Simmons, J., Bown, A., Bremner, P., McIntosh, V., & Mitchell, T. J. (2023). Hear here: Sonification as a design strategy for robot teleoperation using virtual reality.

This paper introduces a novel methodology for the sonification of data, and shares the results of a usability study, putting the method- ology into practice within an industrial use case. Working with partners at Sellafield nuclear facility, we explo... Read More about Hear here: Sonification as a design strategy for robot teleoperation using virtual reality.

Studying how digital luthiers choose their tools (2022)
Conference Proceeding
Renney, N., Renney, H., Mitchell, T. J., & Gaster, B. R. (2022). Studying how digital luthiers choose their tools. . https://doi.org/10.1145/3491102.3517656

Digital lutherie is a sub-domain of digital craft focused on creating digital musical instruments: high-performance devices for musical expression. It represents a nuanced and challenging area of human-computer interaction that is well established an... Read More about Studying how digital luthiers choose their tools.

HyperModels - A framework for GPU accelerated physical modelling sound synthesis (2022)
Conference Proceeding
Renney, H., Willemsen, S., Gaster, B. R., & Mitchell, T. J. (2022). HyperModels - A framework for GPU accelerated physical modelling sound synthesis. . https://doi.org/10.21428/92fbeb44.98a4210a

Physical modelling sound synthesis methods generate vast and intricate sound spaces that are navigated using meaningful parameters. Numerical based physical modelling nsynthesis methods provide authentic representations of the physics they model. Unf... Read More about HyperModels - A framework for GPU accelerated physical modelling sound synthesis.

Was that me?: Exploring the effects of error in gestural digital musical instruments (2020)
Conference Proceeding
Brown, D., Nash, C., & Mitchell, T. J. (2020). Was that me?: Exploring the effects of error in gestural digital musical instruments. In AM '20: Proceedings of the 15th International Conference on Audio Mostly (168-174). https://doi.org/10.1145/3411109.3411137

Traditional Western musical instruments have evolved to be robust and predictable, responding consistently to the same player actions with the same musical response. Consequently, errors occurring in a performance scenario are typically attributed to... Read More about Was that me?: Exploring the effects of error in gestural digital musical instruments.

The alchemy of chaos: A sound art sonification of a year of Tourette’s episodes (2019)
Presentation / Conference
Mitchell, T. J., Thom, J., Pountney, M., & Hyde, J. (2019, June). The alchemy of chaos: A sound art sonification of a year of Tourette’s episodes. Paper presented at The 25th International Conference on Auditory Display (ICAD 2019), Northumbria University, Northumbria, England

Touretteshero is the name of a organisation that aims to raise awareness of Tourette's syndrome by sharing and celebrating the creativity and humor of the involuntary vocal and movement tics that characterise the condition. This paper documents the d... Read More about The alchemy of chaos: A sound art sonification of a year of Tourette’s episodes.

Interactive molecular dynamics in virtual reality from quantum chemistry to drug binding: An open-source multi-person framework (2019)
Journal Article
O’Connor, M. B., Bennie, S. J., Deeks, H. M., Jamieson-Binnie, A., Jones, A. J., Shannon, R. J., …Glowacki, D. R. (2019). Interactive molecular dynamics in virtual reality from quantum chemistry to drug binding: An open-source multi-person framework. Journal of Chemical Physics, 150(22), https://doi.org/10.1063/1.5092590

© 2019 Author(s). As molecular scientists have made progress in their ability to engineer nanoscale molecular structure, we face new challenges in our ability to engineer molecular dynamics (MD) and flexibility. Dynamics at the molecular scale differ... Read More about Interactive molecular dynamics in virtual reality from quantum chemistry to drug binding: An open-source multi-person framework.

OpenCL vs: Accelerated finite-difference digital synthesis (2019)
Conference Proceeding
Renney, H., Gaster, B. R., & Mitchell, T. (2019). OpenCL vs: Accelerated finite-difference digital synthesis. . https://doi.org/10.1145/3318170.3318172

© 2019 Copyright held by the owner/author(s). Publication rights licensed to ACM. Digital audio synthesis has become an important component of modern music production with techniques that can produce realistic simulations of real instruments. Physica... Read More about OpenCL vs: Accelerated finite-difference digital synthesis.

Return to temperament (In digital systems) (2018)
Presentation / Conference
Renney, N., Gaster, B., & Mitchell, T. (2018, September). Return to temperament (In digital systems). Paper presented at Audio Mostly, Wrexham, Wales

Considering the generation of musical tunings, it is reasonable to expect that the many constructs contained in Functional programming languages may provide useful tools for exploring both conventional and new tunings. In this paper we present a numb... Read More about Return to temperament (In digital systems).

Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians (2018)
Journal Article
Brown, D., Nash, C., & Mitchell, T. (2018). Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians. Digital Creativity, 29(2-3), 129-148. https://doi.org/10.1080/14626268.2018.1510841

© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. In a New Interface for Musical Expression (NIME), the design of the relationship between a musician’s actions and the instrument’s sound response is critical in creating instrume... Read More about Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians.

Understanding user-defined mapping design in mid-air musical performance (2018)
Conference Proceeding
Brown, D., Nash, C., & Mitchell, T. (2018). Understanding user-defined mapping design in mid-air musical performance. https://doi.org/10.1145/3212721.3212810

© 2018 Copyright held by the owner/author(s). Publication rights licensed to Association for Computing Machinery. Modern gestural interaction and motion capture technology is frequently incorporated into Digital Musical Instruments (DMIs) to enable n... Read More about Understanding user-defined mapping design in mid-air musical performance.

Sonifying stochastic walks on biomolecular energy landscapes (2018)
Presentation / Conference
Arbon, R. E., Jones, A. J., Bratholm, L. A., Mitchell, T., & Glowacki, D. R. (2018, June). Sonifying stochastic walks on biomolecular energy landscapes. Paper presented at International Conference On Auditory Display 2018, Michigan Technological University, Houghton, US

Translating the complex, multi-dimensional data produced by simulations of biomolecules into an intelligible form is a major challenge in computational chemistry and biology. The so-called “free energy landscape” is amongst the most fundamental conce... Read More about Sonifying stochastic walks on biomolecular energy landscapes.

A cognitive dimensions approach for the design of an interactive generative score editor (2018)
Presentation / Conference
Hunt, S., Mitchell, T., & Nash, C. (2018, May). A cognitive dimensions approach for the design of an interactive generative score editor. Paper presented at Fourth International Conference on Technologies for Music Notation and Representation, Montréal, Canada

This paper describes how the Cognitive Dimensions of Notation can guide the design of algorithmic composition tools. Prior research has also used the cognitive dimensions for analysing interaction design for algorithmic composition software. This wor... Read More about A cognitive dimensions approach for the design of an interactive generative score editor.

danceroom Spectroscopy
Digital Artefact
Glowacki, D., Tom, M., Joseph, H., Tew, P., & Thomas, L. M. danceroom Spectroscopy

danceroom Spectrosopy (dS) is an acclaimed interdisciplinary digital arts exhibition and dance performance inspired by the scientific study of microscopic phenomenon. The project has formed a major attraction at premier international cultural setting... Read More about danceroom Spectroscopy.