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Imagined worlds (2024)
Book Chapter
Bodman, S. (in press). Imagined worlds. In Turn the page: an Anthology. Norwich: turn the page

turn the page has, over a period of ten years (2012-2022), introduced the public to the wonders of the wider book arts genre, and artists and collectors to each other, through its showcasing events, symposia and related exhibitions. To celebrate thos... Read More about Imagined worlds.

Pandora’s Hieroglyphic Primer (2023)
Book Chapter
Bodman, S. (2023). Pandora’s Hieroglyphic Primer. In RE:Making - A Documentation of Work by Angela Lorenz (152-173). New Haven, CT, USA: the jenny-press

A response to the artwork: for RE:Making - A Documentation of Work by Angela Lorenz With essays from over 70 scholars, collectors, librarians, curators, and journalists on book artist Angela Lorenz's work from 1989 to 2022. Includes a reflection f... Read More about Pandora’s Hieroglyphic Primer.

Laser textile design and finishing (2021)
Book Chapter
Morgan, L. (in press). Laser textile design and finishing. In Volume 10: Textile Futures. Bloomsbury Publishing

This entry discusses the state of the art in laser processing techniques for textiles beyond laser-cutting applications. It maps the use of laser technology for textile design with a focus on research that developed innovative digitally-driven surfac... Read More about Laser textile design and finishing.

Spending time within books (2021)
Book Chapter
Bodman, S. L. (2021). Spending time within books. In C. Benjamin Schulz, V. Hildebrand-Schat, & K. Bazarnik (Eds.), Refresh the Book: On the Hybrid Nature of the Book in the Age of Electronic Publishing (221-245). Leiden, The Netherlands: Koninklijke Brill NV. https://doi.org/10.1163/9789004443556

In my work as a researcher in the field of artists’ books, I encounter new books on a daily basis. Artists send information on their publications to go into the Book Arts Newsletter or the biennial Artist’s Book Yearbook, or write about their work fo... Read More about Spending time within books.

Introduction and glossary to the symposium "Don't Press Print 1" (2020)
Book Chapter
Menger, F. (2021). Introduction and glossary to the symposium "Don't Press Print 1". In Dont press print -De constructing the collodion process (4-7). Bristol: The Royal Photographic Society

Introduction to the Symposium and background to wetplate collodion photography and its inventor Frederick Scott Archer, and resume of presentations given.

Printmaking: A Maker’s Guide (2020)
Book Chapter
Ho, W. (in press). Printmaking: A Maker’s Guide. In Printmaking a Maker's Guide. London: Thames and Hudson

Printmaking: A Maker’s Guide (Published by Thames and Hudson) Chapter on Linocut and Japanese woodblock (in progress at the moment). Due out Sept 2020

Innovative technologies for sustainable textile coloration, patterning, and surface effects (2020)
Book Chapter
Kane, F., Shen, J., Morgan, L., Prajapati, C., Tyrer, J., & Smith, E. (2020). Innovative technologies for sustainable textile coloration, patterning, and surface effects. In S. S. Muthu, & M. A. Gardetti (Eds.), Sustainability in the Textile and Apparel Industries: Sustainable Textiles, Clothing Design and Repurposing (99-127). Springer International Publishing. https://doi.org/10.1007/978-3-030-38545-3_4

The environmental impact of textile dyeing and finishing is of paramount concern in the textile industry. Enzyme and laser processing technologies present attractive alternatives to conventional textile coloration and surface patterning methods. Both... Read More about Innovative technologies for sustainable textile coloration, patterning, and surface effects.

Le tecnologie digitali 3d per la conservazione e la conoscenza del patrimonio culturale (2019)
Book Chapter
D'Agnano, F., Vernier, P., Ballarin, M., & Balletti, C. (2019). Le tecnologie digitali 3d per la conservazione e la conoscenza del patrimonio culturale. In Una nuova frontiera della didattica Metodi, tecnologie, esperienze italiane. Roma: Carrocci Editore

This chapter focuses on 3d technology and Cultural Heritage. It analyzes 3d technology such as CNC machines and additive processes: the 3d printers. Solid printing in museums/3d printing and geomatics for replicas validation.

‘What if?’ books (2019)
Book Chapter
Bodman, S. L. (2019). ‘What if?’ books. In T. Mosely (Ed.), Correlations. Queensland College of Art: Griffith Centre for Creative Arts Research

The Correlations project presents some examples of artists’ books as a method of enquiry, a means for us to ask questions about their relationship with independent publishing through content and context, and consider both the history and continued pr... Read More about ‘What if?’ books.

VR for Architecture and Construction Industry (2018)
Book Chapter
D'Agnano, F., La Trofa, F., & Simonetta, G. (2018). VR for Architecture and Construction Industry. In F. La Trofa (Ed.), VR DEVELOPER: CREATOR of VIRTUAL AND AUGMENTED REALITY WORLDS. , (184). Franco Angeli

VR Developer proposes a journey of discovery, useful to define the technical and creative skills needed to create virtual worlds, between the opportunities and risks. The chapter focuses on the aspect of immersive technologies within the Architectur... Read More about VR for Architecture and Construction Industry.

Case study 5: Capturing texture of paintings for museum and heritage (2018)
Book Chapter
Aure Calvet, X. (2018). Case study 5: Capturing texture of paintings for museum and heritage. In 2.5D Printing: Bridging the Gap Between 2D and 3D Applications (157-161). Wiley

With the recent developments in digital imaging it is now possible to capture contact free three-dimensional details from the surface of paintings. Advances in 2.5D and 3D printing also allow the production of accurate three-dimensional physical mode... Read More about Case study 5: Capturing texture of paintings for museum and heritage.

Foreword (2017)
Book Chapter
Bodman, S. L. (2017). Foreword. In The Polar Tombola: A Book of Banished Words. UK: Bird Editions

Catalogue Essay by Sarah Bodman for The Polar Tombola, A Book of Banished Words by Nancy Campbell.

Colour printing techniques and new developments in colour printing (2017)
Book Chapter
Parraman, C. (2017). Colour printing techniques and new developments in colour printing. In J. Best (Ed.), Colour design: Theories and application (589-618). London: Woodhead Publishing Ltd

Invited chapter in the book Colour Design: Theories and Applications. In PART 3 COLOUR, DESIGN AND COLORATION this chapter covers: - Hardcopy colour: analogue versus digital - Colour theory in relation to printing - Overview of halftoning and... Read More about Colour printing techniques and new developments in colour printing.

Liquid crystalline phases in suspensions of pigments in non-polar solvents (2016)
Book Chapter
Klein, S., Richardson, R. M., & Eremin, A. (2016). Liquid crystalline phases in suspensions of pigments in non-polar solvents. In J. P. Lagerwall, & G. Scalia (Eds.), Liquid Crystals with Nano and Microparticles (847-870). Singapore: World Scientific Publishing Company

We will discuss colloid suspensions of pigments and compare their electro-optic properties with those of traditional dyed low molecular weight liquid crystal systems. There are several potential advantages of colloidal suspensions over low molecular... Read More about Liquid crystalline phases in suspensions of pigments in non-polar solvents.

Livres d'artistes et micro-éditions, perspectives sur l'avenir du livre à l'ère de la publication de masse (2016)
Book Chapter
Bodman, S. L. (2016). Livres d'artistes et micro-éditions, perspectives sur l'avenir du livre à l'ère de la publication de masse. In C. Schwartz, G. Acezat, D. De Beir, & O. Delleaux (Eds.), Edith (60-69). France: ESADHaR

The proceedings of the international conference "An atlas of desktop publishing : what roads to what issues ?" Aimed to start thinking in the fields of art and graphic design of a territory, border to border , in France as in the rest of the world. B... Read More about Livres d'artistes et micro-éditions, perspectives sur l'avenir du livre à l'ère de la publication de masse.

An exploration of alternative computer aided methods for multi-colour woodblock printing (2015)
Book Chapter
Parraman, C., Olen, M., Baar, T., Vortiz Segovia, M., & Mccallion, P. (2015). An exploration of alternative computer aided methods for multi-colour woodblock printing. In A. Tsekova, L. Ballantyne, C. Andrei, & A. McInnes (Eds.), IMPACT 9 International Printmaking Conference (309-314). China: China Academy of Art Press

Inspired by the traditional Chiaroscuro woodblock printing techniques of the 16th century, we have explored the use of producing relief print impressions as a means to evaluate the surface rendered with 2.5D and 3D printing technologies. This work b... Read More about An exploration of alternative computer aided methods for multi-colour woodblock printing.

Painting by numbers: The development of texture in digitally printed artworks (2015)
Book Chapter
Parraman, C., O'Dowd, P., & Harding, M. (2015). Painting by numbers: The development of texture in digitally printed artworks. In C. Andrei, L. Ballantyne, A. McInnes, & A. Tsekova (Eds.), IMPACT 9 International Printmaking Conference (256-261). China: China Academy of Art Press

This paper considers alternative approaches to image making and printing that moves from the on-screen representation of images and painting applications, to the physical generation and methods for surface deposition or 2.5D printing. The research i... Read More about Painting by numbers: The development of texture in digitally printed artworks.

The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society (2015)
Book Chapter
Hoskins, S. (2015). The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society. In L. Ballantyne, C. Andrei, A. McInnes, & A. Tsekova (Eds.), IMPACT 9 International Printmaking Conference (22). China: China Academy of Art Press

Printmaking globally is a thriving and very diverse discipline that currently encompasses practice from traditional woodcutting and engraving through to laser cutting and 3D printing. Sixteen years ago I started the first IMPACT conference because i... Read More about The recent past and future of printmaking in the post print age with reference to its context in contemporary art, industry and society.