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Conditions for play (2022)
Physical Artefact
Davis, R., & Paul, A. Conditions for play. [Manifesto Poster]. UWE City Campus

This co-created Manifesto poster/print is the physical output of qualitative data collected by asking UWE Arts and Design students at City Campus this question: "What does play mean to you in your creative practice?" Responses were gathered a... Read More about Conditions for play.

Read With Me (2022)
Physical Artefact
Bodman, S. Read With Me. [Risograph and relief print]. London/Bristol, UK

Read With Me. Extending from the experimental book project ‘Read to Me’, this book is the result of: a performative drawing event, readings by a psychometric reader, collages made during lockdown and words assembled from the dissected readings. It wa... Read More about Read With Me.

Ripley's Buttons (2022)
Physical Artefact
Bodman, S., & Dixon, J. Ripley's Buttons. [Badges]. Bristol

A collaboration with poet Jeremy Dixon of Hazard Press. A limited edition of 50 sets of 6 text and image badges in tribute to 'The Talented Mr Ripley' by Patricia Highsmith.

Studio archaeology (2021)
Physical Artefact
Banou, S., Carless, T., Drozynski, C., Grogoriadou, E., Hynam, M., Littlefield, D., & Roush, P. Studio archaeology. [Paper, concertina and six pamphlets]. London

Spatial imagination, free-hand and digital drawing, model making and diagramming, modelling techniques, theoretical position, are a particular focus, this year, to focus upon the human occupation of space, the loss of social space correlating with th... Read More about Studio archaeology.

Dinner and a Rose (2021)
Physical Artefact
Bodman, S., & Campbell, N. Dinner and a Rose. [Digital print with silver detail on Nautilus Classic 135gsm recycled paper.]. Bristol

Dinner and a Rose Sarah Bodman & Nancy Campbell Artist Sarah Bodman and poet Nancy Campbell have created a new edition of Dinner and a Rose, an artist’s book in homage to the novel The Talented Mr Ripley by Patricia Highsmith. Originally produce... Read More about Dinner and a Rose.

Field Report - Journal of Field Study International: Why Publish? (2021)
Physical Artefact
Bodman, S. Field Report - Journal of Field Study International: Why Publish?. [printed book]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2020 published the following year, June 2021. Artists contribute 100 pages of their 'report' which is a documentat... Read More about Field Report - Journal of Field Study International: Why Publish?.

Right here, right now - Observations, speculations & hallucinations (2020)
Physical Artefact
Bodman, S. Right here, right now - Observations, speculations & hallucinations. [publish on demand]. Winchester, UK

This publication represents the output from an open call made to artists and designers in middle of a Covid-19 pandemic, April to May 2020. The result is a kind of visual atlas, photos and drawings, multiple perspectives of the same moment. Contri... Read More about Right here, right now - Observations, speculations & hallucinations.

Wipe (2020)
Physical Artefact
Bodman, S. Wipe. [rubber stamps]. UK

Wipe is a small assembling publication in which toilet paper is the medium. The use of a nonarchival, indeed anti-archival medium, is intentional, with the ephemerality and fragility of the medium in sharp contrast with the artistic concern for archi... Read More about Wipe.

Field Report - Journal of Field Study International: 'Read With Me' (2020)
Physical Artefact
Bodman, S. Field Report - Journal of Field Study International: 'Read With Me'. [Printed publication in an edition of 100 copies]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2019 published the following year, June 2020. Artists contribute 100 pages of their 'report' which is a documenta... Read More about Field Report - Journal of Field Study International: 'Read With Me'.

Susan Hiller (2020)
Physical Artefact
Bodman, S., Oechsler, M., & Kivland, S. Susan Hiller. [printed publication]. UK/France

‘Susan Hiller’ artist's page contribution to Salon for a Speculative Future, edited by Monika Oechsler with Sharon Kivland, published by Ma Bibliothèque, ISBN 978-1-910055-72-4, June 2020

Lago Cremisi Permanente (2019)
Physical Artefact
Bodman, S., & Cherniwchan, C. Lago Cremisi Permanente. Messina, Italy

A text and image response to the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. This a new book, based on the collaborative artist’s book trilogy (Red Blue Shades, Perm Green Light & Cad Yellow Deep) Edi... Read More about Lago Cremisi Permanente.

Desire Lines (2019)
Physical Artefact
Hoskins, S., Hingley, L., & Bual, S. Desire Lines. [paper, digital print]. UWE Bristol

Large scale kites printed on paper commissioned as part of the AHRC funded Design, material culture and popular creativity in suburban faith communities. This project explores the ways in which suburban faith communities create space focusing on arc... Read More about Desire Lines.

Always Arriving (2019)
Physical Artefact
Fahy, N. (2019). Always Arriving. [Laser Cutting Relief Print]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

Gwalia Gazette (2019)
Physical Artefact
Bodman, S., Parr, L., Butler, A., & Campbell, N. Gwalia Gazette. Bristol, UK

A collaboration with 47 national and international artists for World Book Night 2019. Coordinated by Linda Parr. In collections: Tate Britain, London, UK; UWE Bristol Special Collections, Bower Ashton Library, Bristol, UK; Biblioteca Universitária UF... Read More about Gwalia Gazette.

Doubt (2019)
Physical Artefact
Fahy, N. (2019). Doubt. [Laser Cut Relief Print (Printed on Fabriano Rosapina)]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (Print) (2019)
Physical Artefact
Fahy, N. (2020). Nothing Here But You (Print). [Lithography, Digital embroidery on waxed Japanese paper]. Woolwich Contemporary Print Fair No 1 Street, London, , United Kingdom 6-13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical... Read More about Nothing Here But You (Print).

Nothing Here But You (2019)
Physical Artefact
Fahy, N. Nothing Here But You. [Lithography, Etching, Digital embroidery on hand waxed paper]. Woolwich Contemporary Print Fair, No 1 Street, London, England 6- 13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.

Perm Green Light (2018)
Physical Artefact
Bodman, S., & Cherniwchan, C. Perm Green Light. [Artist's book]. Bristol, UK

A collaborative artist’s book trilogy (Red Blue Shades, Perm Green Light & Cad Yellow Deep) inspired by the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. A text and image response to the elements of nat... Read More about Perm Green Light.

Cad Yellow Deep (2018)
Physical Artefact
Bodman, S., & Cherniwchan, C. Cad Yellow Deep. [Artist's book]. Bristol, UK

A collaborative artist’s book trilogy (Red Blue Shades, Perm Green Light & Cad Yellow Deep) inspired by the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. A text and image response to the elements of nat... Read More about Cad Yellow Deep.