Digging up the past (2019)
Journal Article
Bodman, S. (2019). Digging up the past. Printmaking Today, 28(110),

A new series of collaborative artists' books by Tamar MacLellan & Philippa Wood explores the contents of our gardens

Le tecnologie digitali 3d per la conservazione e la conoscenza del patrimonio culturale (2019)
Book Chapter
D'Agnano, F., Vernier, P., Ballarin, M., & Balletti, C. (2019). Le tecnologie digitali 3d per la conservazione e la conoscenza del patrimonio culturale. In Una nuova frontiera della didattica Metodi, tecnologie, esperienze italiane. Roma: Carrocci Editore

This chapter focuses on 3d technology and Cultural Heritage. It analyzes 3d technology such as CNC machines and additive processes: the 3d printers. Solid printing in museums/3d printing and geomatics for replicas validation.

Books of the future (2019)
Journal Article
Bodman, S. (in press). Books of the future. z.B. [zum Beispiel] [zum Buch] / [for example] [about books], autumn 2019,

Artists’ books have built and aligned their status according to the value of the printed book, so will arrive at their fate in parallel. If digital reading is going to be the majority method of the future, then how will physical books survive? And w... Read More about Books of the future.

Read With Me – an exhibition of an experiment (2019)
Exhibition / Performance
Bodman, S. Read With Me – an exhibition of an experiment. [n/a]. Exhibited at Bower Ashton Library, UWE, Bristol, UK. 2 December 2019 - 15 January 2020. (Unpublished)

2nd December 2019 – 15th January 2020 Exhibition in the study area, Bower Ashton Library, UWE, Bristol, UK Sarah Bodman: This exhibition continues the Read To Me project – an experiment made in collaboration with a psychometric reader, as an attemp... Read More about Read With Me – an exhibition of an experiment.

Monuments remain (2019)
Exhibition / Performance
Chamberlain, I. Monuments remain. [Etching, Drawing]. 16 November 2019 - 7 December 2019. (Unpublished)

Ian Chamberlain - Monuments Remain - 16 November to 7 December 2019 Ian Chamberlain’s work reinterprets man-made structures as monuments placed within the landscape, that act as architectural metaphors of past and current technological achieveme... Read More about Monuments remain.

Visceral language: A phenomenological approach to contemporary letterpress-printed artist’s book practice in the UK (2019)
Journal Article
Butler, A. (2019). Visceral language: A phenomenological approach to contemporary letterpress-printed artist’s book practice in the UK. Arts, 8(4), 151. https://doi.org/10.3390/arts8040151

The decline of commercial letterpress printing and technological advances in industry were major influential factors with respect to the establishment of independent small presses in the United Kingdom (UK). Although unlike work from commercial, pri... Read More about Visceral language: A phenomenological approach to contemporary letterpress-printed artist’s book practice in the UK.

Read With Me (2019)
Exhibition / Performance
Bodman, S. Read With Me. [n/a]. Performed at Arnolfini, Bristol, UK. 14 November 2019 - 14 November 2019. (Unpublished)

An automatic drawing experiment took place on Thursday 14th November 2019 at Arnolfini bookshop. Participants were invited to attend or to conduct the experiment remotely. The drawings were exhibited at Bower Ashton Library December 2019 and will fo... Read More about Read With Me.

Zero Waste, an exhibition of artists’ books (2019)
Exhibition / Performance
Bodman, S. Zero Waste, an exhibition of artists’ books. [n/a]. Exhibited at Bristol UK and Tallinn, Estonia. 1 November 2019 - 20 March 2020. (Unpublished)

Zero Waste, an exhibition of artists’ books curated by Sarah Bodman and Eve Kask; UWE, Bristol, Bower Ashton Library, 20/09/19 & Estonian Academy of Arts Library, Tallinn, 01/11/19 - 20/03/20 Zero Waste alludes to responsible lifestyles, ending w... Read More about Zero Waste, an exhibition of artists’ books.

Idaho Booker’s Dozen (2019)
Exhibition / Performance
Bodman, S. Idaho Booker’s Dozen. [n/a]. Exhibited at Boise State University, USA. 1 November 2019 - 30 April 2020. (Unpublished)

The Idaho Booker’s Dozen is a biennial, travelling juried exhibition of artists’ books featuring works from Idaho and around the USA, and those of international artists from The Netherlands and the UK. Idaho Booker’s Dozen, touring exhibition o... Read More about Idaho Booker’s Dozen.

Lago Cremisi Permanente (2019)
Physical Artefact
Bodman, S., & Cherniwchan, C. Lago Cremisi Permanente. Messina, Italy

A text and image response to the short story ‘Watching God’ in the collection Three Moments of an Explosion by China Miéville. This a new book, based on the collaborative artist’s book trilogy (Red Blue Shades, Perm Green Light & Cad Yellow Deep) Edi... Read More about Lago Cremisi Permanente.

Sarah Bodman – I Made This For You (2019)
Exhibition / Performance
Bodman, S. Sarah Bodman – I Made This For You. [n/a]. Exhibited at Messina, Italy. 12 October 2019 - 14 November 2019. (Unpublished)

Sarah Bodman – I Made This For You 15th AMACI – Giornata del Contemporaneo Curated by Antonio Freiles, Galleria d’Arte Moderna e Contemporanea L. Barbera, Messina, Italy, 12/10/2019 – 14/11/2019 The 15th Day of Giornata del Contemporaneo – Itali... Read More about Sarah Bodman – I Made This For You.

Artist's Book Yearbook 2020-2021 (2019)
Book
Bodman, S. (2019). Artist's Book Yearbook 2020-2021. Bristol, UK: Impact Press

Published by Impact Press at The Centre for Fine Print Research, University of the West of England, Bristol, September 2019 Essays: With her regular front page, Tanya Peixoto (UK) celebrates some highlights of bookartbookshop over the last two ye... Read More about Artist's Book Yearbook 2020-2021.

Intersections Exhibition 2019: Collaborations in Textile Design Research (2019)
Exhibition / Performance
Morgan, L., Winters, A., O'Nascimento, R., & Woods, E. Intersections Exhibition 2019: Collaborations in Textile Design Research. Exhibited at Loughborough University London, London, UK. 12 September 2019 - 14 September 2019. (Unpublished)

Intersections celebrates the breadth of creative collaborations in textile design research. Centred around the four themes of textiles and architecture, textiles and interactions, textile materialities and processes, as well as critical textiles, th... Read More about Intersections Exhibition 2019: Collaborations in Textile Design Research.

Desire Lines (2019)
Physical Artefact
Hoskins, S., Hingley, L., & Bual, S. Desire Lines. [paper, digital print]. UWE Bristol

Large scale kites printed on paper commissioned as part of the AHRC funded Design, material culture and popular creativity in suburban faith communities. This project explores the ways in which suburban faith communities create space focusing on arc... Read More about Desire Lines.

Always Arriving (2019)
Physical Artefact
Fahy, N. (2019). Always Arriving. [Laser Cutting Relief Print]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

Gwalia Gazette (2019)
Physical Artefact
Bodman, S., Parr, L., Butler, A., & Campbell, N. Gwalia Gazette. Bristol, UK

A collaboration with 47 national and international artists for World Book Night 2019. Coordinated by Linda Parr. In collections: Tate Britain, London, UK; UWE Bristol Special Collections, Bower Ashton Library, Bristol, UK; Biblioteca Universitária UF... Read More about Gwalia Gazette.

Doubt (2019)
Physical Artefact
Fahy, N. (2019). Doubt. [Laser Cut Relief Print (Printed on Fabriano Rosapina)]. The Masters: Relief Royal Society of Painters-Printmakers, Bankside Gallery,Thames Riverside 48 Hopton Street,London 13 – 24 November 2019

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (Print) (2019)
Physical Artefact
Fahy, N. (2020). Nothing Here But You (Print). [Lithography, Digital embroidery on waxed Japanese paper]. Woolwich Contemporary Print Fair No 1 Street, London, , United Kingdom 6-13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical... Read More about Nothing Here But You (Print).

Nothing Here But You (2019)
Physical Artefact
Fahy, N. Nothing Here But You. [Lithography, Etching, Digital embroidery on hand waxed paper]. Woolwich Contemporary Print Fair, No 1 Street, London, England 6- 13 Nov 2019

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.

Tools for tooling: Digital fabrication technology as the innovation enabler (2019)
Journal Article
Jorgensen, T. (2019). Tools for tooling: Digital fabrication technology as the innovation enabler. Arts, 8(1), 9. https://doi.org/10.3390/arts8010009

Abstract: This paper describes research concerning the creation of a novel sheet glass forming system based on the Reconfigurable Pin Tooling (RPT) principle. The paper will initially outline some of the theoretical and technical background for the r... Read More about Tools for tooling: Digital fabrication technology as the innovation enabler.