Outputs (53)

The possible worlds of VR documentary (2025)
Book Chapter

Producers have been drawn to virtual reality (VR) for its potential to render vivid experiences of nonfiction content. The politics of the platform’s affective operation, particularly in relation to distant human others, has been analysed and critiqu... Read More about The possible worlds of VR documentary.

OCCLUSION: Performative Re-use (2024)
Presentation / Conference Contribution

Archival repositories are results of historical narratives, but in turn, are also building blocks of new ones. This 40-minute artistic intervention / performative lecture takes the archival collec tions of mainly the Library of Congress as a starting... Read More about OCCLUSION: Performative Re-use.

The Miracle of Morgan's Creek (1944): Three perspectives on Preston Sturges and the production code (2024)
Journal Article

In this hybrid article, the authors examine Preston Sturges’s ability to outmanoeuvre the Production Code Administration (PCA), specifically in relation to the handling of sex, pregnancy and childbirth in The Miracle of Morgan’s Creek. Our approach i... Read More about The Miracle of Morgan's Creek (1944): Three perspectives on Preston Sturges and the production code.

“Sacred intimacies”: Sexual ambiguity and performance in My Favorite Wife (1940) (2024)
Journal Article

My Favorite Wife (1940) exemplifies the more “sex suggestive” style of screwball comedy in the late 1930s, posing significant problems for the Production Code Administration (PCA). Strategies for handling taboo content onscreen depended on ambiguity,... Read More about “Sacred intimacies”: Sexual ambiguity and performance in My Favorite Wife (1940).

There’s more to life than the monomyth: multiperspectival approaches to teaching narrative and story in university film and media departments (2024)
Journal Article

This article critiques the ongoing dominance of the Hollywood monomyth in the film and television industry, at least in the UK if not more widely. It considers how this is impacting on the teaching of narrative and story in university film and media... Read More about There’s more to life than the monomyth: multiperspectival approaches to teaching narrative and story in university film and media departments.

Cary Grant, see under "Charm" (2024)
Digital Artefact

This contribution to the Screen Stars Dictionary explores Cary Grant, under the word "Charm".

SCREEN STARS DICTIONARY
The Screen Stars Dictionary begins as a joint project between Tecmerin. Journal of Audiovisual Essays and Ariel Avissar. Inspir... Read More about Cary Grant, see under "Charm".

Believe the lie: Digital visual effects in the X-Files (2023)
Book Chapter

This chapter highlights the way in which The X-Files use of digital visual effects contributes to its reflection of its cultural, social and political contexts, intersecting with the social commentary present in the aesthetics of Monsters of the Week... Read More about Believe the lie: Digital visual effects in the X-Files.

Raising Cary Grant, The Bristol Footsteps of Archie Leach (2023)
Exhibition / Performance

The University of the West of England and Cary Comes Home Festival present an all-new immersive actor-led theatre walk in partnership with Show Of Strength Theatre Company, using language and location to explore the transformation of Bristol-born Arc... Read More about Raising Cary Grant, The Bristol Footsteps of Archie Leach.

The Burden of Expectation: Where are the women in Steve McQueen's Small Axe films? (2023)
Book Chapter

Prime time Sunday evening viewing across five weeks of Steve McQueen's penology offered the opportunity to give volume to the silenced, to offer an alternative social historical account of the plurality of the Black British experience, to represent... Read More about The Burden of Expectation: Where are the women in Steve McQueen's Small Axe films?.

Paper tensions: From flipbooks to scanners – the role of paper in moving image practices (2023)
Book Chapter

Concerning the materiality of reproduction and duplication in film, this chapter explores the overlap of moving image and paper technologies. It presents an assemblage of paper related moving image artefacts: paper prints, posters, flipbooks, optical... Read More about Paper tensions: From flipbooks to scanners – the role of paper in moving image practices.

When I Dare To Be Powerful International Conference: Online talk with Irene Lusztig (2023)
Digital Artefact

When I Dare To Be Powerful Online Talk Series.

When I Dare to be Powerful International Conference brought filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing questions relating to... Read More about When I Dare To Be Powerful International Conference: Online talk with Irene Lusztig.

Is collaboration and co-creation an illusionary practice? (2023)
Presentation / Conference Contribution

In 2020, documentary filmmaker Reece Auguiste and his colleagues speculated that ‘[c]o-creation functions as a utopian idea that may never be fully actualized.’ Co-creation and collaboration are concepts that dissemble the power and control intrinsic... Read More about Is collaboration and co-creation an illusionary practice?.

Black Lives Matter: How the UK movement struggled to be heard (2023)
Newspaper / Magazine

In response to the killing of George Floyd in May 2020, international protests under the banner of the Black Lives Matter movement asserted the global inequity of the Black experience. But the Black Lives Matter movement was formed much earlier than... Read More about Black Lives Matter: How the UK movement struggled to be heard.

Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice (2023)
Presentation / Conference Contribution

Artificial intelligence (AI) is increasingly being utilized in various fields including the film industry and archives. The use of AI as a film analysis tool has the potential to develop the way we understand and critique cinema. AI systems can be tr... Read More about Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice.

When I Dare To Be Powerful International Conference: In conversation with Ja' Tovia Monique Gary (2023)
Digital Artefact

When I Dare To Be Powerful International Conference Podcast Series.

When I Dare to be Powerful International Conference brought filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing... Read More about When I Dare To Be Powerful International Conference: In conversation with Ja' Tovia Monique Gary.

When I Dare To Be Powerful International Conference. In conversation with Olivia Lopez Calderon (2023)
Digital Artefact

When I Dare To Be Powerful International Conference Podcast Series.

When I Dare to be Powerful International Conference brought filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing... Read More about When I Dare To Be Powerful International Conference. In conversation with Olivia Lopez Calderon.

Conversations in copyright, creativity and culture (2023)
Presentation / Conference Contribution

This event aims to showcase that there are many ways in which archival content can be unlocked thereby opening doors to new creative material coming into being.

The event hosted by CIPPM and presented in two parts will explore copyright, creativit... Read More about Conversations in copyright, creativity and culture.

When I Dare To Be Powerful International Conference: In conversation with Ally Zlatar (2023)
Digital Artefact

When I Dare To Be Powerful International Conference Podcast Series.

When I Dare to be Powerful International Conference brought filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing... Read More about When I Dare To Be Powerful International Conference: In conversation with Ally Zlatar.

Co-creating anti-racist datasets in AI workflows utilising films as data (2023)
Presentation / Conference Contribution

Considering the concern for racial bias within AI algorithms, could creative responses within moving image archival practice and critical film theory foreground possibilities for intersectional approaches. This paper stems from artist practices with... Read More about Co-creating anti-racist datasets in AI workflows utilising films as data.

The DFC: Developing nonfiction policy frameworks after COVID (2023)
Book Chapter

This chapter is based on research conducted under the aegis of the UK Feature Docs research project (2018-20, https://ukfd.org.uk/), a three-year study of the UK’s feature-length documentary film industry funded by the Arts and Humanities Research Co... Read More about The DFC: Developing nonfiction policy frameworks after COVID.