Outputs (12)

Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design (2022)
Presentation / Conference Contribution

Print Contemporary Practice (PCP) programme is delighted to invite all students to an online talk to be delivered by the PCP Alumni and Ph.D. student Niamh Fahy on Friday, March 11th, at 10:00 am to talk about her artistic and academic journey since... Read More about Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design.

Slow violence and the Slieve Aughty Mountains (2021)
Presentation / Conference Contribution

The purpose of this presentation is to examine the cyclical methodologies of field work, deep mapping and printmaking employed to investigate the changing land use of the Slieve Aughty Mountains located in the West of Ireland. Landscapes subjected to... Read More about Slow violence and the Slieve Aughty Mountains.

Violent impressions - an investigation of slow violence through a printmaking and photography practice (2021)
Presentation / Conference Contribution

The human actions that create waste and initiate slow violence do not climax with the death and destruction of environment. Other-than-human life will continually and non-coherently assert agency over the future forms and adaptions of that waste (Hir... Read More about Violent impressions - an investigation of slow violence through a printmaking and photography practice.

(De) Constructing the Anthropocene (2021)
Presentation / Conference Contribution

The purpose of this paper is to examine the methodologies of deep mapping and printmaking to investigate the changing land use of the Slieve Aughty Mountains in the West of Ireland. Within this paper, I present a body of work situated in practice-bas... Read More about (De) Constructing the Anthropocene.

Touching is believing (2020)
Presentation / Conference Contribution

Interpreting interruption (2020)
Presentation / Conference Contribution

The planning and precision involved in wet-plate collodion photography necessitates a certain amount of formality, through the methodical workflow followed, a sense of order is imposed (Barger, 2015). However, this order co-exists with the countervai... Read More about Interpreting interruption.

Transplant (2020)
Book

Immediately Intimate (2020)
Journal Article

This article will an interdisciplinary printmaking practice focusing on the development of a series of work through interweaving processes and materials. Discussing the notion of transformation through the intimate and complex relationship between m... Read More about Immediately Intimate.

Always Arriving (2019)
Physical Artefact

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of te... Read More about Always Arriving.

Doubt (2019)
Physical Artefact

This piece was created in UWE using Laser cutting technology and relief printing on offset press. The work was created as part of a body of research that explores how the artist can communicate interruption in landscape through application of techn... Read More about Doubt.

Nothing Here But You (Print) (2019)
Physical Artefact

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical... Read More about Nothing Here But You (Print).

Nothing Here But You (2019)
Physical Artefact

This work was created using a hybrid of digital and traditional processes as part of a larger body of research work titled Immediately Intimate. This work looks at communicating changes in landscape through the use of traditional photo-mechanical p... Read More about Nothing Here But You.