Dr Wuon-Gean Ho's Outputs (16)

Touch: Reflections on making - a crafted digital event (2021)
Presentation / Conference Contribution

This paper reports on the online symposium titled Touch: Reflections on Making developed between the Centre for Fine Print Research (CFPR) at the University of the West of England and the UK Crafts Council in December 2020. The event addressed the th... Read More about Touch: Reflections on making - a crafted digital event.

The craftsperson, tacit knowledge and digital embodiment (2021)
Presentation / Conference Contribution

We are increasingly living in a world of digital interfaces, computer screens for work, VR headsets for entertainment, displays in cars and on coffee machines. Computers, robotics and AI are beginning to present new ways and possibilities that can fo... Read More about The craftsperson, tacit knowledge and digital embodiment.

Biennale International D'Estampe Contemporaine de Trois Rivieres (2021)
Exhibition / Performance

Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation (2021)
Presentation / Conference Contribution

This extended abstract accompanies a research film submission.

This film makes three observations on the filming of tactility and movement in order to adequately convey tacit knowledge in embodied ways. The author, Wuon-Gean Ho, studied the craft... Read More about Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation.

Dream lunch (2021)
Journal Article

Wuon-Gean Ho’s Dream Lunch looks at personal depictions of food and consider how these have changed in recent months of solitude. Wuon-Gean reflects on how printmaking has some parallels with cooking, in the gathering of ingredients with a goal in mi... Read More about Dream lunch.

Printmaking and time based media (2021)
Presentation / Conference Contribution

PRINTMAKING HAS INCREASINGLY LENT ITSELF to being represented in time-based media. While there is a rich history of documentary films that show the artist or printer at work, the print as multiple, often variable, and as a process is increasingly bec... Read More about Printmaking and time based media.

Dream lunch (2021)
Presentation / Conference Contribution

DURING THE FIRST MONTHS of the pandemic the intimate connection of food and our stability was amplified. We stockpiled beans, devoured ice1 cream novelties and became increasingly aware of the instability and inequity of the entire food system. While... Read More about Dream lunch.

ETC: Art/work. Artist Wuon-Gean Ho in conversation with Jake Spicer of Draw Brighton (2021)
Presentation / Conference Contribution

Narrative color (2021)
Journal Article

In this paper Wuon-Gean Ho outlines how color has played a narrative role in her printed works of the past four years. She talks about how she uses a specific way of applying ink that extends the color range of each plate and how the resulting effect... Read More about Narrative color.

Gaze light & cheek gaze (2020)
Journal Article

Wuon-Gean Ho writes of her personal response to lockdown’s enforced lack of touch, and shows prints made during that time.

Hungry Cat Café (2020)
Other

The image, Hungry Cat Café, is a print which was used to illustrate an article on Miranda Metcalfe, host of the printmaking podcast Pine | Copper | Lime (now known as Hello, Print Friend) which features international printmakers. I was the first pr... Read More about Hungry Cat Café.

Welcome To Issue One (2020)
Journal Article

Welcome editorial to the IMPACT Printmaking Journal, a new online open access peer reviewed academic journal created by me at the Centre for Fine Print Research over the past 7 months,

Welcome to Issue one of the IMPACT Printmaking Journal (2020)
Journal Article

Introduction to the online open access peer reviewed academic journal called IMPACT Printmaking Journal which has been created and edited for Centre for Fine Print Research, University of the West of England: description of peer review process and su... Read More about Welcome to Issue one of the IMPACT Printmaking Journal.

Rene Carcan Internation Prize for Printmaking (2020)
Exhibition / Performance

Biennial International Print show, in Brussels, Belgium.

Libri Mai Mai Visti: (Books Never Ever Seen) 22 edition (2019)
Exhibition / Performance

Printmaking: A Maker’s Guide
Book Chapter

Printmaking: A Maker’s Guide (Published by Thames and Hudson) Chapter on Linocut and Japanese woodblock (in progress at the moment). Due out Sept 2020