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All Outputs (73)

Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice (2023)
Presentation / Conference Contribution

Artificial intelligence (AI) is increasingly being utilized in various fields including the film industry and archives. The use of AI as a film analysis tool has the potential to develop the way we understand and critique cinema. AI systems can be tr... Read More about Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice.

Fuzzy entrepreneurship: Exploring young people’s emerging creative entrepreneurial practices (2023)
Presentation / Conference Contribution

This workshop presents and explores initial findings from a pilot research study that considers ways in which young people’s emerging and developing entrepreneurial creative practices might challenge and disrupt prevailing discourses about creative a... Read More about Fuzzy entrepreneurship: Exploring young people’s emerging creative entrepreneurial practices.

Material culture and the echoes and legacies of transatlantic enslavement - before and after the Colston statue (2022)
Presentation / Conference Contribution

The Duldig Annual Lecture on Sculpture was inaugurated in 1986 to commemorate the life and work of the sculptor Karl Duldig and his wife, the artist and inventor Slawa Horowitz-Duldig. 

Now in its 36th year, the Duldig Annual Lecture has continued... Read More about Material culture and the echoes and legacies of transatlantic enslavement - before and after the Colston statue.

Coming or going?: Angela Carter’s itinerant subjectivity in “The Quilt Maker” (2022)
Presentation / Conference Contribution

In Angela Carter’s neglected short story ‘The Quilt Maker’, the narrator glosses the Japanese word for orgasm, ikimasu, which she learns from her Japanese lover means ‘to go’ rather than ‘to come’: “The Japanese orgasmic departure renders the English... Read More about Coming or going?: Angela Carter’s itinerant subjectivity in “The Quilt Maker”.