All Outputs (36)

2022 PSBN visiting artist lecture by Wuon-Gean Ho (2022)
Presentation / Conference Contribution

Wuon-Gean Ho gives a talk on how her latest series of narrative prints started six years ago, and traces the development of various themes through her work.

Right is a relative position (2022)
Physical Artefact

While spending time in Tennessee as a visiting fellow in October 2022, the upcoming elections dominated the news. The televised debates revolved around the issues of rights, and who is right, and what it means to be on the right. It struck me how ir... Read More about Right is a relative position.

How I became a Printmaker (2022)
Digital Artefact

In November of 2016 Tony Vega started JapanKyo after noticing a vast and endless stream of interesting news and content coming out of Japan that was getting little to no coverage by English-language media. Using his expertise in the Japanese language... Read More about How I became a Printmaker.

Anatomy of a rainbow (2022)
Physical Artefact

In collaboration with University of Utah Printmaking department, we took monoprint files from one of my latest fine art prints, called Hide and Seek. The files were scanned, digitised, shared between London and Salt Lake City, expanded, laser engrave... Read More about Anatomy of a rainbow.

Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23 (2022)
Presentation / Conference Contribution

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Wuon-Gean Ho, Eskenzi School of art, architecture and design and the McKinney visiting artist lecture series 2022-23.

Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte (2022)
Presentation / Conference Contribution

Wuon-Gean Ho reflects on how she made the transition from studying as a veterinarian in Cambridge University to a career as an artist researcher working at the Centre for Print Research, UWE Bristol. She touched upon some of the residencies she has e... Read More about Wuon-Gean Ho: Visiting artist lecture at University of North Carolina, Charlotte.

Right here, right Now, stories from these times (2022)
Exhibition / Performance

In 2016 I was invited to be a fellow at the Royal Academy Schools in London, renowned as the world’s oldest art school, with a tiny cohort of students who bond over fantastic lunches and a sense of tight companionship. It was there that I started thi... Read More about Right here, right Now, stories from these times.

Edge of infinity (2022)
Exhibition / Performance

Edge of Infinity
A portfolio of original prints curated by
Wuon-Gean Ho for the IMPACT 12 conference,
Centre for Print Research, Bristol, UK. 2022

Participating Artists

Becoming by Stephen Roy Black
Polymer intaglio etching 175 mm x 275 m... Read More about Edge of infinity.

Meet me at the edge of infinity (2022)
Presentation / Conference Contribution

Colourful rainbow rolls, subtle blends, smoky à la poupée and shimmering bokashi appear in many types of print. These colour gradients are a continuous and gradual transformation from one colour to another, with no clear boundaries. They are a visual... Read More about Meet me at the edge of infinity.

Flutter By (2022)
Digital Artefact

Every Friday in March

Together with The One Minutes Foundation, the last month we have been calling for digital moving image works by artists and visual storytellers on the theme of Happiness. What does happiness look like and what power does it h... Read More about Flutter By.

Global crafts: Woodblock prints with Wuon-Gean Ho (2022)
Digital Artefact

This week Oliver is joined by Wuon-Gean Ho, printmaker and research associate at the University of West England’s Centre for Print Research, to discuss the place of mokuhanga, or woodblock printmaking, in the global spread of traditional crafts. Wuon... Read More about Global crafts: Woodblock prints with Wuon-Gean Ho.

Episode 131 | Wuon-Gean Ho (2022)
Digital Artefact

Episode 131 | Wuon-Gean Ho
This week on Hello Print Friend Miranda speaks with Wuon-Gean Ho, a London-based printmaker who is currently getting her PhD at Centre for Print Research. Wuon-Gean was the first guest on Hello Print Friend and today we r... Read More about Episode 131 | Wuon-Gean Ho.

How was it made? Linocut | Print techniques | Wuon-Gean Ho | V&A (2022)
Digital Artefact

Follow printmaker Wuon-Gean Ho as she creates a linocut print using traditional Japanese woodblock gouges, discusses her process and the fellow printmakers that have inspired her. Discover how she imbues emotion and weaves narratives through her imag... Read More about How was it made? Linocut | Print techniques | Wuon-Gean Ho | V&A.

Making colour break, bend and bounce (2021)
Presentation / Conference Contribution

Goma-zuri is a printing technique in Japanese woodblock which is characterised by specks of pigment that form a spotty rather than a flat layer of colour. Sometimes regarded as a beginner’s mistake, the Sosaku-hanga (creative print) movement of artis... Read More about Making colour break, bend and bounce.

IMPACT Printmaking Journal Issue Four (2021)
Journal Article

Interdisciplinary practice and creativity thinking in visual arts (2021)
Presentation / Conference Contribution

Various life experiences can feed creativity. My professional training as a veterinarian was an unusual foundation for lateral thinking and creative improvisation. A lucky scholarship to study printmaking in Japan developed my technical ability. Shar... Read More about Interdisciplinary practice and creativity thinking in visual arts.

Interdisciplinary thinking and creativity (2021)
Presentation / Conference Contribution

Various life experiences can feed creativity. My professional training as a veterinarian was an unusual foundation for lateral thinking and creative improvisation. A lucky scholarship to study printmaking in Japan developed my technical ability. Shar... Read More about Interdisciplinary thinking and creativity.

Touch: Reflections on making - a crafted digital event (2021)
Presentation / Conference Contribution

This paper reports on the online symposium titled Touch: Reflections on Making developed between the Centre for Fine Print Research (CFPR) at the University of the West of England and the UK Crafts Council in December 2020. The event addressed the th... Read More about Touch: Reflections on making - a crafted digital event.

The craftsperson, tacit knowledge and digital embodiment (2021)
Presentation / Conference Contribution

We are increasingly living in a world of digital interfaces, computer screens for work, VR headsets for entertainment, displays in cars and on coffee machines. Computers, robotics and AI are beginning to present new ways and possibilities that can fo... Read More about The craftsperson, tacit knowledge and digital embodiment.

Biennale International D'Estampe Contemporaine de Trois Rivieres (2021)
Exhibition / Performance