All Outputs (36)

On determining the color gamut of N-ink printers (2009)
Presentation / Conference Contribution

Paper given at Session 7: Spectral Imaging [7241-32]. With the development of digital printing technologies, increasing number of primaries are adopted in colour reproduction systems aiming to improve the quality of the print, in particular, to achi... Read More about On determining the color gamut of N-ink printers.

From drypoint to inkjet (2009)
Book Chapter

This conference paper was given at the Printed on Paper Conference, 5th-7th September 2007, The Sage Conference Centre, Gateshead, UK. It presents research in collaboration with the Prints and Drawings Department at Tate Britain London. The databas... Read More about From drypoint to inkjet.

The art and science of colour: Bridging the gap between art and perception (2008)
Presentation / Conference Contribution

The paper considers the relation between the art and science of colour perception and how computational procedures, which mimic our visual system, have been developed to advance digital imaging techniques for the enhancement of colour and image quali... Read More about The art and science of colour: Bridging the gap between art and perception.

Pixel perfect - working with CMYK & RGB - A comparison of printed samples (2008)
Presentation / Conference Contribution

This workshop compared different pre-printed samples on a range of fine art materials, which range from Japanese papers to fine art canvas. These samples demonstrate a very broad range of surface qualities and differences in the gamut of the printed... Read More about Pixel perfect - working with CMYK & RGB - A comparison of printed samples.

Specifying colour and maintaining colour accuracy for 3D printing (2008)
Presentation / Conference Contribution

Advances in rapid prototyping technologies have led to the emergence of three-dimensional printers which can fabricate physical artefacts, including the application of surface colours. In light of these developments, this paper asserts that the need... Read More about Specifying colour and maintaining colour accuracy for 3D printing.

Colour in flux: Describing and printing colour in art (2008)
Presentation / Conference Contribution

This presentation will describe artists, practitioners and scientists, who were interested in developing a deeper psychological, emotional and practical understanding of the human visual system who were working with wavelength, paint and other materi... Read More about Colour in flux: Describing and printing colour in art.

Colour in flux: The art and science of colour (2008)
Journal Article

Editor (with Alessandro Rizzi) of the CREATE Special Edition issue “New Directions in Colour: From Science to Art” of Colour: Design & Creativity, online journal from the Society of Dyers and Colourists (SDC), Issue 3, October 2008. Download from: ht... Read More about Colour in flux: The art and science of colour.

Inkjet in question: Adapting current colour and ink technology for the requirements of the user (2007)
Presentation / Conference Contribution

This paper is an overview on the current application of inkjet and it’s, as to yet considered unfulfilled potential, which as a technology, is as revolutionary as Caxton’s printing press; and a presentation of an approach to develop inkjet from the p... Read More about Inkjet in question: Adapting current colour and ink technology for the requirements of the user.

User preferences in colour enhancements for unsupervised printing methods (2007)
Presentation / Conference Contribution

After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802 (2007)
Physical Artefact

Drawing from Turner , 6 November 2006-20 May 2007, Tate Britain. Drawing From Turner was a collaborative project and exhibition jointly organised by Tate Britain and the University of the Arts London. The display included the drawings of 30 contempor... Read More about After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802.

The combination of traditional printing inks and inkjet for increasing colour choices for artists (2006)
Presentation / Conference Contribution

Customising digital printing for fine art practice (2005)
Presentation / Conference Contribution

The presentation will demonstrate how through alternative methods of digital print production the Centre for Fine Print Research (CFPR) is developing methodologies for digital printing that attempt to move beyond standard reproductive print methods.... Read More about Customising digital printing for fine art practice.

A visual survey of colour on paper and colour changes during changes to light (2003)
Presentation / Conference Contribution

The practical application of an artist's colour model as an alternative to CMYK (2003)
Presentation / Conference Contribution

This paper presents an alternative view of colour, from the artist's perspective. It highlights problems that are current in inkjet and wideformat printing. And how other print processes, such as (silk)screenprint, can offer answers to developing ink... Read More about The practical application of an artist's colour model as an alternative to CMYK.

Digital printing for artists (2003)
Presentation / Conference Contribution

Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008
Report

Consultancy Field Visit and Report of Recommendations. Developing a conservation and documentation plan for the extensive records held within Lands and Survey Division of the Trinidad and Tobago Govt. and which are currently at risk of damage due to... Read More about Development of a conservation and restoration plan and records management system for the Lands and Survey Division, 2007-2008.