Customising digital printing for fine art practice

Thirkell, Paul; Hoskins, Stephen; Parraman, Carinna; Laidler, Paul; Wang, Hong Qiang

Abstract

The presentation will demonstrate how through alternative methods of digital print production the Centre for Fine Print Research (CFPR) is developing methodologies for digital printing that attempt to move beyond standard reproductive print methods. Profiling is used for input and output hardware, along with bespoke profiling for fine art printmaking papers. Examples of artist's work, and examples from the Perpetual Portfolio are included - an artist in residence scheme for selected artists wanting to work at the Centre and to make a large-format digital print. Colour is an important issue: colour fidelity, colour density on paper, colour that can be achieved through multiple-pass printing. Research is also underway to test colour shortfalls in the current inkjet ink range, and to extend colour through the use of traditional printing inks. © 2005 SPIE and IS&T.

• Presentation Conference Type: Conference Paper (published)
• Publication Date: Jul 20, 2005
• Journal: Proceedings of SPIE - The International Society for Optical Engineering
• Print ISSN: 0277-786X
• Electronic ISSN: 1996-756X
• Publisher: Society of Photo-optical Instrumentation Engineers
• Peer Reviewed: Peer Reviewed
• Volume: 5667
• Pages: 465-472
• Series Title: Color Imaging X: Processing, Hardcopy, and Applications
• Series Number: 465
• ISBN: doi:10.1117/12.587891
• DOI: https://doi.org/10.1117/12.587891
• Keywords: digital print, input and output hardware, bespoke profiling, fine art printmaking papers
• Public URL: https://uwe-repository.worktribe.com/output/1051723
• Publisher URL: http://dx.doi.org/10.1117/12.587891
• Related Public URLs: http://spiedigitallibrary.org/vsearch/servlet/VerityServlet?KEY=PSISDG&smode=strresults&sort=rel&maxdisp=25&threshold=0&pjournals=PSISDG&possible1=Fine+Art+Practice&possible1zone=article&SMODE=strsearch&OUTLOG=NO&deliveryType=spiedl&viewabs=PSISDG&key=DIS