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All Outputs (62)

Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England (2023)
Exhibition / Performance

The exhibition by printmaking staff at the University of the West of England has become an annual event. At the end of the last exhibition the next one seems far away. But time flies and suddenly March is very near again, and panic begins. The theme... Read More about Near and far: An exhibition of artworks made by the printmaking staff at the University of the West of England.

Edge of infinity (2022)
Exhibition / Performance

Edge of Infinity
A portfolio of original prints curated by
Wuon-Gean Ho for the IMPACT 12 conference,
Centre for Print Research, Bristol, UK. 2022

Participating Artists

Becoming by Stephen Roy Black
Polymer intaglio etching 175 mm x 275 m... Read More about Edge of infinity.

Fully printed and multifunctional graphene-based wearable e-textiles for personalized healthcare applications (2022)
Journal Article

Wearable e-textiles have gained huge tractions due to their potential for non-invasive health monitoring. However, manufacturing of multifunctional wearable e-textiles remains challenging, due to poor performance, comfortability, scalability, and cos... Read More about Fully printed and multifunctional graphene-based wearable e-textiles for personalized healthcare applications.

The Amber Project: A survey of methods and inks for the reproduction of the color of translucent objects (2022)
Journal Article

Unlike regular pigments based on selective light absorption, the so-called “effect pigments” are based on the phenomena of structural color, or selective reflectance. Structural color has appealing aesthetic qualities, such as angle-dependent hue, an... Read More about The Amber Project: A survey of methods and inks for the reproduction of the color of translucent objects.

Recreating the relief of the temple of the Jaguars: Exploring digital and analogue 2.5D printing of Mesoamerican imagery (2021)
Presentation / Conference Contribution

Digital and analogue printing methods are studied for reconstructing a Mayan decorative relief from the ancient temple of the Jaguars. Height maps, image files encoding height information as intensity values, were produced in commercial image editing... Read More about Recreating the relief of the temple of the Jaguars: Exploring digital and analogue 2.5D printing of Mesoamerican imagery.

Colour deceives continually (2021)
Presentation / Conference Contribution

This paper explores the relationship between additive and subtractive mixing for printing colour. Using mica pigments that are based on additive colour mixing principles, that when combined, create white. Although currently used for decorative effect... Read More about Colour deceives continually.

Printing the light (2021)
Journal Article

This paper explores the relationship between additive and subtractive mixing for colour printing. Using Spectraval mica pigments (Merck)—marketed as RGB pigments—colour is generated by selective reflection and prints are based on additive colour mixi... Read More about Printing the light.

Urban Lighthouses (2020)
Presentation / Conference Contribution

Wayfinding strategies for visually impaired are fundamental to provide social inclusion, a better quality of life, level of independency and urban accessibility to people with special needs. Recent digital technologies are a great help (GPS localizat... Read More about Urban Lighthouses.

How to print a rainbow (2019)
Presentation / Conference Contribution

In the 21st century, methods for translating additive colours as seen on screens (Red Green Blue (RGB)) into subtractive colours (Cyan Magenta Yellow Black (CMYK)) for industrial print are based on 4 colour halftoning. CMYK are so called process colo... Read More about How to print a rainbow.