Isabelle Szmigin
Socio-spatial authenticity at co-created music festivals
Szmigin, Isabelle; Bengry-Howell, Andrew; Morey, Yvette; Griffin, Christine; Riley, Sarah
Authors
Andrew Bengry-Howell
Yvette Morey Yvette2.Morey@uwe.ac.uk
AHOD in Marketing and Enterprise Prog Clust
Christine Griffin
Sarah Riley
Abstract
© 2016 The Authors From the early days of hippie counter-culture, music festivals have been an important part of the British summer. Today they are commercialised offerings without the counter-cultural discourse of earlier times. Drawing on participant observation, interviews and focus groups conducted at a rock festival and a smaller boutique festival, the paper examines how their design, organisation and management are co-created with participants to produce authentic experiences. The paper contributes to research on authenticity in tourism by examining how authenticity emerges and is experienced in such co-created commercial settings. It presents the importance that the socio-spatial plays in authenticity experiences and how socio-spatial experience and engagement can also be recognised as a form of aura.
Citation
Szmigin, I., Bengry-Howell, A., Morey, Y., Griffin, C., & Riley, S. (2017). Socio-spatial authenticity at co-created music festivals. Annals of Tourism Research, 63, 1-11. https://doi.org/10.1016/j.annals.2016.12.007
Journal Article Type | Article |
---|---|
Acceptance Date | Dec 18, 2016 |
Online Publication Date | Jan 7, 2017 |
Publication Date | Mar 1, 2017 |
Journal | Annals of Tourism Research |
Print ISSN | 0160-7383 |
Publisher | Elsevier Masson |
Peer Reviewed | Peer Reviewed |
Volume | 63 |
Pages | 1-11 |
DOI | https://doi.org/10.1016/j.annals.2016.12.007 |
Keywords | authenticity, music festivals, co-creation, socio-spatial, aura |
Public URL | https://uwe-repository.worktribe.com/output/897855 |
Publisher URL | http://dx.doi.org/10.1016/j.annals.2016.12.007 |
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