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Socio-spatial authenticity at co-created music festivals

Szmigin, Isabelle; Bengry-Howell, Andrew; Morey, Yvette; Griffin, Christine; Riley, Sarah

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Authors

Isabelle Szmigin

Andrew Bengry-Howell

Yvette Morey Yvette2.Morey@uwe.ac.uk
Associate Director - Student Academic Journey

Christine Griffin

Sarah Riley



Abstract

© 2016 The Authors From the early days of hippie counter-culture, music festivals have been an important part of the British summer. Today they are commercialised offerings without the counter-cultural discourse of earlier times. Drawing on participant observation, interviews and focus groups conducted at a rock festival and a smaller boutique festival, the paper examines how their design, organisation and management are co-created with participants to produce authentic experiences. The paper contributes to research on authenticity in tourism by examining how authenticity emerges and is experienced in such co-created commercial settings. It presents the importance that the socio-spatial plays in authenticity experiences and how socio-spatial experience and engagement can also be recognised as a form of aura.

Citation

Szmigin, I., Bengry-Howell, A., Morey, Y., Griffin, C., & Riley, S. (2017). Socio-spatial authenticity at co-created music festivals. Annals of Tourism Research, 63, 1-11. https://doi.org/10.1016/j.annals.2016.12.007

Journal Article Type Article
Acceptance Date Dec 18, 2016
Online Publication Date Jan 7, 2017
Publication Date Mar 1, 2017
Deposit Date Apr 21, 2017
Publicly Available Date Apr 21, 2017
Journal Annals of Tourism Research
Print ISSN 0160-7383
Publisher Elsevier Masson
Peer Reviewed Peer Reviewed
Volume 63
Pages 1-11
DOI https://doi.org/10.1016/j.annals.2016.12.007
Keywords authenticity, music festivals, co-creation, socio-spatial, aura
Public URL https://uwe-repository.worktribe.com/output/897855
Publisher URL http://dx.doi.org/10.1016/j.annals.2016.12.007

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