Outputs (824)

Two sides to every story - letterpress printed bookworks by Andrew Morrison (2022)
Journal Article

An interview with the book and letterpress artist Andrew Morrison whose studio is based in the South West of England, about his artists' books in progress that explore physical structures, phonetics and visual language.

Write Here - for Field Report (2022)
Physical Artefact

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2021 published the following year, June 2022. Artists contribute 100 pages of their 'report' which is a documentat... Read More about Write Here - for Field Report.

Fallen (2022)
Physical Artefact

Fallen/Fallen edition of 8: series of printed cards with specimens of flora attached and presentated in a conservation box. Also contains a card with QR code label to a video of a forest walk.
Produced at GG Studio Residency May/June 2022

Skogen Vadens (2022)
Physical Artefact

Skogen Vadens: edition of 20. Hand printed portfolio containing one digital and one letterpress print. Produced at GG Studio Residency May/June 2022

Trees Whisper Birdsong (2022)
Physical Artefact

A pair of poem cards: one in Swedish and one in English, printed letterpress. Produced at GG Studio Residency May/June 2022

VCRC Symposium These Books... (2022)
Presentation / Conference Contribution

Presentation of a project framework that evidences how UK practitioners articulate their bodies and senses to engage with equipment and materials to enable the development of their practice within letterpress printed artists' books.

Sharing curren... Read More about VCRC Symposium These Books....

Maxwell's disappointment and Sutton's accident (2022)
Presentation / Conference Contribution

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell's disappointment and Sutton's accident.

MABB Catalogue 2022 (2022)
Other

Catalogue forward, MABB Malmö Artists’ Books Biennial catalogue 2022. A post-pandemic reflection on our physical and online connection with artists' books and our book arts community since the last MABB (2018). Plus an introduction to the Scandinavia... Read More about MABB Catalogue 2022.

Ghosts in the machine (2022)
Physical Artefact

Our Ghosts in the Machine WBN publication is an A4 loose-leaf artist’s book which can be taken apart and made into a portable exhibition. Produced in an edition of 100, housed in a string tied envelope with a screenprinted title. The block of pages h... Read More about Ghosts in the machine.

First Impressions (2022)
Exhibition / Performance

Curated by Professor Helen Smith - Thin Ice Press, University of York: First Impressions takes a fresh look at printing, asking what goes before, or lies behind, a finished print. The exhibition uncovers the hidden stories and histories of the relief... Read More about First Impressions.

Ghosts in the Machine - World Book Night 2022 (2022)
Exhibition / Performance

The theme of our WBN United Artists participatory call for 2022 was Ghosts in the Machine.

Inspired by haunting tales written by authors including M. R. James, Shirley Jackson, John Ajvide Lindqvist, Pierre de Ronsard, Fritz Lieber, Toni Morrison... Read More about Ghosts in the Machine - World Book Night 2022.

Writers Kingston event #52 The Printed Poetry Project (2022)
Exhibition / Performance

Writers Kingston event #52 The Printed Poetry Project Public event at Town House Building : Courtyard, University of Kingston, London.
Angie Butler, Pat Randle, Barrie Tullett, Simon Tyrrell, Jules Sprake, Tereza Stehlikova, SJ Fowler, Bob T Bright... Read More about Writers Kingston event #52 The Printed Poetry Project.

Flutter By (2022)
Digital Artefact

Every Friday in March

Together with The One Minutes Foundation, the last month we have been calling for digital moving image works by artists and visual storytellers on the theme of Happiness. What does happiness look like and what power does it h... Read More about Flutter By.

Artful Craft (2022)
Exhibition / Performance

Celebrating our re-launch in 2022 with an exhibition focusing on the nature of craft, art and design in the 21st century.

We are delighted that our president Peter Randall-Page RA, whose own work effortlessly straddles concepts in art with tradit... Read More about Artful Craft.

Read With Me (2022)
Physical Artefact

Read With Me. Extending from the experimental book project ‘Read to Me’, this book is the result of: a performative drawing event, readings by a psychometric reader, collages made during lockdown and words assembled from the dissected readings. It wa... Read More about Read With Me.

Global crafts: Woodblock prints with Wuon-Gean Ho (2022)
Digital Artefact

This week Oliver is joined by Wuon-Gean Ho, printmaker and research associate at the University of West England’s Centre for Print Research, to discuss the place of mokuhanga, or woodblock printmaking, in the global spread of traditional crafts. Wuon... Read More about Global crafts: Woodblock prints with Wuon-Gean Ho.

New approaches with ceramic profile extrusion (2022)
Presentation / Conference Contribution

This paper and presentation concern the development of new methods with ceramic profile extrusion with the aim of expanding the creative exploration of architectural ceramic components. The project has established fast tooling workflows for the creat... Read More about New approaches with ceramic profile extrusion.

Ripley's Buttons (2022)
Physical Artefact

A collaboration with poet Jeremy Dixon of Hazard Press. A limited edition of 50 sets of 6 text and image badges in tribute to 'The Talented Mr Ripley' by Patricia Highsmith.

Maxwell’s Disappointment / Sutton’s Accident (2022)
Presentation / Conference Contribution

It has almost become somewhat of an urban legend or internet myth that James Clerk Maxwell created the first colour image and had demonstrated this at the Royal Institution in London in May 1861. He did present something, but what? In ‘The scientific... Read More about Maxwell’s Disappointment / Sutton’s Accident.

Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design (2022)
Presentation / Conference Contribution

Print Contemporary Practice (PCP) programme is delighted to invite all students to an online talk to be delivered by the PCP Alumni and Ph.D. student Niamh Fahy on Friday, March 11th, at 10:00 am to talk about her artistic and academic journey since... Read More about Niamh Fahy - Printmaking contemporary practice - Visiting lecturer Limerick School of Art and Design.