Outputs (10)

OCCLUSION: Performative Re-use (2024)
Presentation / Conference Contribution

Archival repositories are results of historical narratives, but in turn, are also building blocks of new ones. This 40-minute artistic intervention / performative lecture takes the archival collec tions of mainly the Library of Congress as a starting... Read More about OCCLUSION: Performative Re-use.

Is collaboration and co-creation an illusionary practice? (2023)
Presentation / Conference Contribution

In 2020, documentary filmmaker Reece Auguiste and his colleagues speculated that ‘[c]o-creation functions as a utopian idea that may never be fully actualized.’ Co-creation and collaboration are concepts that dissemble the power and control intrinsic... Read More about Is collaboration and co-creation an illusionary practice?.

Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice (2023)
Presentation / Conference Contribution

Artificial intelligence (AI) is increasingly being utilized in various fields including the film industry and archives. The use of AI as a film analysis tool has the potential to develop the way we understand and critique cinema. AI systems can be tr... Read More about Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice.

Conversations in copyright, creativity and culture (2023)
Presentation / Conference Contribution

This event aims to showcase that there are many ways in which archival content can be unlocked thereby opening doors to new creative material coming into being.

The event hosted by CIPPM and presented in two parts will explore copyright, creativit... Read More about Conversations in copyright, creativity and culture.

Co-creating anti-racist datasets in AI workflows utilising films as data (2023)
Presentation / Conference Contribution

Considering the concern for racial bias within AI algorithms, could creative responses within moving image archival practice and critical film theory foreground possibilities for intersectional approaches. This paper stems from artist practices with... Read More about Co-creating anti-racist datasets in AI workflows utilising films as data.

Talking of time and tide (2022)
Presentation / Conference Contribution

In this presentation, artist researcher Wuon-Gean Ho shares some of her recent creative outputs through the lens of time. She explains how her work bridges still and moving image through printmaking, book-making, film and animation. Some examples of... Read More about Talking of time and tide.

Re-visioning cultural, historical and gendered aspects of Nottingham's past and present (2022)
Presentation / Conference Contribution

And some of us are silenced (2021)
Presentation / Conference Contribution

In Mangrove the first of the Small Axe films, bio-chemist student Althea says “We need to challenge the system… We mustn’t be victims but protagonists of our stories and what better way of representing ourselves but self-representing ourselves.” A bo... Read More about And some of us are silenced.

Theories on the use of theatrical esotropia in character design and performance (2019)
Presentation / Conference Contribution

Based on content analysis and interviews, this paper will present theories on why the eye focus of realistic or semi-realistic animated characters is deliberately skewed inwards, in medical terms presenting as a convergent squint or esotropia.The ori... Read More about Theories on the use of theatrical esotropia in character design and performance.

From Harryhausen to Aardman: The evolution of stop-motion animation (2019)
Presentation / Conference Contribution

Introduced screening of 'One Million Years B.C.' (1966) and chaired panel discussion with Connor Heaney (Ray and Diana Harryhausen Foundation) and Merlin Crossingham (Aardman Animations).