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Dr Charlotte Crofts' Outputs (92)

Cockney Cary (2022)
Digital Artefact

Book Launch for James Naremore’s Some Versions of Cary Grant and Cary Comes Home festival programme announcement, 5 October.

“Cary Grant famously said, ‘Everyone wants to be Cary Grant. Even I want to be Cary Grant’. His development of that star i... Read More about Cockney Cary.

Coming or going?: Angela Carter’s itinerant subjectivity in “The Quilt Maker” (2022)
Presentation / Conference Contribution

In Angela Carter’s neglected short story ‘The Quilt Maker’, the narrator glosses the Japanese word for orgasm, ikimasu, which she learns from her Japanese lover means ‘to go’ rather than ‘to come’: “The Japanese orgasmic departure renders the English... Read More about Coming or going?: Angela Carter’s itinerant subjectivity in “The Quilt Maker”.

Bristol fashion: Reclaiming Cary Grant for Bristol – Film heritage, screen tourism and curating the Cary Comes Home Festival (2021)
Journal Article

Crofts, C. (2021) ‘Bristol Fashion: Reclaiming Cary Grant for Bristol – Film Heritage, Screen Tourism and Curating the Cary Comes Home Festival’ in submitted to Open Screens.

Abstract
This article re-examines Cary Grant’s star persona arguing tha... Read More about Bristol fashion: Reclaiming Cary Grant for Bristol – Film heritage, screen tourism and curating the Cary Comes Home Festival.

Intro to finding coherence across journals: Guidelines and criteria for making, curating, and publishing video essays (2021)
Digital Artefact


An increasing number of journals and conferences are opening up to non-conventional academic formats, with consideration of creative methods and productions, such as video essays. For instance, the free open community-led digital archive for media,... Read More about Intro to finding coherence across journals: Guidelines and criteria for making, curating, and publishing video essays.