All Outputs (7)

Paper tensions: From flipbooks to scanners – the role of paper in moving image practices (2023)
Book Chapter

Concerning the materiality of reproduction and duplication in film, this chapter explores the overlap of moving image and paper technologies. It presents an assemblage of paper related moving image artefacts: paper prints, posters, flipbooks, optical... Read More about Paper tensions: From flipbooks to scanners – the role of paper in moving image practices.

Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice (2023)
Presentation / Conference Contribution

Artificial intelligence (AI) is increasingly being utilized in various fields including the film industry and archives. The use of AI as a film analysis tool has the potential to develop the way we understand and critique cinema. AI systems can be tr... Read More about Near neighbours: Artificial intelligence and anti-racism as an activating pursuit in archival moving image practice.

Cross-disciplinary collaborations for sustainable futures and a vital and ‎relevant academic community (2023)
Book Chapter

The challenges of our rapidly changing climate, environments, cultures, populations and labour markets require HE to ‘recognise, own, and engage with the most difficult and intractable issues of our times’ (Sterling, 2019, 61; Pritchard, forthcoming)... Read More about Cross-disciplinary collaborations for sustainable futures and a vital and ‎relevant academic community.

Conversations in copyright, creativity and culture (2023)
Presentation / Conference Contribution

This event aims to showcase that there are many ways in which archival content can be unlocked thereby opening doors to new creative material coming into being.

The event hosted by CIPPM and presented in two parts will explore copyright, creativit... Read More about Conversations in copyright, creativity and culture.

Co-creating anti-racist datasets in AI workflows utilising films as data (2023)
Presentation / Conference Contribution

Considering the concern for racial bias within AI algorithms, could creative responses within moving image archival practice and critical film theory foreground possibilities for intersectional approaches. This paper stems from artist practices with... Read More about Co-creating anti-racist datasets in AI workflows utilising films as data.

The greatest films of all time 2022 sight and sound poll (2022)
Digital Artefact

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed.

The Sight and Sound poll is now a major bellwethe... Read More about The greatest films of all time 2022 sight and sound poll.

Imitations (2022)
Digital Artefact

A video essay concerning racial representations in Artificial Intelligence, delayed cinema, utilising Douglas Sirk's film Imitation of Life as Data.