Outputs (14)

Making colour break, bend and bounce (2021)
Presentation / Conference Contribution

Goma-zuri is a printing technique in Japanese woodblock which is characterised by specks of pigment that form a spotty rather than a flat layer of colour. Sometimes regarded as a beginner’s mistake, the Sosaku-hanga (creative print) movement of artis... Read More about Making colour break, bend and bounce.

IMPACT Printmaking Journal Issue Four (2021)
Journal Article

Interdisciplinary thinking and creativity (2021)
Presentation / Conference Contribution

Various life experiences can feed creativity. My professional training as a veterinarian was an unusual foundation for lateral thinking and creative improvisation. A lucky scholarship to study printmaking in Japan developed my technical ability. Shar... Read More about Interdisciplinary thinking and creativity.

Interdisciplinary practice and creativity thinking in visual arts (2021)
Presentation / Conference Contribution

Various life experiences can feed creativity. My professional training as a veterinarian was an unusual foundation for lateral thinking and creative improvisation. A lucky scholarship to study printmaking in Japan developed my technical ability. Shar... Read More about Interdisciplinary practice and creativity thinking in visual arts.

Touch: Reflections on making - a crafted digital event (2021)
Presentation / Conference Contribution

This paper reports on the online symposium titled Touch: Reflections on Making developed between the Centre for Fine Print Research (CFPR) at the University of the West of England and the UK Crafts Council in December 2020. The event addressed the th... Read More about Touch: Reflections on making - a crafted digital event.

The craftsperson, tacit knowledge and digital embodiment (2021)
Presentation / Conference Contribution

We are increasingly living in a world of digital interfaces, computer screens for work, VR headsets for entertainment, displays in cars and on coffee machines. Computers, robotics and AI are beginning to present new ways and possibilities that can fo... Read More about The craftsperson, tacit knowledge and digital embodiment.

Biennale International D'Estampe Contemporaine de Trois Rivieres (2021)
Exhibition / Performance

Welcome to issue three (2021)
Journal Article

Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation (2021)
Presentation / Conference Contribution

This extended abstract accompanies a research film submission.

This film makes three observations on the filming of tactility and movement in order to adequately convey tacit knowledge in embodied ways. The author, Wuon-Gean Ho, studied the craft... Read More about Three observations on filming tactility and movement in crafts-based practice: A preliminary investigation.

Dream lunch (2021)
Journal Article

Wuon-Gean Ho’s Dream Lunch looks at personal depictions of food and consider how these have changed in recent months of solitude. Wuon-Gean reflects on how printmaking has some parallels with cooking, in the gathering of ingredients with a goal in mi... Read More about Dream lunch.