Outputs (62)

An exploration of alternative computer aided methods for multi-colour woodblock printing (2015)
Book Chapter

Inspired by the traditional Chiaroscuro woodblock printing techniques of the 16th century, we have explored the use of producing relief print impressions as a means to evaluate the surface rendered with 2.5D and 3D printing technologies. This work b... Read More about An exploration of alternative computer aided methods for multi-colour woodblock printing.

Painting by numbers: The development of texture in digitally printed artworks (2015)
Book Chapter

This paper considers alternative approaches to image making and printing that moves from the on-screen representation of images and painting applications, to the physical generation and methods for surface deposition or 2.5D printing. The research i... Read More about Painting by numbers: The development of texture in digitally printed artworks.

Woodblock printing as a means for 2.5D and 3D surface evaluation (2015)
Presentation / Conference Contribution

Inspired by traditional Chiaroscuro woodblock printing techniques of the 16th century, we explore the use of multicolour impressions produced by relief prints as a means to evaluate the surface rendered with 2.5D and 3D printing technologies. Even t... Read More about Woodblock printing as a means for 2.5D and 3D surface evaluation.

Painting by numbers: Transforming fields and edges vectors (2015)
Presentation / Conference Contribution

This paper considers alternative approaches to image making and printing that moves from the on-screen representation of images and painting applications, to the physical generation and methods for surface deposition or 2.5D printing. The research in... Read More about Painting by numbers: Transforming fields and edges vectors.

An evaluation of the transferability of Munsell's colour notation methodology to modern inkjet printing technology (2015)
Presentation / Conference Contribution

© 2015 SPIE. This paper examines the transferability of the Munsell system to modern inkjet colorants and printing technology following a similar approach to his original methods. While extensive research and development has gone into establishing me... Read More about An evaluation of the transferability of Munsell's colour notation methodology to modern inkjet printing technology.

The material image: Artists’ approaches to reproducing texture in art (2014)
Presentation / Conference Contribution

Since the introduction of computers, there has been a desire to improve the appearance of computer-generated objects in virtual spaces and to display the objects within complex scenes exactly as they appear in reality. This is a straightforward proce... Read More about The material image: Artists’ approaches to reproducing texture in art.

Deconstructing digital printing technologies: Towards reinstating artistic ingenuity in the production of digital colour prints (2014)
Presentation / Conference Contribution

This research proposes an alternative perspective to conventional printing workflows. Such workflows are restrictive when standard interfaces conceal self-contained systems, limited by manufacturers’ parameters. This has been observed to inhibit the... Read More about Deconstructing digital printing technologies: Towards reinstating artistic ingenuity in the production of digital colour prints.

The art and science of colour perception and reproduction (2014)
Book Chapter

Chapter 6 in Art, Science and Cultural Understanding covers a brief exploration of the differences in reproduction. A history of the art and science of colour. Forming pictures in the brain: colour appearance, perception, and neuroscience. Reproducti... Read More about The art and science of colour perception and reproduction.

Durer’s Rhinoceros: Artists’ approaches to reproducing texture in art (2014)
Presentation / Conference Contribution

Since the introduction of computers, there has been a desire to improve the appearance of computer generated objects in virtual spaces and to be able to display the objects within complex scenes exactly as they appear in reality. This is a straightfo... Read More about Durer’s Rhinoceros: Artists’ approaches to reproducing texture in art.

Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing (2014)
Presentation / Conference Contribution

This research investigates multi-channel inkjet printing methods, which deviate from standard colour management workflows by reflecting on art historical processes, including the construction of colour in old master works, to reproduce specific colou... Read More about Reproducing the old masters: Applying colour mixing and painting methodologies to inkjet printing.