Outputs (3)

The practical application of an artist's colour model as an alternative to CMYK (2003)
Presentation / Conference Contribution

This paper presents an alternative view of colour, from the artist's perspective. It highlights problems that are current in inkjet and wideformat printing. And how other print processes, such as (silk)screenprint, can offer answers to developing ink... Read More about The practical application of an artist's colour model as an alternative to CMYK.

Continuous tone digital output using archivally proven printing methods and material (2003)
Book Chapter

Whilst the primary focus for the creation and preservation of digitally based artwork in hardcopy has relied in recent years on the gradual refinement of digital printing devices, reference points for their development often appear to follow a strict... Read More about Continuous tone digital output using archivally proven printing methods and material.

The relevance of 19th century continuous tone photomechanical printing techniques to digitally generated imagery (2003)
Presentation / Conference Contribution

Paper presented at SPIE Electronic Imaging Conference, Santa Clara, USA. This is one of a portfolio of outcomes from an AHRC funded research project ('A Practical Reappraisal of Continuous Tone Photo-relief Printing', award of £157,000). Drawing on v... Read More about The relevance of 19th century continuous tone photomechanical printing techniques to digitally generated imagery.