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Urban Lighthouses (2020)
Presentation / Conference
D'Agnano, F., Parraman, C., & Roberton, N. (2020, June). Urban Lighthouses. Paper presented at CONNECTIONS: EXPLORING HERITAGE, ARCHITECTURE, CITIES, ART, MEDIA, Canterbury, UK

Wayfinding strategies for visually impaired are fundamental to provide social inclusion, a better quality of life, level of independency and urban accessibility to people with special needs. Recent digital technologies are a great help (GPS localizat... Read More about Urban Lighthouses.

Ceramic profile extrusion: New tooling approaches to re-appropriate the use of a heritage medium in architecture (2020)
Presentation / Conference
Jorgensen, T. (2020, June). Ceramic profile extrusion: New tooling approaches to re-appropriate the use of a heritage medium in architecture. Paper presented at CONNECTIONS: EXPLORING HERITAGE, ARCHITECTURE, CITIES, ART MEDIA, Virtual / Canterbury, United Kingdom

The ceramic medium is extremely prevalent in our build environment. This medium is used in architecture in a myriad of applications in the shape of: bricks, cladding, roofing and tiles for interior/exterior surfaces. The use of red terracotta is char... Read More about Ceramic profile extrusion: New tooling approaches to re-appropriate the use of a heritage medium in architecture.

Urban lighthouses and a tactile city (2020)
Presentation / Conference
Parraman, C., & D'Agnano, F. (2020, June). Urban lighthouses and a tactile city. Paper presented at AMPS Architecture, Media, Politics, Society, Online

Wayfinding strategies for visually impaired are fundamental for providing social inclusion, a better quality of life, a level of independency and urban accessibility for people with special needs. Recent digital technologies can provide significant b... Read More about Urban lighthouses and a tactile city.

Field Report - Journal of Field Study International: 'Read With Me' (2020)
Physical Artefact
Bodman, S. Field Report - Journal of Field Study International: 'Read With Me'. [Printed publication in an edition of 100 copies]. Australia

Field Report is edited and published by David Dellafiora for Field Study, Australia. It is a report of all field workers' activity over 2019 published the following year, June 2020. Artists contribute 100 pages of their 'report' which is a documenta... Read More about Field Report - Journal of Field Study International: 'Read With Me'.

Woodburytype: a forgotten 19th century photomechanical process and its 21st century resurrection (2020)
Presentation / Conference
Klein, S. (2020, June). Woodburytype: a forgotten 19th century photomechanical process and its 21st century resurrection

One of the technological achievements of the 19th century was the mass reproduction of photographic images. Woodburytype was the first commercially successful photomechanical continuous tone printing method, of unsurpassed quality until today. Along... Read More about Woodburytype: a forgotten 19th century photomechanical process and its 21st century resurrection.

Origins of Colouration in Invertebrates – Pigment and Structure (2020)
Presentation / Conference
Leech, D. (2020, June). Origins of Colouration in Invertebrates – Pigment and Structure. Presented at Field Studies Council Virtual Meet Ups

Colour/pattern recognition is a common cornerstone of animal identification, however, the processes by which animals actually display colour is incredibly complex. Beyond the simple pigmented systems, that also form the basis of our paints and inks,... Read More about Origins of Colouration in Invertebrates – Pigment and Structure.

The polychromatic Woodburytype: Colour tracking in translucent, patterned gelatin/pigment films (2020)
Journal Article
Leech, D. J., Guy, W., & Klein, S. (2020). The polychromatic Woodburytype: Colour tracking in translucent, patterned gelatin/pigment films. Molecules, 25(11), Article 2468. https://doi.org/10.3390/molecules25112468

The Woodburytype is a 19th century photomechanical technique capable of producing high-quality continuous-tone prints. It uses pigment dispersed in gelatin to produce a 2.5D print, in which the effect of varying tone is produced by a variation in the... Read More about The polychromatic Woodburytype: Colour tracking in translucent, patterned gelatin/pigment films.

Susan Hiller (2020)
Physical Artefact
Bodman, S., Oechsler, M., & Kivland, S. Susan Hiller. [printed publication]. UK/France

‘Susan Hiller’ artist's page contribution to Salon for a Speculative Future, edited by Monika Oechsler with Sharon Kivland, published by Ma Bibliothèque, ISBN 978-1-910055-72-4, June 2020

Hungry Cat Café (2020)
Other
Ho, W. (in press). Hungry Cat Café. USA

The image, Hungry Cat Café, is a print which was used to illustrate an article on Miranda Metcalfe, host of the printmaking podcast Pine | Copper | Lime (now known as Hello, Print Friend) which features international printmakers. I was the first pr... Read More about Hungry Cat Café.

Should we have stayed at home and thought of here? (2020)
Exhibition / Performance
Bodman, S., Parr, L., Campbell, N., & Bíro, C. Should we have stayed at home and thought of here?. [online exhibition of physical postcards]. Exhibited at Bristol. 23 April 2020 - 30 June 2020. (Unpublished)

A collaboration with 98 national and international artists responding to texts by Elizabeth Bishop, Nancy Campbell, W. G. Sebald & Olga Tokarczuk. Bower Ashton Library, UWE Bristol, UK online exhibition and mail art exchange. Coordinated in collabora... Read More about Should we have stayed at home and thought of here?.

Woodburytype: A historical process resurrected by modern methods (2020)
Journal Article
Klein, S., Guy, W., Leech, D., & Argyle, J. (2020). Woodburytype: A historical process resurrected by modern methods. IMPACT Printmaking Journal,

One of the technological achievements of the 19th century was the mass reproduction of photographic images. Woodburytype was the first commercially successful photomechanical continuous tone printing method, of unsurpassed quality until today. Along... Read More about Woodburytype: A historical process resurrected by modern methods.

Welcome To Issue One (2020)
Journal Article
Ho, W. (2020). Welcome To Issue One. IMPACT Printmaking Journal, Spring 2020(One), One

Welcome editorial to the IMPACT Printmaking Journal, a new online open access peer reviewed academic journal created by me at the Centre for Fine Print Research over the past 7 months,

Welcome to Issue one of the IMPACT Printmaking Journal (2020)
Journal Article
Ho, W. (2020). Welcome to Issue one of the IMPACT Printmaking Journal. IMPACT Printmaking Journal, Spring 2020(One),

Introduction to the online open access peer reviewed academic journal called IMPACT Printmaking Journal which has been created and edited for Centre for Fine Print Research, University of the West of England: description of peer review process and su... Read More about Welcome to Issue one of the IMPACT Printmaking Journal.

Immediately Intimate (2020)
Journal Article
Fahy, N. (2020). Immediately Intimate. The Californian Printmaker: The Journal Of The Californian Society Of Printmakers, 17-19

This article will an interdisciplinary printmaking practice focusing on the development of a series of work through interweaving processes and materials. Discussing the notion of transformation through the intimate and complex relationship between m... Read More about Immediately Intimate.

Innovative technologies for sustainable textile coloration, patterning, and surface effects (2020)
Book Chapter
Kane, F., Shen, J., Morgan, L., Prajapati, C., Tyrer, J., & Smith, E. (2020). Innovative technologies for sustainable textile coloration, patterning, and surface effects. In S. S. Muthu, & M. A. Gardetti (Eds.), Sustainability in the Textile and Apparel Industries: Sustainable Textiles, Clothing Design and Repurposing (99-127). Springer International Publishing. https://doi.org/10.1007/978-3-030-38545-3_4

The environmental impact of textile dyeing and finishing is of paramount concern in the textile industry. Enzyme and laser processing technologies present attractive alternatives to conventional textile coloration and surface patterning methods. Both... Read More about Innovative technologies for sustainable textile coloration, patterning, and surface effects.

MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied. (2020)
Presentation / Conference
Boons, S. (2020, February). MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied. Presented at Materials Research Exchange 2020, Business Design Centre, London

Material Research Exchange 2020 http://www.materialsresearchexchange.co.uk/ Materials Research Exchange (MRE20) is a two-day exhibition and conference which showcases the wealth of UK materials research and investment opportunities. With the... Read More about MRE2020: Transforming ideas through utilising novel materials, and an insight into the problem-solving process applied..

Smart Tooling for Ceramic Extrusion (2020)
Presentation / Conference
Jorgensen, T. (2020, February). Smart Tooling for Ceramic Extrusion. Presented at Material Research Exchange, Business Design Centre, London

This presentation will outline research into ceramic profile extrusion. The research was initiated as creative explorations within the author's own craft practice. However, the project has since developed into a UKRI funded project, with global compa... Read More about Smart Tooling for Ceramic Extrusion.

Jewellery ± Scent x Science = Alchemy? (2020)
Presentation / Conference
Boons, S. (2020, February). Jewellery ± Scent x Science = Alchemy?. Presented at CFPR Seminar Series, Bristol

Contemporary jewellers are considered artists of the miniature sentiment and crafters of the wearable statement. Outside the realm of status and commodity, jewellery can be used to visualise the intangible and conceptual, creating objects and adornme... Read More about Jewellery ± Scent x Science = Alchemy?.

Rene Carcan Internation Prize for Printmaking (2020)
Exhibition / Performance
Ho, W. Rene Carcan Internation Prize for Printmaking. [Printmaking]. Exhibited at Bibliotheca Wittockiana, Brussels, Belgium. 1 February 2020 - 29 February 2020. (Unpublished)

Biennial International Print show, in Brussels, Belgium.