Model, print, shoot, repeat: An investigation into the impact of 3D printing as a tool in the stop-motion animation industries

Cowley, Laura-Beth

Abstract

This thesis investigates the use of 3D printing as a digital tool within the stop-motion animation industries, uncovering how this technology has affected and continues to affect the animation processes and those working with them. This is achieved by first placing 3D printing in context alongside stop-motion history and development, signifying it as an important new technology within animation practice for features, commercial, short-form, and auteur productions. Through interviews with leading practitioners in the industry and examination of many of the major studios that have led the way or otherwise adopted the technology to great effect, a thorough analysis has been conducted to categorise, define, explain, and contextualise the use of 3D printing technology within the stop-motion animation process and within various theoretical considerations.

Through practical investigation, an understanding of the technical skill and processes required to use various 3D printing technologies and materials has been achieved. Action research has been used to develop collaborative case studies with industry professionals; these have been designed to explore and demonstrate the main theoretical questions that have arisen from the research regarding craft skill, authorship, and novel aesthetic profiles achievable through this technology. Throughout the thesis, these considerations are explained and discussed to provide a factual, balanced framework for further research. These findings are used to assess current materials and technologies, develop a framework for auteur filmmaking, and explore the aesthetic potential of 3D printing in the near future.

• Thesis Type: Thesis
• Deposit Date: Feb 28, 2022
• Publicly Available Date: Jan 3, 2023
• Public URL: https://uwe-repository.worktribe.com/output/8812119
• Award Date: Jan 3, 2023