Mark Bould Mark.Bould@uwe.ac.uk
Associate Professor in Film and Literature
Afrocyberpunk cinema: The postcolony finds its own use for things
Bould, Mark
Authors
Contributors
Graham J Murphy
Editor
Lars Schmeink
Editor
Abstract
Noting the effective exclusion of Africa from cyberpunk visions of the future, this essay considers several films from Africa, directed by Sylvestre Amoussou, Nadia El Fani, Neill Blomkamp and Jean-Pierre Bekolo, which draw upon and develop cyberpunk imagery and ideas
Citation
Bould, M. (2017). Afrocyberpunk cinema: The postcolony finds its own use for things. In G. J. Murphy, & L. Schmeink (Eds.), Cyberpunk and Visual CultureTaylor & Francis (Routledge)
Publication Date | Oct 18, 2017 |
---|---|
Publisher | Taylor & Francis (Routledge) |
Peer Reviewed | Not Peer Reviewed |
Book Title | Cyberpunk and Visual Culture |
Chapter Number | 12 |
ISBN | 9781138062900 |
Keywords | cyberpunk, afrocyberpunk, sf, Nadia El Fani, Neill Blomkamp, Jean-Pierre Bekolo, Sylvester Ammoussou |
Public URL | https://uwe-repository.worktribe.com/output/879681 |
Publisher URL | https://www.routledge.com/Cyberpunk-and-Visual-Culture/Murphy-Schmeink/p/book/9781138062917 |
Additional Information | Additional Information : This is an Accepted Manuscript of a book chapter published by Routledge in Cyberpunk and Visual Culture on 18th October 2017, available online: https://www.routledge.com/Cyberpunk-and-Visual-Culture/Murphy-Schmeink/p/book/9781138062917 |
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