The cognitive dimensions of music notations

Nash, Chris

Abstract

This paper presents and adapts the Cognitive Dimensions of Notations framework (Green and Petre, 1996) for use in designing and analysing notations (and user interfaces) in both digital and traditional music practice and study. Originally developed to research the psychology of programming languages, the framework has since found wider use in both general HCI and music. The paper provides an overview of the framework, its application, and a detailed account of the core cognitive dimensions, each discussed in the context of three music scenarios: the score, Max/MSP, and sequencer/DAW software. Qualitative and quantitative methodologies for applying the framework are presented in closing, highlighting directions for further development of the framework.

Citation

Nash, C. (2015, May). The cognitive dimensions of music notations. Paper presented at International Conference on Technologies for Music Notation and Representation (TENOR) 2015, Paris-Sorbonne / IRCAM, Paris, France

• Presentation Conference Type: Conference Paper (unpublished)
• Conference Name: International Conference on Technologies for Music Notation and Representation (TENOR) 2015
• Conference Location: Paris-Sorbonne / IRCAM, Paris, France
• Start Date: May 28, 2015
• End Date: May 30, 2015
• Publication Date: May 28, 2015
• Deposit Date: Aug 26, 2015
• Publicly Available Date: Jun 17, 2016
• Peer Reviewed: Peer Reviewed
• Pages: 191-203
• Keywords: cognitive dimensions, HCI, interaction, digital music, notation, music notation, usability, virtuosity, programming languages
• Public URL: https://uwe-repository.worktribe.com/output/834132
• Publisher URL: http://tenor2015.tenor-conference.org/TENOR2015-Proceedings.pdf
• Additional Information: Title of Conference or Conference Proceedings : International Conference on Technologies for Music Notation and Representation (TENOR) 2015