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Cinema and soft power: Configuring the national and transnational in geo-politics

Spicer, Andrew

Cinema and soft power: Configuring the national and transnational in geo-politics Thumbnail


Authors

Andrew Spicer Andrew2.Spicer@uwe.ac.uk
Professor in Cultural Production



Abstract

As the contributors to this valuable collection all attest, the concept of ‘soft power’ can be traced to the political scientist Joseph Nye, who, after an initial attempt in 1990, published Soft Power: The Means to Success in World Politics (2004). Nye sought to analyse how governments were able to exert influence through attraction and enticement rather than coercion and how, increasingly, they attempted to mobilise a country’s ‘culture, political ideals and policies’ into a coherent strategy to promote a credible positive image, internationally and internally. Loosely extrapolated from Gramsci’s notion of hegemony, the instrumentalism of Nye’s approach – enshrined in its title – led inevitably to attempts at ranking, the Soft Power 30 Index being the most influential.

Journal Article Type Book Review
Acceptance Date Feb 24, 2023
Online Publication Date Feb 27, 2023
Publication Date 2023-03
Deposit Date Mar 20, 2023
Publicly Available Date Aug 28, 2024
Journal Transnational Screens
Print ISSN 2578-5273
Electronic ISSN 2578-5265
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 14
Issue 1
Pages 81-82
Item Discussed Edited by Stephanie Dennison and Rachel Dwyer, Edinburgh, Edinburgh University Press, 2021, 242 pp., £90 (hardback); £24.25 (paperback), ISBN 978 1 4744 56272
DOI https://doi.org/10.1080/25785273.2023.2184921
Keywords Visual Arts and Performing Arts, Communication
Public URL https://uwe-repository.worktribe.com/output/10537512
Publisher URL https://www.tandfonline.com/doi/full/10.1080/25785273.2023.2184921

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Cinema and soft Power: Configuring the national and transnational in geo-politics (18 Kb)
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Licence
http://creativecommons.org/licenses/by-nc/4.0/

Publisher Licence URL
http://creativecommons.org/licenses/by-nc/4.0/

Copyright Statement
This is the author’s accepted manuscript of an original article published by Taylor & Francis in ‘Transnational Screens ’ on the 27th of February 2023. The published version is available at: https://www.tandfonline.com/doi/abs/10.1080/25785273.2023.2184921?journalCode=rtrc21





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