Outputs (92)

Under new moons we stand strong - Symbolism and literacy in an era of digital oppression (2018)
Book Chapter

In an era of digital oppression, by which I mean the digital regimes and systems of traceability and accountability that we now encounter everyday, the mask and masking of oneself takes on another meaning. It is within this context that the return of... Read More about Under new moons we stand strong - Symbolism and literacy in an era of digital oppression.

Printed conversations and collaborative undertakings (2018)
Journal Article

The article discusses the curatorial premise and collaborative studio practices behind the Just Press Print exhibition curated by Dr Paul Laidler.
The Just Press Print exhibition title draws attention to automated associations with digital technolo... Read More about Printed conversations and collaborative undertakings.

Deuce: Queer visibility: Thirty years after Section 28 (2018)
Exhibition / Performance

The Arnolfini Bristol and UWE present new performance work, Duce, devised by Rachael Miles and Tom Marshman. This work explores the 30th anniversary of the introduction of Section 28, the infamous legislation that banned local authorities from ‘promo... Read More about Deuce: Queer visibility: Thirty years after Section 28.

Immersive Architecture Conference II (2018)
Presentation / Conference Contribution

The First International Conference on Real Time Rendering, Augmented, Interactive and Virtual Reality, focused on Design, Architecture, Real Estate and Cultural Heritage

Three days of workshops, talks, networking and live experiences on the latest... Read More about Immersive Architecture Conference II.

Mapping post-digital practice in the graphic arts (2018)
Journal Article

It has been suggested by a range of established commentators that digital technology may have potentially created a ‘mental change’ within the creative process of making images and objects. Although this statement is somewhat broad and our ability to... Read More about Mapping post-digital practice in the graphic arts.

Satisfaction Guaranteed™ (2018)
Journal Article

A written and illustrated article.
Science fiction films have presented us with numerous visions of machines programmed to satisfy our every need. In some instances these needs have been considered in relation to the intimate and physical relations... Read More about Satisfaction Guaranteed™.

Auditing creativity? The UK Art School in the age of neoliberalism (2018)
Presentation / Conference Contribution

Short abstract

This paper will examine the role that the HEI Art School plays in both normalising and resisting the standardisation of the artist/designer in the UK and reflect on the growing influence of systems of 'coercive accountability' (Shor... Read More about Auditing creativity? The UK Art School in the age of neoliberalism.

Painting as food (2018)
Presentation / Conference Contribution

A performative lecture / presentation with a painting, Déjeuner sans L'herbe, acrylic and oil on linen, 100 x 50cm, and 2 texts (one with a powerpoint presentation).

Words we never wrote (2018)
Other

Words We Never Wrote addresses an emergent quality of ambient works. It constructs a non-linear experiential narrative within a bookended structure, asking its audience to engage with a physical ‘marker’ too - a series of built artworks (WWNW) and a... Read More about Words we never wrote.

The tactile mapping project – partnership with CFPR – the potential of partnership (2018)
Presentation / Conference Contribution

Bristol Legible City is a unique concept to improve people’s understanding and experience of the city through identity, information, transport and public art projects. The first of its kind in the world, legible city projects now extend to over 30 ci... Read More about The tactile mapping project – partnership with CFPR – the potential of partnership.