Outputs (824)

Developments in the digital production of high quality original art: A case study (2007)
Book Chapter

Presented as a conference paper in NIP23: International Conference on Digital Printing Technologies and Digital Fabrication 2007, September 2007, Anchorage, Alaska. The Centre for Fine Print Research at the University of the West of England Bristol u... Read More about Developments in the digital production of high quality original art: A case study.

In search of the impossible ceramic object (2007)
Book Chapter

Presented as a conference paper at the IS&T International Conference on Digital Fabrication Technologies, 16-21 September 2007, Anchorage, Alaska. Developments in the area of Digital Fabrication and particularly 3D printing bring the intriguing prosp... Read More about In search of the impossible ceramic object.

Page on page – an overview of contemporary British and Irish artists’ books (2007)
Presentation / Conference Contribution

There are many artists working with the book format in the UK and Ireland. Page on Page discusses some of the concepts and formats of contemporary, British and Irish artist’s book production, and some sources for further information on artists' books... Read More about Page on page – an overview of contemporary British and Irish artists’ books.

Inkjet in question: Adapting current colour and ink technology for the requirements of the user (2007)
Presentation / Conference Contribution

This paper is an overview on the current application of inkjet and it’s, as to yet considered unfulfilled potential, which as a technology, is as revolutionary as Caxton’s printing press; and a presentation of an approach to develop inkjet from the p... Read More about Inkjet in question: Adapting current colour and ink technology for the requirements of the user.

User preferences in colour enhancements for unsupervised printing methods (2007)
Presentation / Conference Contribution

After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802 (2007)
Physical Artefact

Drawing from Turner , 6 November 2006-20 May 2007, Tate Britain. Drawing From Turner was a collaborative project and exhibition jointly organised by Tate Britain and the University of the Arts London. The display included the drawings of 30 contempor... Read More about After Turner from Grenoble sketchbook [Finberg LXXIV], Looking back to the Pic de l'Oeillette, Gorges du Guiers Mort, Grande Chartreuse 1802.

New technologies for 3D realization in Art and Design practice (2007)
Journal Article

As digital design technologies become ever more widespread, CAD-CAM, virtual and rapid prototyping techniques are increasingly being exploited by creative practitioners working in areas outside the industrial design and engineering contexts in which... Read More about New technologies for 3D realization in Art and Design practice.

An illustration of how research can generate research: Examining the progression of ideas and concepts used throughout a series of related research projects (2006)
Presentation / Conference Contribution

Creating and managing digital archives relating to the history and technique of print (2006)
Presentation / Conference Contribution

To manage the construction of a digital archive effectively, fundamental issues need to be addressed. These principally revolve around the consideration of how the underpinning architecture and design of the archive will work. For example – questions... Read More about Creating and managing digital archives relating to the history and technique of print.

From Bash Street to Duchamp, reproduction and originality using digitally created content (2006)
Book Chapter

The digital printing of imagery has caused speculation in regard to originality of image both in conception and in conservation. It has recreated the old arguments constantly cited over the authenticity of the artist original print, because the subj... Read More about From Bash Street to Duchamp, reproduction and originality using digitally created content.

Digitally print technologies and their relation to vitreous enamel on metal for the visual artist (2006)
Book

The Centre for Fine Print Research at the University of the West of England has recently installed a large-scale kiln for firing enamel on metal panels used in public art projects. This has necessitated research into methods of transferring digital p... Read More about Digitally print technologies and their relation to vitreous enamel on metal for the visual artist.

Digital fabrication techniques in art/craft and designer/maker ceramics (2006)
Book Chapter

While the development of Rapid Prototyping and Digital Fabrication technologies has transformed the production of models and prototypes in the industrial ceramics world, the use of these techniques in Art/Craft and Designer/Maker ceramics has been mi... Read More about Digital fabrication techniques in art/craft and designer/maker ceramics.

The diversity of digital print technologies used in the creation of high quality Fine Art (2006)
Journal Article

The Centre for Fine Print Research in Bristol UK undertakes research into print technologies from the traditional 19th Century to the latest digital capture and print. Outcomes of this research are often realised in collaborative projects with well-k... Read More about The diversity of digital print technologies used in the creation of high quality Fine Art.

Sitting Room: An Exhibition of Artists’ Books (2006)
Exhibition / Performance

Sitting Room was conceived between curators Tom Sowden and Lucy May Schofield. The show presented artists’ books in a re-created sitting room within gallery spaces, allowing the majority of books to be handled and read by the viewers.

Exhibition... Read More about Sitting Room: An Exhibition of Artists’ Books.

The use of database techniques for preserving high quality printing skills and processes (2006)
Presentation / Conference Contribution

With the rapid advancement of digital technology, knowledge of many former specialist high quality printing processes used throughout the late nineteenth and twentieth centuries have fallen by the wayside. As a result the details relating to their un... Read More about The use of database techniques for preserving high quality printing skills and processes.

Focus on Artists' Books 3 (2006)
Other

The collotype database (2006)
Data

The database was created as a result of demand from the international collotype community. There are only three commercial companies using the process in the world and academics, as part of the Association of European Historic Printing Museums, were... Read More about The collotype database.

What happens to prints during storage? To evaluate the whiteness of artists’ enhanced inkjet papers and colour changes in relation to fading of ink (2006)
Book Chapter

The tests emulate a range of storage conditions by generating layers of printed inkjet test charts to determine what happens to prints during storage and over time. For the home user of photo-printers onto glossy media, storage conditions for printed... Read More about What happens to prints during storage? To evaluate the whiteness of artists’ enhanced inkjet papers and colour changes in relation to fading of ink.

Collotype: Past, present and future (2006)
Other

Catalogue for the exhibition at St Bride Library, London for the exhibition Collotype: past, present and future. This publication was the result of AHRC funding.

The production of archivally stable fine art prints: The role of the master printer in the digital age (2006)
Book Chapter

From a conference paper given at the Third International Conference: Preservation and Conservation Issues Related to Digital Printing and Digital Photography, 25th April 2006, Institute of Physics, London. For many blue chip artists the master printe... Read More about The production of archivally stable fine art prints: The role of the master printer in the digital age.