Of eight oscillations and several messages carved in flesh: Spectacle, spectatorship, cognition, and affect in Dredd and Looper
(2014)
Journal Article
Both popular and academic criticism tend to decry sf cinema’s commitment to spectacle and special effects as intellectually stultifying and thus politically narcotizing. This article challenges the class politics of taste and the crude models of inte... Read More about Of eight oscillations and several messages carved in flesh: Spectacle, spectatorship, cognition, and affect in Dredd and Looper.